Bertrand Tavernier
Bertrand Tavernier quit law school to write film criticism for Cahiers du Cinema and other major journals, worked as an assistant director and publicist (e.g., for Jean-Pierre Melville) and authored a couple of books on American cinema before making his first feature, "The Clockmaker" (1973). Adapted from a Georges Simenon novel (and transposed from the USA to Tavernier's home town), it is an intelligent, studied debut with finely-tuned performances, which won a Special Jury Prize at the 1974 Berlin Film Festival, the Prix Louis Delluc in France, and established Tavernier's reputation. His subsequent works have been equally well-crafted, displaying an affecting confluence of French and American cinematic styles. Tavernier's other noted films include "Clean Slate" (1981), a bold adaptation of Jim Thompson's "Pop. 1280", set not in the US South, but in French North Africa, and "'Round Midnight" (1986), a smooth, pseudo-biopic of a black-American jazz musician in 1950s Paris. Tavernier is separated from screenwriter Colo Tavernier Hagan, who has worked on several of his films, and the father of actor Nils Tavernier, who appeared in, among others, "Beatrice" (1987). Bertrand Tavernier died on March 25, 2021 in Sainte-Maxime, Var, France at the age of 79.
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Bertrand Tavernier
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
100% |
|
My Journey Through French Cinema |
Self, Director, Writer |
$52.1K | 2016 |
No Score Yet |
|
Lumiere! | Producer | - | 2016 |
62% |
|
The French Minister |
Director, Screenwriter, Casting |
$3.8K | 2013 |
85% |
|
The Princess of Montpensier |
Director, Screenwriter |
$340.9K | 2010 |
54% |
|
In the Electric Mist | Director | - | 2009 |
No Score Yet |
|
Holy Lola |
Director, Writer |
- | 2004 |
76% |
|
Safe Conduct |
Director, Writer |
$26.6K | 2002 |
No Score Yet | No Score Yet | My Father Saved My Life | Writer | - | 2001 |
81% |
|
It All Starts Today |
Director, Writer |
$12.3K | 1999 |
No Score Yet | No Score Yet | Blue Note: A Story of Modern Jazz | Unknown (Character) | - | 1997 |
No Score Yet |
|
Captain Conan | Director | $3.1K | 1996 |
No Score Yet |
|
Fresh Bait | Director | - | 1995 |
No Score Yet |
|
Revenge of the Musketeers | Director | - | 1994 |
100% | No Score Yet | The Troubles We've Seen: A History of Journalism in Wartime | Producer | - | 1994 |
No Score Yet | No Score Yet | Against Oblivion | Director | - | 1992 |
No Score Yet |
|
L.627 | Director | - | 1992 |
88% |
|
Daddy Nostalgia | Director | $10.2K | 1990 |
No Score Yet |
|
Life and Nothing But |
Director, Writer |
$11.4K | 1990 |
No Score Yet | No Score Yet | These Foolish Things | Director | - | 1990 |
No Score Yet | No Score Yet | Undeclared War | Director | - | 1990 |
No Score Yet |
|
Beatrice | Director | $140.6K | 1988 |
100% |
|
Round Midnight | Director | $2.7M | 1986 |
No Score Yet | No Score Yet | Mississippi Blues | Director | - | 1984 |
100% |
|
A Sunday in the Country |
Director, Producer |
- | 1984 |
No Score Yet | No Score Yet | The Trail | Screenwriter | - | 1983 |
88% |
|
Clean Slate |
Director, Screenwriter |
$10.0K | 1981 |
No Score Yet | No Score Yet | A Week's Vacation | Director | - | 1981 |
79% |
|
Death Watch | Director | - | 1980 |
No Score Yet | No Score Yet | Spoiled Children | Director | - | 1977 |
No Score Yet | No Score Yet | The Judge and the Assassin |
Director, Writer |
- | 1976 |
No Score Yet |
|
Let Joy Reign Supreme | Director | - | 1975 |
100% |
|
The Clockmaker |
Director, Screenwriter |
- | 1974 |
No Score Yet | No Score Yet | Les baisers | Director | - | 1964 |