Joel McCrea

Likable, ruggedly handsome figure, a durable star who first made his name in adventures and melodramas of the 1930s. McCrea gave one of his finest performances in Hitchcock's "Foreign Correspondent" (1940) and brought an amiable, relaxed charm to his comic roles, especially when directed by Preston Sturges in "Sullivan's Travels" (1941) and "The Palm Beach Story" (1942) and by George Stevens in "The More the Merrier" (1943). His offhand yet sincere style also kept him much in demand as a lead in "women's pictures" (as they were then called), and McCrea played romantically opposite female divas including Constance Bennett ("Rockabye" 1932), Irene Dunne ("The Silver Cord" 1933), Barbara Stanwyck ("Gambling Lady" 1934), Merle Oberon ("These Three" 1936) and Ginger Rogers ("Primrose Path" 1940). Although McCrea had starred in a number of Westerns and action pictures in the 30s (e.g., Cecil B. DeMille's "Union Pacific" 1939), beginning with William Wellman's "Buffalo Bill" (1944), McCrea starred primarily in Westerns for the rest of his career. His many horse operas, the best of which included "Colorado Territory" (1949), "Trooper Hook" (1957) and "Ride the High Country" (1962), mirrored his own frontier roots as well as his personal life. A passionate outdoorsman, he listed his occupation as "rancher" and his hobby as "acting." McCrea was married to actress Frances Dee from 1933 until his death; their son Jody McCrea (b. 1934) appeared with him on his TV series "Wichita Town" (1959-60) and in the film "Cry Blood, Apache" (1970).