Killer Crush

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Amielle G A film in the art of stillness and silence. This film seemed to hold negative reviews spanning across platforms - which would undoubtedly throw anyone off from watching. However, within the first 16 minutes of watching I was in awe - enough so to leave one of my first ever film reviews. Whilst the rest of the movie (we are yet to see) may not live up to the jagged, intoxicating promise of its beginning, an opening sequence such as this cannot be ignored. The choreography is art. It is poetry. It is a hand reaching - continuously grasping for control - and the act of witnessing something graceful, slip into something dangerous. All of his characters movements, including his mannerisms, are stitched with hunger. A nice touch was the observable and mirrored silence, not uniquely in response to the female leads - but instead a level of stillness in which made that hunger visible. It was reflected in the actors gaze at almost every available instance and incited goosebumps more than once. What can I say - without condoning or romanticising the violence against women where serial killing aspects are concerned - we all love the tortured soul of a man who can sit in the void, live within it - and still yearn. In whichever ways the film may stumble for others, those first moments incite within them a rare kind of cinematic poetry. It is rare to see bodies speaking a language sharper than dialogue, and even rarer so to see such contrast and duality between beauty and brutality. Rated 5/5 Stars •  Rated 5 out of 5 stars 09/12/25 Full Review Roxanne G It started off interesting but turned sour quickly. Overly dramatic, morbid, Non interesting. Actors seemed generic. Rated 1/5 Stars •  Rated 1 out of 5 stars 10/17/24 Full Review Read all reviews

Killer Crush

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