Rhythmus 21

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Audience Member Hans Richter, a master at editing and geometrical perspective manipulation, signaled the birth of a new experimental movement of moviemaking with his avant-garde short creations which visual appeal still bothers the conservative viewing standards of some while inspiring the imagination of others. The contrast of black and white and the control of sizes allows for some fascinating three-dimensional perspectives to come into play, resembling movement, light and even gravity. Whereas American and Soviet short films would focus on live-action editing, other areas would create animation through unthinkable techniques. Norman McLaren was born right here. 99/100 Rated 5/5 Stars •  Rated 5 out of 5 stars 01/22/23 Full Review Audience Member Don't ask me why this is the image for an avant garde German film from the 20s. I can't remember anything, except it was weird... and silent... Rated 3/5 Stars •  Rated 3 out of 5 stars 02/11/23 Full Review Audience Member This is a very beautiful experiment in the temporalization of the potential geometries of space within the film image. But, uh, what the hell is the poster included with the entry? Women's Wrestling? Very Dada....ha. Rated 5/5 Stars •  Rated 5 out of 5 stars 01/26/23 Full Review Audience Member Wow, I loved the poster, very revolutionary. An intriguing film about a movement I know little about but the movement of shapes and the fluctuations were very magical, they had this no-error type manufacture and were rather intriguing to say the least. Rated 5/5 Stars •  Rated 5 out of 5 stars 01/31/23 Full Review Read all reviews

Rhythmus 21

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