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Costao

Play trailer Poster for Costao 2025 2h 4m Drama Play Trailer Watchlist
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Tomatometer 5 Reviews Popcornmeter Fewer than 50 Ratings

Critics Reviews

View All (5) Critics Reviews
Rahul Desai The Hollywood Reporter The broader intent is fine, but the film fails to engage on a scene-to-scene level. Jun 4, 2025 Full Review Shubhra Gupta The Indian Express If only it had been executed with more verve, this would have been a film to remember for all the right reasons. Instead, the telling lets down both actors and story. Rated: 2.5/5 Jun 3, 2025 Full Review Nandini Ramnath Scroll.in With a less indifferent screenplay and more attentive direction, the film might have been a vivid portrait of crime in Goa. Instead, Costao is a formulaic tale of a government official becoming a victim of the system he has sworn to uphold. Jun 3, 2025 Full Review Lachmi Deb Roy Firstpost No actor can match up with the craft of Nawazuddin Siddiqui. He is effortless and knows how to get into the skin of the character. His expressions are brilliant. There is nothing that is in excess in his acting or even the script. Rated: 4/5 Jun 3, 2025 Full Review Devesh Sharma Filmfare Based on a true story that has all the ingredients of an intense political thriller, the film sadly lacks both cinematic tension and dramatic flair. Rated: 3/5 May 14, 2025 Full Review Read all reviews

