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Arthur G As someone who studies Albert Camus, I must say it is very disappointing. The main actor somewhat resembles Camus himself, but most of the time Meursault is much more performative than the literary one. The "original" Meursault is quiet, enigmatic, and lives in some sort of boredom. In the film, Arthur Meursault distances from the literary one, because he display features that distort the character. The movie lacks acting direction, that is the major flaw. In trying to remain faithful to the work, the film sometimes waste scenes (which, in the end, turn out to be absolutely useless to the story), sometimes turns them into caricatures. Truth be told, from the moment of the judgement on, it becomes much better and much more trustworthy to the book. Rated 1.5/5 Stars •  Rated 1.5 out of 5 stars 01/31/25 Full Review Yuvraj C An intense film. people who haven't read the novel will find this compelling and rewarding. and those who have read this novel will find no surprises in the film, it is well adapted true to the novel. I don't know why many critics didn't like this but in my opinion this is very much underrated Visconti film. And Mastroianni gave a stellar performance as lead. Rated 5/5 Stars •  Rated 5 out of 5 stars 03/24/24 Full Review StephenPaul C The greatest 1.75 hours ever!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Rated 5/5 Stars •  Rated 5 out of 5 stars 05/19/23 Full Review Audience Member Considering the film-making techniques and acting styles of pre-1970 cinema, 'Lo Straniero' is a pretty decent, though not perfect, adaptation. While this is not Visconti at his finest, he is mostly able to convey the absurdism, coolness and subtly disturbing nature of the mid-century masterpiece in a way in which few films of the time would have been able to. Sadly, it still falls into some 'golden era' traps which render the movie too cinematic, if not romantic, to give L'Etranger the status it deserves, but it still manages do get the message across well. Perhaps the novel would get even better treatment with modern-day filmmaking techniques. Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 02/26/23 Full Review Audience Member Visconti's Lo Straniero vividly depicts the hopelessness of alienation and Existentialism. Marcello Mastroianni's character is more approachable and familiar to the audience as we may all become unaware what is happening beyond oneself. Speaking of the literary symbolism, Albert Camus is indeed more friendly to the screen admirers than Franz Kafka. Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 02/25/23 Full Review Audience Member A simple and routine adaptation as if Visconti grabbed the book and filmed it line by line! Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 02/11/23 Full Review Read all reviews

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