Aida's Brothers and Sisters: Black Voices in Opera

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03/13/2010 A liberal, bourgeois African-American look at the 20th-century history of African-American opera singers that (necessarily, outrageously) only gets to the great Paul Robeson near the end, and then abruptly flees from him, no doubt because he's too powerful, too powerful a personality and too powerful a communist (communism being, among other things, the only true anti-racism). See more Read all reviews

Aida's Brothers and Sisters: Black Voices in Opera

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