Angel Heart

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Jerod S Rourke is hired to find a singer and gets sucked into a dark world of magic and death. DeNiro is always a good devil.... Rated 2.5/5 Stars •  Rated 2.5 out of 5 stars 09/11/25 Full Review Theo E A Haiku Review: Good southern-fried noir But slow, overshadowed with Too much blood and boobs Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 08/30/25 Full Review Cecilia B I saw it the first time when I was too young . And I hated it! Seeing it again now, I understand why! It’s too provocative for a young mind. Now I love it - it’s brilliant!! It’s a little slow and it’s trying too hard to be a Film Noir now and then. And de Niros name is a bit snicker-inducing. But the evil feels real and so does the acting. I’m not a fan of any of the lead actors/actresses but they really fit in these roles!! The sex-scene with the rain turning to blood is gruesome. It’s really very good in an almost surprising way Rated 5/5 Stars •  Rated 5 out of 5 stars 07/10/25 Full Review Mikey B This is one of my favorite movies. I have seen it easily ten times. The atmosphere is 50s film noir. A detective takes on a missing person case. Which leads to dead bodies, startling revelations, and a shocking end. The story is intriguing and keeps your interest with all the twists and turns. Mickey Rourke melts into the role as the gumshoe. The supporting cast is perfect. The real surprise is Lisa Bonet. She exudes such passion and awareness, like she knows the answer to everything unknown. Overall, it is a fascinating mix of thriller, whodunit, and noir, that always keeps moving. Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 07/04/25 Full Review thiago s Filme mais ou menos, o roteiro é fraco, as cenas de são mais ou menos, o elenco é fraco, e ninguém ajuda a melhorar o filme, a história é fraca, os personagens sao fracos, e o filme deveria ter cenas bem melhores e relevantes para fazer o filme ser bom. Rated 0.5/5 Stars •  Rated 0.5 out of 5 stars 05/07/25 Full Review Filmgal G I've seen a lot of films that touch on dark subject material, but I don't think I've ever experienced anything quite like 1987's "Angel Heart." Director Alan Parker adapted the novel "Falling Angel," and told a very gruesome and bloody tale of voodoo and religion that focuses on private investigator Harold Angel who is hired by a mysterious man named Louis Cyphre to investigate the disappearance of a man named Johnny Favorite. What follows is a mystery in like any other as the film contains a narrative that sees Harold encounter various figures, specifically a young girl named Epiphany Proudfoot and with each encounter comes a sudden death net by each individual. What I love the most about this film is how many genres and tones it balances, as it is a mystery noir in many aspects while also having semblances of a disturbing horror film. The locations that were chosen for the film to take place were perfect, as the snowy and dirty grounds of New York combined with the wet, sweaty swamps of Louisiana make for an environment that would help to tell this gross of a tale. The cinematography creates a dingy and grimy look with some of the best shots coming from darkness and shadows, while the music from Trevor Jones and Arthur Freed is eerie, unsettling, and downright uncomfortable and cues in at times to create an additional layer of mystery. Parker's script sees the film have a very straightforward plot, which is why I'm so confused as to the critical reception of this film at the time of its release as this is not a complicated tale at all. If I had to guess, the reception at the time probably stemmed from the very somber and cynical tone and story centered around voodoo and the amount of blood and violence in the film. For all it is worth, Mickey Rourke has had a hell of a career with some truly prolific roles, but this remains one of my favorite performances ever from him. He portrays a man who is completely out of his jurisdiction but slowly becomes encompassed by the mystery of finding Johnny Favorite, and Rourke's charm and charisma combined with his ability to convey genuine confusion makes for a great character. Robert De Niro in very little screen time leaves his mark as a man in Louis Cyphre with nails so long that you immediately just don't trust him, and Lisa Bonet as Epiphany Proudfoot is great in her screen time as her mysterious nature leads to Harold keeping tabs on her throughout the film. Even in very brief moments in the film, Charlotte Rampling, Brownie McGhee, and Michael Higgins, Jr. all leave a great impression. I will not spoil this film for the people who may have not seen it, as to me it's one everyone should experience with very little information given to them. What I can say is that this film is a tremendous study of the ideas we have about voodoo and how much the lore and mythos surrounding it may be true, while also highlighting how close to religion it is as there are various scenes where the church is shown as a place that isn't a safe haven for believers of Christ. When it comes to the ending of this film, I don't see how anyone at the time could've thought it was stupid or out of left field because all the details are right there in your face, and it's truly a devastating and insanely dark way to end a film. This is definitely one of those films that will leave you shook up by the time it's over. Rated 5/5 Stars •  Rated 5 out of 5 stars 04/24/25 Full Review Read all reviews

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