The Signal

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Marco L @decatur555 Nov 23 (CASTELLANO) Hay películas que llegan acompañadas de tanto "tienes que verla" que ya empiezas la partida perdiendo. La señal es de esas. La llevaba arrastrando desde hace años, como esa cosa que guardas para cuando toque… y claro, al final pasa lo de siempre: te montas tal película en la cabeza que luego la realidad no llega ni de lejos. No es que esté mal, pero tampoco es esa maravilla que me habían pintado. El arranque juega bien sus cartas. Tiene ese tono de misterio juvenil, como si te fueran dejando migas de pan hacia un sitio que no ves del todo, y eso engancha. Visualmente es llamativa: planos cuidados, texturas curiosas, un uso de la luz que le da cierto empaque. Se nota que el director tiene ideas y que, con poco dinero, sabe vestirlas para que parezcan algo más grande de lo que son. El problema es que The Signal va abriendo puertas sin pensar mucho en cómo cerrarlas. Mezcla ciencia ficción, thriller y drama sin terminar de rematar ninguno. Hay momentos que funcionan, otros que te sacan de la historia porque parecen de otra película. Esa sensación de "¿pero esto hacia dónde va?" se repite más de una vez, y no siempre para bien. Laurence Fishburne tiene esa presencia que llena el plano sin hacer nada, solo con mirar, pero ni así consigue tapar que la película va de intensa sin tener tanto fondo. Y los chavales ponen ganas, eso sí, pero el guion no les da nada con lo que crecer; hacen lo que pueden, pero no llega a importarte del todo lo que les pasa. El final busca un golpe de efecto, y sí, sorprende un poco, pero también te deja esa sensación de "vale… ¿y ahora qué?". Es de esas películas que lucen más en el tráiler que en el conjunto, brillantes en ideas sueltas pero torpes al tejerlas. Aun así, tiene su encanto. No aburre, tiene personalidad y se agradece que apueste por algo distinto. Pero si la ves con demasiadas expectativas, es fácil que te quedes igual que yo: pensando que podía haber sido mucho más. (ENGLISH) Some movies come with so many "you have to watch this" warnings that you start off at a disadvantage. The Signal is one of those. I’d been dragging it along for years, saving it as if it were something special… and of course, what always happens happened: I’d built it up so much in my head that the real thing didn’t even come close. It’s not bad, but it’s far from the wonder people had sold me. The opening plays its cards well. It has that youthful-mystery vibe, like someone leaving breadcrumbs toward a place you can’t quite see yet, and that pulls you in. Visually, it’s striking: neat shots, interesting textures, a use of light that gives everything a touch of weight. You can tell the director has ideas and knows how to dress them up, even with little money. The issue is that The Signal keeps opening doors without thinking about how to close them. It mixes sci-fi, thriller and drama but never really lands any of them. Some moments work; others take you out of the story because they feel like they belong in another film. That "where is this going?" feeling pops up more than once, and not always in a good way. Laurence Fishburne has that presence that fills the frame just by standing there, but even he can’t hide the fact that the movie tries to look deeper than it actually is. The younger actors give it their all, sure, but the script doesn’t give them anything solid to grow from; they try, but it’s hard to really care about what’s happening to them. The ending goes for a big twist, and yes, it lands a bit, but it also leaves you with a "okay… and now what?" vibe. It’s one of those films that shine more in the trailer than as a whole: great ideas in isolation, clumsy when it comes to stitching them together. Still, it has its charm. It doesn’t bore, it has personality, and you can appreciate that it tries something different. But if you go in with high expectations, it’s easy to end up like me: thinking it could have been so much more. See more farley p Jul 5 Movies like this make me think long form media was a mistake. See more S P Jun 11 One of the best Sci-Fi films out there. I'm not sure how most others find the ending "incredulous" or "unbelievable" when there aren't any plot holes at all leading up to or in or around it, but I suppose some people just lack imagination and an base understanding of what's possible in science and our lack of understanding of the universe. I'd love to hear their explanations beyond "destination sucked" and "credulity-stretching" - I have a hunch they're just frightened by the premise and don't want to admit it, or maybe don't know they're afraid? A lot of the reviews follow similar patterns to criticisms of other favorites of mine, such as the criticisms of Pandorum (scared of the ideas presented, but most likely harbor a misunderstanding of them). My #1 complaint about most fictional stories are the contradictions and gaping plot holes. This movie has very few in that regard, and as such I believe it does a top-notch job of delivering a fantastic story in a breathtaking, awe-inspiring fictional world I kind of hope is possible. See more thiago s @Thiagostone May 27 Filme fraco, o roteiro é fraco, as cenas são fracas, a história é fraca, o elenco é fraco, e ninguém ajuda a melhorar o filme, os personagens são fracos, e o filme deveria ter cenas bem melhores e relevantes, para fazer o filme ser bom. See more Ross M May 7 The journey was just barely intriguing enough to keep you watching but the destination sucked. See more CYBER T Apr 7 It was mid. While watching it I didn't quite know the direction they wanted the story to take. I really wished they empathised more the cyborg situation. If you like area 51 and alien movies, it's ok, if not, not worth it. The ending was maybe the best part. Sit back and enjoy. 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The Signal

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