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Final Cut

Play trailer 1:30 Poster for Final Cut Released Jul 14, 2023 1h 51m Horror Comedy Play Trailer Watchlist
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71% Tomatometer 75 Reviews 73% Popcornmeter 50+ Ratings
Oscar® winner Michel Hazanavicius' remake of Shin'ichirô Ueda's cult hit One Cut of the Dead follows a director (Romain Duris, L'Auberge Espagnole) charged with making a live, single-take, low-budget zombie flick in which the cast and crew, one by one, actually turn into zombies. Featuring hysterically unhinged performances from Oscar® nominee Bérénice Bejo (The Artist), Matilda Lutz (Revenge), and Finnegan Oldfield (Corsage), Final Cut is a sly love letter to the art of filmmaking and a blood-soaked, hilarious genre farce with a meta-to-the-max premise.
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Critics Consensus

Although it'll be more satisfying to viewers who haven't already seen the original, Final Cut offers playfully entertaining meta commentary on the art of the remake.

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Critics Reviews

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Sergio Burstein Los Angeles Times In the end, even though it may seem unbelievable, the film takes a humanistic and affectionate turn which radically contrasts with the start of the film, and that additionally, connects to The Artist. [Full review in Spanish] Oct 5, 2023 Full Review Tim Cogshell FilmWeek (LAist) It's very short, socially conscious and all about the movie industry. Jul 22, 2023 Full Review David Fear Rolling Stone It’s a fast, not as cheap, and much better than decent cover version of another song, one that knows very well that it’s a cover version. Jul 14, 2023 Full Review Daniel Allen Loud and Clear Reviews It’s fun but isn’t fresh in the slightest, which feels like a missed opportunity... If you want an innovative, meta zombie comedy that celebrates filmmaking, you should probably check out One Cut of the Dead. Rated: 3/5 Jul 25, 2024 Full Review Dave Golder Radio Times If you've never seen the original, Final Cut offers up all the same bonkers twists, surprisingly multilayered performances and eruptions of myriad bodily fluids. Rated: 4/5 Nov 8, 2023 Full Review Beth Accomando KPBS.org I loved Shin'ichirô Ueda’s One Cut of the Dead and put it on my top 10 list for 2018. And while I enjoyed the remake, it will not be making this year's 10 best. Sep 15, 2023 Full Review Read all reviews

