I Came By

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Tom M Oct 12 Disjointed serial killer thriller with a great performance from Hugh Bonneville. The script can be a little laughable at times, and there are a few plot points that don't make much sense. But it is involving and should grip you. See more David A. @dabs424 Oct 4 Some of the least likable characters in any movie I’ve seen. Props to the serial killer for taking care of some of them at least See more Calvin T @Calvin504 Sep 10 For not being a Hollywood movie....I was pretty good ✌🏾 See more Marco L @decatur555 Sep 10 (CASTELLANO) El planteamiento es interesante: un thriller británico que arranca con una premisa social y pronto se adentra en un terreno más oscuro. Desde el inicio parece querer ser algo más que un simple entretenimiento, con guiños a las tensiones de clase y a una juventud que busca rebelarse contra el poder establecido. El problema es que la idea se queda a medio camino. La narración cambia de punto de vista con frecuencia, lo que le da cierta imprevisibilidad, pero también hace que pierda fuerza y se diluya la tensión. En ocasiones parece más preocupada por abrir nuevas subtramas que por exprimir todo el potencial de la principal. Hugh Bonneville es, sin duda, lo mejor de la película. Su giro como figura amenazante resulta perturbador y le da la chispa que la historia necesita. A su lado, el resto del reparto cumple, aunque ninguno consigue dejar la misma huella. Visualmente está bien cuidada, con una atmósfera gris y opresiva que encaja con el tono del relato. Sin embargo, falta un punto de contundencia para que el suspense cale de verdad. Da la sensación de que siempre se queda a un paso de ir más lejos. En conjunto, es un thriller entretenido, con momentos logrados y una buena idea de base, pero que no termina de despegar. Una propuesta correcta para pasar el rato, aunque difícilmente dejará huella una vez acabe. (ENGLISH) The premise is intriguing: a British thriller that begins with a social angle and soon ventures into darker territory. From the start, it seems to want to be more than simple entertainment, with nods to class tensions and a rebellious youth pushing back against the establishment. The problem is that the idea never fully takes shape. The narrative shifts perspectives often, which gives it some unpredictability, but also makes the tension weaken and disperse. At times it feels more concerned with opening new subplots than with exploring the potential of the main one. Hugh Bonneville is, without doubt, the highlight. His turn as a menacing figure is disturbing and provides the spark the story needs. Around him, the rest of the cast does its job, though none leave the same impression. Visually, it’s well put together, with a grey, oppressive atmosphere that suits the tone. Yet it lacks the punch for the suspense to truly resonate. It always feels one step away from going further. Overall, it’s an entertaining thriller, with some effective moments and a solid idea at its core, but it never quite takes off. A decent way to pass the time, though unlikely to linger once the credits roll. See more Ramith N Sep 8 I Came By is a thriller like no other — a true masterpiece in modern suspense cinema. This isn’t your average cat-and-mouse story; it’s a haunting slow burn that grips you tighter with every scene until the final frame leaves you breathless. The brilliance lies in the slow unravelling of the plot. What begins as a story about rebellious graffiti artists quickly spirals into something far darker, exposing corruption, privilege, and terrifying secrets hidden behind the façade of respectability. The way the tension builds is almost unbearable, yet impossible to look away from. The performances elevate the film into something extraordinary. Kelly Macdonald is out of this world, carrying so much emotion and quiet strength in every moment on screen. Hugh Bonneville as Hector Blake is chilling — his performance will forever change how you see him. The calm menace he projects is unforgettable. And then there is Percelle Ascott as the final hero, who delivers his role so beautifully and emotionally that you can’t help but root for him, even as the stakes reach unimaginable heights. This isn’t just a thriller — it’s an experience. The atmosphere, the acting, the story, the way it all comes together — I Came By is one of those rare films that reminds you why cinema matters. A slow, deliberate masterpiece of dread and revelation. See more Muhammad Achyar L Jul 12 Dear Director, First of all, I want to acknowledge the ambition behind I Came By. The film opens with a gripping premise — bold, socially relevant, and visually intriguing. It immediately pulled me into a world that felt both urgent and raw, and I was genuinely excited to see where it would go. The rebellious tone, the underlying commentary on power and privilege, and the stylized aesthetic made the first half of the film feel promising and impactful. However, as the narrative progressed, I began to feel increasingly detached. The pacing became inconsistent, characters who seemed vital lost momentum or shifted without emotional payoff, and the plot took turns that felt more jarring than bold. The deeper themes that were introduced early on started to unravel, not through revelation, but through a sense of disconnection — like the story wasn't sure what it wanted to say anymore. And by the time the film reached its conclusion, I was left with more frustration than resolution. It wasn’t the ambiguity that bothered me, but the lack of earned weight behind it. As a viewer who was truly invested from the start, it's disappointing to walk away from a film feeling like its strongest ideas were left behind midway. I say this not to dismiss the creative risks taken, but to express the letdown of watching a story with such potential collapse under its own ambition. I hope future projects can retain the same daring spirit, but with a tighter, more fulfilling narrative arc. See more Read all reviews

I Came By

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