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      Unchained

      2021 1h 25m Action TRAILER for Unchained: Trailer 1 List
      Reviews An idealistic woman is kidnapped and forced to compete in an underground fight ring. Every night is a fight for her life as she plans to overthrow her captors and save the lives of many others doomed to the same endless cycle. Read More Read Less Watch on Fandango at Home Premiered Apr 01 Buy Now

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      Unchained

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      Audience Reviews

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      Audience Member One of my favorite independent movie games to play is "how will people work Eric Roberts into their movie?" Much like John Carradine, they often shoot him completely independent of their film and then splice him in, getting his name recognition while not having him matter at all narratively. I applaud this notion and a reminder of the better times of Z-grade cinema when a Mexican werewolf movie would suddenly be a mummy film and Carradine would be out there standing in front of a desk trying to scientifically explain it to us while hiding a whiskey neat in the side drawer. Eric comes in here as the memories of our heroine Aella (Mair Mulroney), a girl who can't get work until a job offer comes to audition for a movie about a female fight club. She gets hired, knocked out and shows up in a private video feed — hello Red Room — to fight for her life while people watch online. To make this even better, the director's name is Raphaello. That's it — one imagines that he's two of the Ninja Turtles joined up to make a fighting film. Or maybe just the guy who also made Rogue Planet Gamma and Bloodbath: The Motion Picture. One of the selling points of this movie is that it features pro wrestler Taya Valkyrie, currently known as Frankie Monet in NXT, who is the wife of WWE superstar — and star of low budget action movies on the side — John Hennigan (Johnny Nitro/Retro/you fill in the blank). She's the trainer of the girls, Regina, and she's someone trained to do fighting yet never fights in the film. Instead, she works for The Warden, who threatens women throughout the movie. Rock Riddle is also in this. He was a pro wrestler who got his start running the Rip Hawk and Swede Hanson fan club before getting into the ring himself. He also shows up in The Van, Blue Sunshine, Paradise Alley and a few other movies. I mean, we could use more women being coerced into fight club movies. This one barely scratches that itch. But if you want to see it, Unchained is available digitally from Leomark Studios. Rated 1 out of 5 stars 02/06/23 Full Review Read all reviews Post a rating

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      Critics Reviews

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      Tony Asankomah GhMovieFreak Unchained starts with promise but it is tanked by poor acting and overall poor execution. Rated: 5/10 Jul 6, 2021 Full Review Alejandro Turdo Hoy Sale Cine Unchained may seem like an Exploitation movie, but as the plot moves forward, the drama turns the story into a character driven one with multiple layers that dare to tackle sensitive issues such as human trafficking and violence against women. Rated: 6/10 Jul 5, 2021 Full Review Evan Dossey Midwest Film Journal Effective fight choreography & performances make this a nice, tense low-budget fight thriller. Jul 3, 2021 Full Review Chris Salce Film Threat Unchained proves that sometimes simple is not always better, and its lacking of layers (all the characters are one-dimensional) and bland fights hurt the tone the filmmaker is going for. Rated: 2.5/10 Jul 3, 2021 Full Review Read all reviews

      Movie Info

      Synopsis An idealistic woman is kidnapped and forced to compete in an underground fight ring. Every night is a fight for her life as she plans to overthrow her captors and save the lives of many others doomed to the same endless cycle.
      Director
      Raphaello
      Producer
      John Bryan, Ilia Constantine
      Screenwriter
      Raphaello, