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A brilliantly unsettling blend of body horror and psychological thriller, Saint Maud marks an impressive debut for writer-director Rose Glass. Read critic reviews
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Movie Info
The debut film from writer-director Rose Glass, Saint Maud is a chilling and boldly original vision of faith, madness, and salvation in a fallen world. Maud, a newly devout hospice nurse, becomes obsessed with saving her dying patient's soul -- but sinister forces, and her own sinful past, threaten to put an end to her holy calling.
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Rating: R (Language|Disturbing and Violent Content|Sexual Content)
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Genre: Horror
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Original Language: English
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Director: Rose Glass
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Producer: Oliver Kassman, Andrea Cornwell
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Writer: Rose Glass
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Release Date (Theaters): limited
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Release Date (Streaming):
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Runtime:
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Distributor: A24
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Production Co: Film4
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Aspect Ratio: Scope (2.35:1)
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Critic Reviews for Saint Maud
Audience Reviews for Saint Maud
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Very reminiscent of several other A24 "Arthouse Horror" films of the past decade or so, however I do appreciate that in its final seconds the movie suddenly and rather brutally stops being coy about whether or not the supernatural elements are real.
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Yowza, this kills. Rose Glass's 'Saint Maud' packs a walloping thematic punch right up my alley and is steeped in a bleak, spiraling slow-burn of loneliness, purpose, obsession, and salvation. As an allegorical offering, 'Maud' is a home run, though I admit the cracks will show a bit when dissected at face value (critics attack its politics in particular). As far as fleshing out Maud's backstory and building once the plot thickens, the film is tragically short - yet it's so conceptually tremendous and terrifically acted by both Morfydd Clark and Jennifer Ehle, that you'll be salivating for more. Bzowski's score lands at all the right moments, and that ending…that freaking ending. Right out the gate, Glass has joined the Eggers & Aster Class of Killer Debuts.
marisol m Super Reviewer -
Less of a horror and more of a character study on the effects of isolation on a person's mental health and the lunacy of taking religion far too seriously. However you want to categorise it doesn't matter, though, as it's still a commanding debut from Rose Glass. This is a director with a solid handling on pace and the ability to tread that fine line between art and accessibility. A very strong piece of work and two excellent central performances from Morfydd Clark and Jennifer Ehle.
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