Audience Reviews

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Rodrigo F Divertida mucho humor frances, digamos que es una comedia zombie!! Rated 4 out of 5 stars 09/21/23 Full Review lizbeth s La película se muestra interesante después de la media hora de correr escena es un tema donde conservan los espíritus sobre los no muertos aquí lo que proyectan es un sentimiento forjado por el fuego que desconecta a los no humanos es un poco desconcertante y confusa pero interesante conforme avansan las escenas. Rated 3.5 out of 5 stars 09/20/23 Full Review Daniel G Very pleasant, as long as you are patient enough to get through the beginning and can figure out that in French, 'prenoms' are not pronouns but proper names and that is why the French actors are called Akira, etc. It's a joke. Some of the jokes don't really hit for me, like the diarrhea stuff, but it was a human movie on a human scale. Rated 5 out of 5 stars 07/22/23 Full Review Chris J MOVIE REVIEW Final Cut (Coupez!) – Genre: Comedy, Horror Year Released: 2022/2023 Runtime: 1h 50m Director(s): Michel Hazanavicius Writer(s): Michel Hazanavicius, Shin'ichirô Ueda, Ryoichi Wada Cast: Bérénice Bejo, Romain Duris, Matilda Lutz, Finnegan Oldfield Language: French with English subtitles Where To Watch: opens July 21 in Chicago Area at AMC South Barrington 24 and other locations RAVING REVIEW: For those unacquainted with the body of work of Michel Hazanavicius, the uniquely European rendition of Shin'ichirô Ueda's applauded ONE CUT OF THE DEAD, branded as FINAL CUT, serves as a brilliant entry point. The plot puts Rémi (Romain Duris) in the spotlight, tasking him with an ambitious directive – shooting a zombie movie in real-time, with only one take to get it right. The narrative evolves with unexpected twists (unless, of course, you've seen the original.) Historically, zombie themes were a mainstay of genre-specific flicks until the last decade, when we've seen a dramatic shift in the movie landscape. The transformation repositioned zombie themes to the center stage, heralding a new era of inventive ventures within this domain. Despite the original ONE CUT OF THE DEAD's distinctive charm, the creators behind FINAL CUT took a calculated risk by reimagining this revered film. Still, the gamble pays off – the French interpretation maintains the original's essence without succumbing to the excesses of Hollywood. It's an interesting take because it's very much a remake but with an entirely different feeling, some good, some bad. Hazanavicius, a cinephile with a distinct penchant for cinema's meta feel, takes FINAL CUT as an opportunity to amplify this interest. He disrupts standard narrative frameworks while honoring film genres' diversity and evolution. FINAL CUT dives headfirst into the adrenaline-charged realm of live performances, providing a captivating glimpse into the peculiarities of live streaming – replete with perplexing dialogues and actions. The off-screen blunders in the pressurized environment of live broadcasting contribute to the narrative's comedic elements. Cinematographer Jonathan Ricquebourg's craft elevates the cinematic journey of FINAL CUT. Tense corridor pursuits, strategically shifting angles, and constant character movement intricately knit together, ratcheting the suspense. As the film progresses, it becomes evident that FINAL CUT is more than a laugh-inducing spectacle. It serves as a satirical commentary on the film industry, criticizing everything from producers' nonchalance to the glitz of actors and the mercenary instincts of directors. Despite this, it never loses sight of the camaraderie and shared passion that makes the world of cinema resonate with audiences. FINAL CUT is an engaging cinematic experience crafted to entertain you. It's a love letter to the art of cinema, celebrating our universal fascination. While it doesn't hold up as well as the original, there's enough to watch, just for the comparisons alone. I highly recommend watching them back to back if you can. For more reviews, please visit – https://linktr.ee/Overlyhonestmoviereviews for more info. Follow me on Letterboxd, Instagram, Twitter, and YouTube. Find my social media accounts on most platforms simply by searching Overly Honest Movie Reviews. I'm always happy to hear from my readers; please say hi or send me any questions about movies. Rated 3 out of 5 stars 07/17/23 Full Review Peter W Overall, if you're a lover of all things relating to cinema and horror, this comes highly recommended. While a wacky and comedic feature, I was impressed by how smart and clever this film was, especially with its reveals by the third act. The film begins with a bang, hooking audiences in early, and while there isn't much back story here, there's enough. Even if things don't make sense initially, it's impossible to look away from everything occurring. Despite a slow second act, the investment pays off and feels deeply rewarding for viewers. I found this French remake of the Japanese horror comedy Cut of the Dead (which I haven't seen yet!) highly enjoyable, delightful and entertaining. Rated 4 out of 5 stars 03/29/23 Full Review Mount T Funny remake of Final Cut of the dead. Didn't see the original, but had an excellent time watching this one. Rated 5 out of 5 stars 03/24/23 Full Review Read all reviews
Final Cut

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Movie Info

Synopsis Oscar® winner Michel Hazanavicius' remake of Shin'ichirô Ueda's cult hit One Cut of the Dead follows a director (Romain Duris, L'Auberge Espagnole) charged with making a live, single-take, low-budget zombie flick in which the cast and crew, one by one, actually turn into zombies. Featuring hysterically unhinged performances from Oscar® nominee Bérénice Bejo (The Artist), Matilda Lutz (Revenge), and Finnegan Oldfield (Corsage), Final Cut is a sly love letter to the art of filmmaking and a blood-soaked, hilarious genre farce with a meta-to-the-max premise.
Director
Michel Hazanavicius
Producer
Noémie Devide, Brahim Chioua, Michel Hazanavicius, Vincent Maraval, Alain de la Mata, John Penotti
Screenwriter
Michel Hazanavicius
Distributor
Kino Lorber
Production Co
Alcatraz Films, La Région Île-de-France, Blue Light, Getaway Films, SK Global, La Classe Américaine, France 2 Cinema, SofiTVciné 9, France Télévisions, Canal+, Gaga Corp., Doco Digital, Pan Européenne, Ciné+
Genre
Horror, Comedy
Original Language
French (France)
Release Date (Theaters)
Jul 14, 2023, Limited
Release Date (Streaming)
Sep 12, 2023
Box Office (Gross USA)
$15.1K
Runtime
1h 51m
Sound Mix
Digital 5.1
Aspect Ratio
Digital 2.39:1
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