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A raw and unsettling morality piece on modern angst and urban disconnect, Crash examines the dangers of bigotry and xenophobia in the lives of interconnected Angelenos. Read critic reviews
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Rent Crash on Apple TV, Vudu, Amazon Prime Video, or buy it on Vudu, Amazon Prime Video.
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Movie Info
Writer-director Paul Haggis interweaves several connected stories about race, class, family and gender in Los Angeles in the aftermath of 9/11. Characters include a district attorney (Brendan Fraser) and his casually prejudiced wife (Sandra Bullock), dating police detectives Graham (Don Cheadle) and Ria (Jennifer Esposito), a victimized Middle Eastern store owner and a wealthy African-American couple (Terrence Dashon Howard, Thandie Newton) humiliated by a racist traffic cop (Matt Dillon).
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Rating: R (Sexual Content|Language|Some Violence)
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Genre: Drama
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Original Language: English
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Director: Paul Haggis
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Producer: Cathy Schulman, Tom Nunan, Mark R. Harris, Don Cheadle, Paul Haggis, Bobby Moresco
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Writer: Paul Haggis, Bobby Moresco
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Release Date (Theaters): wide
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Release Date (Streaming):
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Box Office (Gross USA): $54.6M
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Runtime:
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Distributor: Lionsgate Films
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Production Co: Bull's Eye Entertainment
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Sound Mix: Surround
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Aspect Ratio: Scope (2.35:1)
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Critic Reviews for Crash
Audience Reviews for Crash
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While it's heart is in the right place, and it has some truly fantastic scenes, it suffers from over sentimentality and a lack of subtly that it so desperately needs. The characters are more like caricatures of specific archetypes that it feels almost comical at points, though at others it feels genuine and powerful.
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Fantastic! I think this won the Best Picture Oscar awhile back, and it totally deserved it. This film is just so indescribably entertaining, with great characters and storyline. Definitely check this out.
Stephen S Super Reviewer -
Solidly entertaining racial soap opera melodrama.
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Crash--or more appropriately, "2 Degrees of Separation: The World's Angriest Racists"--is a load of Oscar bait fluff. While racism is an important issue to address, so is verisimilitude in a screenplay, and Crash disservices worthy movie material. Overall, Crash proves to be a poorly constructed story with too many characters whose lives are intertwined by a series of implausibly tragic miscues, each ultimately reshaping the respective bigoted worldviews. And while Crash isn't all bad--there are some decent performances to be salvaged--it is predominantly an over-blown, pretentious piece of crap.
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