The Hours

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Robert C Probably one of the most boring, agonising few hours I have ever spent in the movie house. I wanted to leave after 20 minutes, but kept telling myself that it can only get better. Right? Wrong. The quicksand of despair had its grip, and slowly dragged me under. Rated 1/5 Stars •  Rated 1 out of 5 stars 01/22/25 Full Review Ashley M The Hours is almost a relic of a bygone era of premium cinema. The story is intense, almost awful, as are some of the main characters, but the film itself is a thing of beauty and is thus art. I miss these films. Rated 5/5 Stars •  Rated 5 out of 5 stars 09/20/24 Full Review Jayne H absolutely a brilliant thought provoking film! acting was unbelievable, highly recommend! Rated 5/5 Stars •  Rated 5 out of 5 stars 09/14/24 Full Review A R Great actors (many) at the top of their game. A beautifully written, intelligent, original and sensitive screenplay. Amazing editing. Beautiful photography. The people that gave bad reviews don't know what cinema is, all they know is the usual Hollywood formula. Rated 5/5 Stars •  Rated 5 out of 5 stars 08/30/24 Full Review Irene M Don't think I ever saw this before, although the scenes of Julianne Moore baking a cake seem really familiar. Watched after just finishing reading "Mrs Dalloway". Who *wasn't* in this cast? Although I really enjoyed it, I could see why it may not have been popular at the time...the opening scenes cut amongst the different time periods so quicky one could easily lose viewers. I wouldn't call it a bio pic of Virginia Woolf, but I did enjoy the connection between the first and the second, and the second and the third. Fine acting! Rated 5/5 Stars •  Rated 5 out of 5 stars 08/18/24 Full Review Luis M. D In its pure form and style, "The Hours" boasts an effective cinematography with excellent performances. But at the level of content, things are not that simple, sadly. The movie succumbs to the postmodern tendency - quite common among artists and culture critics - to romanticize mental illness to the point of equating madness with freedom and normalcy with unfreedom. The character of Virginia Wool (Nicole Kidman) justifies her own suicide as something necessary “in order that the rest of us should value life more." And the character of Laura Brown (Julianne Moore) justifies the abandonment of her children – one of them who later commits suicide - as a choice of life over death. The movie does not merely present these facts to us as tragic deviations of human behavior – it normalizes them and even celebrates them as the ultimate consequence of the exercise of human freedom. So, I must be frank. I appreciate the movie's own artistic merits but find its content deeply controversial and mostly objectionable, and this should also count in the final rating. Rated 2.5/5 Stars •  Rated 2.5 out of 5 stars 06/16/24 Full Review Read all reviews

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