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The Lady in the Van

Play trailer 1:58 Poster for The Lady in the Van PG-13 2016 1h 44m Biography Drama Comedy Play Trailer Watchlist
Watchlist Tomatometer Popcornmeter
89% Tomatometer 151 Reviews 64% Popcornmeter 10,000+ Ratings
In 1973 London, playwright Alan Bennett (Alex Jennings) develops an unlikely friendship with Miss Shepherd (Maggie Smith), a homeless woman who lives in a van in his driveway for the next 15 years.
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The Lady in the Van

The Lady in the Van

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Critics Consensus

Led by a marvelous performance from Maggie Smith, Lady in the Van wrings poignant, often hilarious insight from its fact-based source material.

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Critics Reviews

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Roxana Hadadi Chesapeake Family Magazine Aug 2, 2016
2.5/5
The Lady in the Van follows a fairly typical old-people-are-more-than-they-seem storyline ... The bizarreness of this true story is underplayed. Go to Full Review
Sandra Hall Sydney Morning Herald Mar 4, 2016
3/5
She's not easy to love and the film is slow-going and a little laboured in its attempts to shape her idiosyncrasies into a plot, but the gradual revelation of the reasons for her decline give Smith plenty of opportunities to soften her grouchiness. Go to Full Review
Paul Byrnes Sydney Morning Herald Mar 4, 2016
4/5
Bennett offers Maggie Smith a chance to renovate her own recent persona with a woman who's heroically alive. Smith takes it with both hands, giving us more of the loneliness and despair of old age than the glib comedy. Go to Full Review
Eddie Harrison film-authority.com Sep 28, 2024
4/5
...for the late, great Maggie Smith, The Lady in the Van was arguably the best of some twenty years of cameos and curtain calls…she makes a complex figure of Mary Shepherd, who parked her van in Alan Bennett’s driveway and remained there for 15 years... Go to Full Review
JD Duran InSession Film Aug 2, 2024
B+
The Lady in the Van succeeds at exactly what it’s trying to attempt. It’s a feel-good story about a captivating individual who just shows up on your doorstep one day. Go to Full Review
Hosea Rupprecht Pauline Media Studies Sep 13, 2021
The Lady in the Van shows us that respect and kindness is always the right way to go. Go to Full Review
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Audience Reviews

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Dean S. @DeanDFW Dec 31, 2025 Maggie Smith not breaking the predictable mold she is known for. See more David F @RT34372367 Dec 23, 2024 The Lady In The Van tells a small, personal story that serves as a microcosm of British society, capturing its prejudices, pettifoggery, cruelties, and injustices. The film is engaging from start to finish, with dialogue that sparkles and a keen sense of humor that elevates the entire experience. The characterizations are well-observed, and the absurdity of some situations provides a refreshing touch. This film works because it doesn't try too hard, instead finding success in its subtlety and nuance. The combination of great writing and strong performances makes this a wonderful and very watchable film. See more G.D. 0 @Daniel-jgm1 Nov 14, 2024 Almost unwatchable. So poorly written I had mood changes. It is supposed to be about dignity, but it feels like a parody. And the end is terrible, all the sympathy is gone for that criminal. It is just english crap.... See more Gerry M @GermWald Jun 20, 2024 Not in the least bit interested. Voyeurism of the homeless? abhorrent! See more phillip j @RT65187272 Mar 30, 2022 Major miss. Not even an engaging concept. See more Aug 15, 2021 I watched recently on Amazon Prime the 2015 movie The Lady in the Van. This film was obviously produced to the highest standards. The actors were of the highest caliber. The scenes were exquisite and the production quality, the best in its class. Artistic talent was not left for want in this film. The movie is centered around an unhappy vagabond old woman and her benefactor. Loosely based on the true story of Margaret Fairchild, there is no doubt that much artistic license was used in the creation of this fanciful story line. The main character who is truly the writer of the story is meant to be a protagonist, but in truth of which this film has no connection to, is that he is an antagonist. In the true story, Alan Bennet had allowed this cantankerous woman to live in his driveway with her van for fifteen years. In this movie, there is no doubt of the twists and turns taken to fit modern narratives and themes to get the support needed to make such a cruel film. Basing what I write here from what I saw in the film and some research, I would like to bring to you my takeaways as we often call what we learn at educational business meetings from the film. The first is that the film is a veiled malicious attack on the Catholic Church and the faith. Its careful nuance is to project the Church as being puritanical and uncaring. First, by intimating that Ms. Fairchild's mental illness was caused by her being told not to play piano while undergoing discernment for vocation to focus on prayer. It imputes this to be some sort of punishment, when it was most likely meant as a discipline which enables one to be less selfish and more attentive to the needs of others. This is a very necessary trait to be able to live in a small, closed community with other people, which is called a convent. The fact that she was difficult would indicate that she may already have begun to suffer from some mental illness, and it was beginning to manifest itself. The scene in the film where a nun viciously shuts the piano, though theatrically affective, is questionable at the least. The second, the implication that in confession she would have heard that her desire to play piano may be a window for the devil is something puritanical. The Puritans were a sect of the Church of England which began after its separation from the Roman Catholic Church in the sixteenth century. As any student of music would know, the Roman Catholic Church has always supported and promoted the use of beautiful music to elevate the soul to the worship of God. Hence, her musical talent would not be ascribed to the devil, but her selfishness and lack of discipline may have been. This again to cast a dark view of the one true faith. Then, continuing in its same path of lies, the writer and producer paint the nuns to be uncaring and vicious because of Ms. Fairchild's past insubordinate behavior after she becomes ill. This is ignoring the fact that local nuns did assist in her care,though she was not in their community. Also, ignoring the truth that the Catholic Church on a whole does more for the sick, elderly and dying than any institution on the earth. Most importantly, it does it with love and sacrifice. The works of St. Teresa of Calcutta are but one small example of the many works of this blessed institution. The movie ends with the death of Ms. Fairchild. The author uses this event to mock, almighty God, the assumption of Mary and the existence of Heaven with a scene where the deceased asks of him to write a glorious ending to her life. The interesting point is what it really points to is the unhappy life that the writer lives, knowing full well his internal twisted unhappy existence, which he cannot accept when faced with truth. So, to reject truth, he needs to destroy God. This is the oldest of stories, since the beginning of creation and the fall of mankind from grace in the Garden of Eden. How did evil and death come into this world? It was with the rejection of truth which is given to us by God, mostly embedded in our hearts but also through scripture and tradition. All those who reject His words of good will live-in a constant state of misery, while those who work at perfecting virtue find true peace and love in their lives. In this film, the author is in no way a character any human looking for joy would want to emulate. And I thank the makers of this film for raising my thoughts to see through the smoke of Satan for the lies that they are. See more Read all reviews
The Lady in the Van

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Movie Info

Synopsis In 1973 London, playwright Alan Bennett (Alex Jennings) develops an unlikely friendship with Miss Shepherd (Maggie Smith), a homeless woman who lives in a van in his driveway for the next 15 years.
Director
Nicholas Hytner
Producer
Nicholas Hytner, Damian Jones, Kevin Loader
Screenwriter
Alan Bennett
Distributor
Sony Pictures Classics
Production Co
TriStar Pictures, Dream Cars, BBC Films
Rating
PG-13 (A Brief Unsettling Image)
Genre
Biography, Drama, Comedy
Original Language
British English
Release Date (Theaters)
Feb 19, 2016, Wide
Release Date (Streaming)
Aug 10, 2016
Box Office (Gross USA)
$10.0M
Runtime
1h 44m
Sound Mix
Dolby Digital
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