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Hannah

Play trailer 1:54 Poster for Hannah Released Mar 9, 2018 1h 35m Drama Play Trailer Watchlist
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82% Tomatometer 38 Reviews 62% Popcornmeter 50+ Ratings
A woman grapples with the consequences of her husband's imprisonment.
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Hannah

Hannah

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Critics Consensus

Hannah rests almost completely on Charlotte Rampling's lead performance -- and her outstanding work proves more than capable of bearing the weight.

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Critics Reviews

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J. R. Jones Chicago Reader [Andrea Pallaoro's] focus on the quotidian may wear you out before he finally lays down his cards and the depth of the protagonist's despair is revealed. Apr 17, 2020 Full Review Kevin Maher Times (UK) Yet Rampling, ever the pro, kicks back against the material, occupying practically every frame, glowering and defiant. Rated: 4/5 Mar 4, 2019 Full Review Hannah Strong Little White Lies Rampling elevates an otherwise fairly middling film. Rated: 3/5 Mar 1, 2019 Full Review Tom Beasley VultureHound It's a beguiling and opaque movie that doesn't quite provide the answers an audience needs to connect the dots. Rated: 2/5 Aug 15, 2020 Full Review Steven Prokopy Third Coast Review Hannah is a tough watch, but it's a fascinating experience to see this person slip slowly from her own life, sometimes because people shut her out, other times because she's afraid to test the waters and see how they react to her presence. Jun 2, 2020 Full Review Josefine A. One Room With A View The film's stripped down minimalism, paired with the subtle cinematography of Chayse Irvin, working on 35mm film, creates the perfect vehicle for Rampling's formidable craft. Rated: 3/5 Mar 6, 2019 Full Review Read all reviews

Audience Reviews

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razvan p stimulating conceptually, unstimulating emotionally the bulk of the movie is without conflict which makes the intellectual effort bigger to find the puzzle pieces .. but still couldve been better or at least shorter Rated 3 out of 5 stars 03/31/23 Full Review mauro l The annihilation expressed with nothingness and the existential stalemate through the "false movement" (subway, swimming pool, etc.) according to a pleonastic concept of cinema. Penitential, exhausting, austere, deadly, of a zeroed, repulsive, upsettingly anti-engaging creativity. (Mauro Lanari) Rated 0.5 out of 5 stars 03/31/23 Full Review Audience Member Phenomenal and riveting! Sheer genius! Rated 5 out of 5 stars 02/02/23 Full Review Audience Member The movie takes you into a deep reflexion of dealing with loneliness, lack of affection bonds, aging, lack of trust, feelings of rejection. Yet you are not able to take you eyes off of it. It urges some anxiety and desperation on you. Fantastic movie. Rated 5 out of 5 stars 01/27/23 Full Review Audience Member Absolutely heart wrenchinlgy beautiful! A must see Rated 4 out of 5 stars 02/04/23 Full Review Audience Member Charlotte Rampling puts on a one-woman show in this drama depicting a woman's life since the imprisonment of her husband. While winning the Best Actress award at Venice, the film itself is a long and dreadful series of pretentious overacting resulting from the deliberate obscurity of the main issue from the audience, cutting off their ability to relate and sympathize with the protagonist. If you wanted to see an experienced actress in an acting class, this would be it. It pretty much contains so many exercises that one might call it an improv instructions manual. The subtle relief of not being judged by children - check, the embarrassment of being banned from a public swimming pool - check, the desperation of being rejected by ones own child - check, oh and of course, pretending to be in an acting class - several examples actually. While Rampling proves she can act anything, we never find out what she or her husband did that was so horrible. And so all these emotions become merely senseless fragments, unworthy of anyone's emotional investment, let alone appreciation. Rated 2 out of 5 stars 02/24/23 Full Review Read all reviews
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Cast & Crew

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Movie Info

Synopsis A woman grapples with the consequences of her husband's imprisonment.
Director
Andrea Pallaoro
Producer
Andrea Stucovitz, John Engel, Clément Duboin
Screenwriter
Andrea Pallaoro, Orlando Tirado
Distributor
Parade Deck Films
Production Co
Left Field Ventures, Good Fortune Production, Partner Media Investment, To Be Continued
Genre
Drama
Original Language
French (France)
Release Date (Theaters)
Mar 9, 2018, Limited
Release Date (Streaming)
Jun 26, 2018
Runtime
1h 35m
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