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Joseph MacDonald
Black-and-white and color cinematographer, long with 20th Century-Fox. MacDonald worked often for Henry Hathaway ("Call Northside 777" 1948, "Niagara" 1953) and made notable contributions to films by Elia Kazan ("Viva Zapata!" 1951) and Samuel Fuller ("Pick Up on South Street" 1953), among others.
Filmography
Movies
| Credit | |||||
|---|---|---|---|---|---|
| No Score Yet | No Score Yet | Second Stories: It Had to be Done | Producer | - | 2008 |
| 20% |
|
Mackenna's Gold | Cinematographer | - | 1969 |
| 44% |
|
A Guide for the Married Man | Cinematographer | - | 1967 |
| No Score Yet |
|
Alvarez Kelly | Cinematographer | - | 1966 |
| 85% |
|
The Sand Pebbles | Cinematographer | - | 1966 |
| No Score Yet |
|
Blindfold | Cinematographer | - | 1966 |
| 100% |
|
Mirage | Cinematographer | - | 1965 |
| No Score Yet | No Score Yet | The Reward | Cinematographer | - | 1965 |
| No Score Yet |
|
Where Love Has Gone | Cinematographer | - | 1964 |
| 43% |
|
Rio Conchos | Cinematographer | - | 1964 |
| No Score Yet |
|
Invitation to a Gunfighter | Cinematographer | - | 1964 |
| 64% |
|
The List of Adrian Messenger | Cinematographer | - | 1963 |
| No Score Yet |
|
Kings of the Sun | Cinematographer | - | 1963 |
| 67% |
|
Walk on the Wild Side | Cinematographer | - | 1962 |
| No Score Yet | No Score Yet | The Last Time I Saw Archie | Cinematographer | - | 1961 |
| 80% |
|
Warlock | Cinematographer | - | 1959 |
| 71% |
|
The Young Lions | Cinematographer | - | 1958 |
| No Score Yet |
|
A Hatful of Rain | Cinematographer | - | 1957 |
| 88% |
|
The True Story of Jesse James | Cinematographer | - | 1957 |
| No Score Yet |
|
Teenage Rebel | Cinematographer | - | 1956 |
| 91% |
|
Bigger Than Life | Cinematographer | - | 1956 |
| No Score Yet | No Score Yet | On the Threshold of Space | Cinematographer | - | 1956 |
| 85% |
|
House of Bamboo | Cinematographer | - | 1955 |
| No Score Yet |
|
A Woman's World | Cinematographer | - | 1954 |
| 80% |
|
Hell and High Water | Cinematographer | - | 1954 |
| 93% |
|
Pickup on South Street | Cinematographer | - | 1953 |
| 81% |
|
How to Marry a Millionaire | Cinematographer | - | 1953 |
| 53% |
|
Viva Zapata! | Cinematographer | - | 1952 |
| No Score Yet |
|
O. Henry's Full House | Cinematographer | - | 1952 |
| 63% |
|
What Price Glory? | Cinematographer | - | 1952 |
| 63% |
|
Fourteen Hours | Cinematographer | - | 1951 |
| 100% |
|
Yellow Sky | Cinematographer | - | 1948 |
| 100% |
|
The Dark Corner | Cinematographer | - | 1946 |
| No Score Yet |
|
Shock | Cinematographer | - | 1946 |
| 100% |
|
My Darling Clementine | Cinematographer | - | 1946 |
| No Score Yet | No Score Yet | Sunday Dinner for a Soldier | Cinematographer | - | 1944 |
| No Score Yet | No Score Yet | Little Tokyo, U.S.A. | Cinematographer | - | 1942 |
| No Score Yet | No Score Yet | The Postman Didn't Ring | Cinematographer | - | 1942 |
| No Score Yet | No Score Yet | Romance of the Rio Grande | Carlos Hernandez (Character) | - | 1941 |