Audience Reviews

View All (1) audience reviews
Talha Mahmood O Movie 4: COSTAO - 2025 (Sejal Shah) ============================= Rating: 3/5 āĻļ⧇āϜāĻžāϞ āĻļāĻžāĻš'āϰ 'āĻ•āĻ¸ā§āϟāĻžāĻ“': āĻāĻ• āϏāĻ‚āĻ—ā§āϰāĻžāĻŽā§€ āĻ…āĻĢāĻŋāϏāĻžāϰ⧇āϰ āφāĻ¤ā§āĻŽāĻœā§€āĻŦāύ⧀āĻŽā§‚āϞāĻ• āϚāϞāĻšā§āϚāĻŋāĻ¤ā§āϰ āύāĻ“āϝāĻŧāĻžāϜ⧁āĻĻā§āĻĻāĻŋāύ āϏāĻŋāĻĻā§āĻĻāĻŋāϕ⧀ āĻ…āĻ­āĻŋāύ⧀āϤ āĻļ⧇āĻ–āϞ āĻļāĻžāĻšāϰ 'āĻ•āĻ¸ā§āϟāĻžāĻ“' āĻ—ā§‹āϝāĻŧāĻžāύ āĻ•āĻžāĻ¸ā§āϟāĻŽāϏ āĻ…āĻĢāĻŋāϏāĻžāϰ āϕ⧋āĻ¸ā§āϟāĻžāĻ“ āĻĢāĻžāĻ°ā§āύāĻžāĻ¨ā§āĻĄā§‡āĻœā§‡āϰ āĻœā§€āĻŦāύ āĻ“ āϏāĻ‚āĻ—ā§āϰāĻžāĻŽā§‡āϰ āĻ“āĻĒāϰ āĻ­āĻŋāĻ¤ā§āϤāĻŋ āĻ•āϰ⧇ āϤ⧈āϰāĻŋ āĻāĻ•āϟāĻž āφāĻ¤ā§āĻŽāĻœā§€āĻŦāύ⧀āĻŽā§‚āϞāĻ• āϚāϞāĻšā§āϚāĻŋāĻ¤ā§āϰāĨ¤ āϏāĻŋāύ⧇āĻŽāĻžāϟāĻŋ āĻāĻ•āϜāύ āĻ¸ā§Ž āĻ…āĻĢāĻŋāϏāĻžāϰ⧇āϰ āĻ…āĻĒāϰāĻžāϧ āĻ“ āĻĻ⧁āĻ°ā§āύ⧀āϤāĻŋāϰ āĻŦāĻŋāϰ⧁āĻĻā§āϧ⧇ āĻāĻ•āĻžāϕ⧀ āϞāĻĄāĻŧāĻžāχāϝāĻŧ⧇āϰ āĻ•āĻžāĻšāĻŋāύ⧀ āĻŦāĻ°ā§āĻŖāύāĻž āĻ•āϰ⧇āĨ¤ āĻāĻ•āϜāύ āĻŦāĻžāĻ¸ā§āϤāĻŦ āĻœā§€āĻŦāύ⧇āϰ āĻŦā§€āϰ⧇āϰ āĻ—āĻ˛ā§āĻĒ āĻŦāϞāĻžāϰ āĻĻāĻžāϝāĻŧāĻŋāĻ¤ā§āĻŦ āĻĒāĻžāϞāύ āĻ•āϰāϤ⧇ āĻ—āĻŋāϝāĻŧ⧇ āϏāĻŋāύ⧇āĻŽāĻžāϟāĻŋ āϕ⧋āύ āϕ⧋āύ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āϏāĻĢāϞ āĻšāϝāĻŧ⧇āϛ⧇ āφāϰ āϕ⧋āĻĨāĻžāϝāĻŧ āĻ•āĻŋāϛ⧁āϟāĻž āĻĒāĻŋāĻ›āĻŋāϝāĻŧ⧇ āφāϛ⧇, āϤāĻž āύāĻŋāϝāĻŧ⧇āχ āĻāχ āφāϞ⧋āϚāύāĻžāĨ¤ "'āĻ•āĻ¸ā§āϟāĻžāĻ“" āϏāĻŋāύ⧇āĻŽāĻžāϟāĻŋ āϤāĻžāϰ āĻĒā§āϰāĻĨāĻŽāĻžāĻ°ā§āϧ⧇ āĻĻāĻ°ā§āĻļāĻ•āĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻāĻ•āϟāĻŋ āĻœā§‹āϰāĻžāϞ⧋ āĻ“ āĻ…ā§āϝāĻžāĻŸā§āĻ°ā§āϝāĻžāĻ•āϟāĻŋāĻ­ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻž āωāĻĒāĻšāĻžāϰ āĻĻ⧇āϝāĻŧāĨ¤ āύāĻ“āϝāĻŧāĻžāϜ⧁āĻĻā§āĻĻāĻŋāύ āϏāĻŋāĻĻā§āĻĻāĻŋāϕ⧀ 'āϕ⧋āĻ¸ā§āϟāĻžāĻ“ āĻĢāĻžāĻ°ā§āύāĻžāĻ¨ā§āĻĄā§‡āϜ' āϚāϰāĻŋāĻ¤ā§āϰ⧇ āĻ…āĻ­āĻŋāύāϝāĻŧ āĻ•āϰ⧇ āĻŦ⧇āĻļ āϏāĻžāĻŦāϞ⧀āϞāϤāĻž āĻĻ⧇āĻ–āĻŋāϝāĻŧ⧇āϛ⧇āύ, āϝāĻž āϤāĻžāϰ āϏāĻžāĻŽā§āĻĒā§āϰāϤāĻŋāĻ• āĻ•āĻŋāϛ⧁ āύāĻŋāϰāĻžāĻļāĻžāϜāύāĻ• āĻĒāĻžāϰāĻĢāϰāĻŽā§āϝāĻžāĻ¨ā§āϏ⧇āϰ āĻĒāϰ āĻŦāĻž āĻ­āĻžāϞ⧋ āĻ¸ā§āĻ•ā§āϰāĻŋāĻĒā§āϟ āϏāĻŋāĻ˛ā§āϝāĻžāĻ•ā§āϟ āύāĻž āĻ•āϰāĻžāϰ āĻĒāϰ āĻ•āĻŋāϛ⧁āϟāĻž āĻšāϞ⧇āĻ“ āĻāĻ•āϟāĻŋ āχāϤāĻŋāĻŦāĻžāϚāĻ• āĻĒā§āϰāĻ¤ā§āϝāĻžāĻŦāĻ°ā§āϤāύ āĻšāĻŋāϏ⧇āĻŦ⧇ āϚāĻŋāĻšā§āύāĻŋāϤ āĻ•āϰāĻž āϝāĻžāϝāĻŧāĨ¤ 'āĻ•āĻŋāĻļā§‹āϰ āϕ⧁āĻŽāĻžāϰ āϜāĻŋ' āĻ–āϞāύāĻžāϝāĻŧāĻ• āĻĄāĻŋ'āĻŽā§‡āϞ⧋āϰ āĻ­ā§‚āĻŽāĻŋāĻ•āĻžāϝāĻŧ āϝāĻĨ⧇āĻˇā§āϟ āĻĒāĻ°ā§āĻĻāĻž āωāĻĒāĻ¸ā§āĻĨāĻŋāϤāĻŋ āĻ“ āϭ⧟āĻžāĻŦāĻšāϤāĻž āύāĻŋāϝāĻŧ⧇ āĻšāĻžāϜāĻŋāϰ āĻšāϝāĻŧ⧇āϛ⧇āύāĨ¤ 'āĻĒā§āϰāĻŋāϝāĻŧāĻž āĻŦāĻžāĻĒāĻžāϤ' āĻŽāĻžāϰāĻŋāϝāĻŧāĻž āϚāϰāĻŋāĻ¤ā§āϰ⧇, āĻāĻ•āϜāύ āĻŽāĻžāϰāĻžāĻ āĻŋ āĻ…āĻ­āĻŋāύ⧇āĻ¤ā§āϰ⧀ āĻšāϝāĻŧ⧇āĻ“ āĻ—ā§‹ā§ŸāĻžāύāĻŋāϜ āĻ–ā§āϰāĻŋāĻ¸ā§āϟāĻžāύ āĻ…ā§āϝāĻžāĻ•āϏ⧇āĻ¨ā§āĻŸā§‡ āĻŽā§‹āϟāĻžāĻŽā§āϟāĻŋ āĻ­āĻžāϞ⧋āĻ­āĻžāĻŦ⧇āχ āϰ⧂āĻĒāĻĻāĻžāύ āĻ•āϰ⧇āϛ⧇āύāĨ¤ "Go Goa Gone' āĻŦāĻž 'Finding Fanny' āĻĻ⧇āĻ–āϞ⧇ āĻ—ā§‹ā§ŸāĻžāύāĻŋāϜāĻĻ⧇āϰ āĻāĻ•āϏ⧇āĻ¨ā§āϟ āϟ⧁āĻ•āĻŋāϟāĻžāĻ•āĻŋ āωāĻĒāϞāĻŦā§āϧāĻŋ āĻ•āϰāĻž āϝāĻžā§Ÿ, āϏ⧇āχ āĻĨ⧇āϕ⧇ āĻāĻ•āϏ⧇āĻ¨ā§āϟ āύāĻŋā§Ÿā§‡ āφāϞ⧋āϚāύāĻž āĻ•āϰāĻžāĨ¤ Costao āĻĢāĻŋāĻ˛ā§āĻŽā§‡āϰ āϏāĻšāĻžāϝāĻŧāĻ• āĻ…āĻ­āĻŋāύ⧇āϤāĻžāĻĻ⧇āϰ āĻĒāĻžāϰāĻĢāϰāĻŽā§āϝāĻžāĻ¨ā§āϏāĻ“ āϝāĻĨ⧇āĻˇā§āϟ āĻ—ā§āϰāĻšāĻŖāϝ⧋āĻ—ā§āϝ, āϏ⧇āχ āϏāĻžāĻĨ⧇ āĻāĻ•āϏ⧇āĻ¨ā§āϟāĻ“āĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏāĻŋāύ⧇āĻŽāĻžāϰ āĻĻā§āĻŦāĻŋāϤ⧀āϝāĻŧāĻžāĻ°ā§āϧ⧇ āĻāϏ⧇ āĻ¸ā§āĻĒāĻŋāĻĄ āωāĻ˛ā§āϞ⧇āĻ–āϝ⧋āĻ—ā§āϝāĻ­āĻžāĻŦ⧇ āĻšāĻžāϰāĻŋāϝāĻŧ⧇ āĻĢ⧇āϞ⧇, āĻāϰ āĻ•āĻžāϰāĻŖ āĻšā§ŸāϤ⧋ āĻŦāĻžāϝāĻŧā§‹āĻĒāĻŋāĻ• āĻšāĻ“āϝāĻŧāĻžāϝāĻŧ āϏāĻ¤ā§āϝ āϘāϟāύāĻžāϰ āĻĒā§āϰāϤāĻŋ āφāύ⧁āĻ—āĻ¤ā§āϝ āϰāĻ•ā§āώāĻž āĻ•āϰāϤ⧇ āĻ—āĻŋāϝāĻŧ⧇ āϏ⧃āϜāύāĻļā§€āϞ āĻ¸ā§āĻŦāĻžāϧ⧀āύāϤāĻž āϏ⧀āĻŽāĻŋāϤ āĻšāϝāĻŧ⧇ āĻĒ⧜āĻžāĨ¤ āĻĻā§āĻŦāĻŋāϤ⧀āϝāĻŧāĻžāĻ°ā§āϧ⧇ āϕ⧋āĻ¸ā§āϟāĻžāĻ“āϝāĻŧ⧇āϰ āωāĻĒāϰ āύ⧇āĻŽā§‡ āφāϏāĻž āϏāĻšāĻŋāĻ‚āϏāϤāĻž āĻ“ āĻ…āĻĒāĻŽāĻžāύ⧇āϰ āĻĒāϰ⧇āĻ“ āϤāĻžāϰ āϚāϰāĻŋāĻ¤ā§āϰ⧇ āϤ⧇āĻŽāύ āϕ⧋āύāĻ“ āϤāĻžā§ŽāĻĒāĻ°ā§āϝāĻĒā§‚āĻ°ā§āĻŖ āĻĒā§āϰāϤāĻŋāĻ•ā§āϰāĻŋāϝāĻŧāĻž āĻŦāĻž āύāĻžāϟāϕ⧀āϝāĻŧ āĻŽā§‹āĻĄāĻŧ āύāĻž āĻĨāĻžāĻ•āĻžāϝāĻŧ āύāĻ“āϝāĻŧāĻžāϜ⧁āĻĻā§āĻĻāĻŋāύ āϏāĻŋāĻĻā§āĻĻāĻŋāϕ⧀āϰ āĻāĻ•ā§āϟāĻŋāĻ‚-āĻāĻ“ āφāĻšāĻžāĻŽāϰāĻŋ āϕ⧋āύ āĻ•āĻŋāϛ⧁ āĻāĻĄ āĻ•āϰāĻžāϰ āĻ•āĻŋāϛ⧁ āĻ›āĻŋāϞ āύāĻž āĻŦāϞ⧇ āĻŽāύ⧇ āĻšā§Ÿā§‡āϛ⧇āĨ¤ āϤāĻžāχ āĻ—āĻ˛ā§āĻĒāĻ“ āĻ…āύ⧇āĻ•āϟāĻžāχ āϏāĻŽāϤāϞ āĻšā§Ÿā§‡ āĻĒā§œā§‡āĨ¤ āϕ⧋āĻ¸ā§āϟāĻžāĻ“āϝāĻŧ⧇āϰ āĻ•āĻ¨ā§āϝāĻžāϰ āĻĻ⧃āĻˇā§āϟāĻŋāϕ⧋āĻŖ āĻĨ⧇āϕ⧇ āĻ—āĻ˛ā§āĻĒ āĻŦāϞāĻž āĻļ⧁āϰ⧁ āĻšāϞ⧇āĻ“ āϧ⧀āϰ⧇ āϧ⧀āϰ⧇ āĻāχ āĻ•ā§ŒāĻļāϞāϟāĻŋāĻ“ āϤāĻžāϰ āĻĒā§āϰāĻ­āĻžāĻŦ āĻšāĻžāϰāĻžāϝāĻŧāĨ¤ āϤāĻŦ⧇ āĻĻā§āĻŦāĻŋāϤ⧀āϝāĻŧāĻžāĻ°ā§āϧ⧇ āĻāχ voice over-āĻāϰ āĻ•ā§ŒāĻļāϞ āĻ—ā§‹āϟāĻž āĻĒā§āϰāĻĨāĻŽāĻžāĻ°ā§āϧ⧇ āϤ⧈āϰāĻŋ āĻšāĻ“āϝāĻŧāĻž āϟāĻžāύāϟāĻžāύ āωāĻ¤ā§āϤ⧇āϜāύāĻžāϰ āĻ…āύ⧁āĻ­ā§‚āϤāĻŋ āϧāϰ⧇ āϰāĻžāĻ–āϤ⧇ āĻĒāĻžāϰ⧇āύāĻžāχāĨ¤ BGM-āĻāϰāĻ“ āĻŦā§āϝāĻŦāĻšāĻžāϰ āĻŦ⧇āĻļ āĻ–āĻžāĻĒāĻ›āĻžāĻĄāĻŧāĻž āϞ⧇āϗ⧇āϛ⧇āĨ¤ āĻ—āĻžāύāϗ⧁āϞ⧋ āφāϚāĻŽāĻ•āĻž āĻāϏ⧇ āφāĻŦ⧇āĻ— āĻŦāĻž āĻ—āĻ˛ā§āĻĒ⧇āϰ āĻŦ⧁āύāĻŸā§‡ āϤ⧇āĻŽāύ āϕ⧋āύāĻ“ āĻ…āĻŦāĻĻāĻžāύ āύāĻž āϰāĻžāĻ–āĻžāϝāĻŧ āĻŦāĻŋāĻ˜ā§āύ⧇āϰ āϏ⧃āĻˇā§āϟāĻŋ āĻ•āϰ⧇āĨ¤ āĻāĻ›āĻžāĻĄāĻŧāĻž, āĻ¸ā§āĻĒāĻˇā§āϟāϤāχ āϏ⧀āĻŽāĻŋāϤ āĻŦāĻžāĻœā§‡āĻŸā§‡āϰ āĻĒā§āϰāĻ­āĻžāĻŦ āϚāϞāĻšā§āϚāĻŋāĻ¤ā§āϰāϟāĻŋāϰ āĻĒā§āϰāϝ⧋āϜāύāĻžāϰ āĻŽāĻžāύ āĻ“ āϚāĻŋāĻ¤ā§āϰāĻ—ā§āϰāĻšāϪ⧇ āĻĒāĻĄāĻŧ⧇āϛ⧇āĨ¤ āĻĒā§āϰāĻžāĻ•ā§ƒāϤāĻŋāĻ• āϏ⧌āĻ¨ā§āĻĻāĻ°ā§āϝāĻŽāϝāĻŧ āĻ—ā§‹āϝāĻŧāĻžāϰ āĻĻ⧃āĻļā§āϝāĻžāĻŦāϞ⧀ āĻ›āĻžāĻĄāĻŧāĻž āϚāĻŋāĻ¤ā§āϰāĻ—ā§āϰāĻšāϪ⧇ āĻŦāĻŋāĻļ⧇āώ āϕ⧋āύāĻ“ āωāĻ˛ā§āϞ⧇āĻ–āϝ⧋āĻ—ā§āϝāϤāĻž āύāĻžāχāĨ¤ āĻĒāϰāĻŋāϚāĻžāϞāĻ• āϏ⧇āϜāĻžāϞ āĻļāĻžāĻš āϏāĻŋāύ⧇āĻŽāĻžāĻŸā§‹āĻ—ā§āϰāĻžāĻĢāĻžāϰ āĻĨ⧇āϕ⧇ āĻĒāϰāĻŋāϚāĻžāϞāĻ• āĻšāĻŋāϏ⧇āĻŦ⧇ āĻĒāĻĻāĻžāĻ°ā§āĻĒāϪ⧇ āφāĻ¨ā§āϤāϰāĻŋāĻ• āĻĒā§āϰāĻšā§‡āĻˇā§āϟāĻž āϚāĻžāϞāĻŋāϝāĻŧ⧇āϛ⧇āύāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻĻ⧁āĻ°ā§āĻŦāϞ āĻ¸ā§āĻ•ā§āϰāĻŋāĻĒā§āϟ āϚāϞāĻšā§āϚāĻŋāĻ¤ā§āϰāϟāĻŋāϰ āϏāĻžāĻŽāĻ—ā§āϰāĻŋāĻ• āĻĒā§āϰāĻ­āĻžāĻŦāϕ⧇ āĻ–āĻ°ā§āĻŦ āĻ•āϰ⧇āϛ⧇āĨ¤ āĻŦāϞāϤ⧇ āχāĻšā§āϛ⧇ āĻ•āϰāϛ⧇ "A missed opportunity to honor an icon who deserved better"āĨ¤ āϏāĻŦāĻŽāĻŋāϞāĻŋāϝāĻŧ⧇, 'āĻ•āĻ¸ā§āϟāĻžāĻ“' āĻāĻ•āϟāĻŋ āφāĻ¨ā§āϤāϰāĻŋāĻ• āĻĒā§āϰāĻšā§‡āĻˇā§āϟāĻž āĻāĻŦāĻ‚ āĻāĻ•āϜāύ āĻ…āϏāĻžāϧāĻžāϰāĻŖ āĻ¸ā§Ž āĻ…āĻĢāĻŋāϏāĻžāϰāϕ⧇ āĻļā§āϰāĻĻā§āϧāĻž āϜāĻžāύāĻžāύ⧋āϰ āĻāĻ•āϟāĻŋ āĻŽāĻžāĻ§ā§āϝāĻŽāĨ¤ āĻāϟāĻŋ āĻŽā§‚āϞāϧāĻžāϰāĻžāϰ āĻĻāĻ°ā§āĻļāĻ•āĻĻ⧇āϰ āĻšā§‡āϝāĻŧ⧇ āϏāϤāϤāĻž āĻ“ āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āĻ…āĻ–āĻŖā§āĻĄāϤāĻžāϰ āĻŽā§‚āĻ˛ā§āϝāĻŦā§‹āϧāϕ⧇ āĻ…āĻ—ā§āϰāĻžāϧāĻŋāĻ•āĻžāϰ āĻĻ⧇āϝāĻŧāĻž āĻĻāĻ°ā§āĻļāĻ•āĻĻ⧇āϰ āĻ•āĻžāϛ⧇ āĻŦ⧇āĻļāĻŋ āϏāĻžāĻĄāĻŧāĻž āϜāĻžāĻ—āĻžāϤ⧇ āĻĒāĻžāϰ⧇āĨ¤ āϏāĻŋāύ⧇āĻŽāĻžāϟāĻŋ āĻšāϝāĻŧāϤ⧋ āϏāĻŋāύ⧇āĻŽāĻžāϟāĻŋāĻ• āύ⧈āĻĒ⧁āĻŖā§āϝ⧇ āϏāĻ°ā§āĻŦā§‹āĻšā§āϚ āĻŽāĻžāύ⧇āϰ āύāĻž āĻšāϞ⧇āĻ“, āĻāϟāĻŋ āϕ⧋āĻ¸ā§āϟāĻžāĻ“ āĻĢāĻžāĻ°ā§āύāĻžāĻ¨ā§āĻĄā§‡āĻœā§‡āϰ āĻ…āĻ§ā§āϝāĻŦāϏāĻžāϝāĻŧ āĻ“ āĻĻ⧇āĻļāĻĒā§āϰ⧇āĻŽā§‡āϰ āĻĒā§āϰāϤāĻŋ āĻāĻ•āϟāĻŋ āĻšā§ƒāĻĻāϝāĻŧāĻ—ā§āϰāĻžāĻšā§€ āĻļā§āϰāĻĻā§āϧāĻžāĻžā§āϜāϞāĻŋāĨ¤ Rated 3 out of 5 stars 05/30/25 Full Review Read all reviews
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Movie Info

Director
Sejal Shah
Producer
Vinod Bhanushali, Kamlesh Bhanushali, Sejal Shah, Shyam Sunder, Bhavesh Mandalia, Faizuddin Siddiqui
Screenwriter
Bhavesh Mandalia, Meghna Srivastava
Production Co
Bhanushali Studios Limited, Bombay Fables Motion Pictures
Genre
Drama
Original Language
Hindi
Runtime
2h 4m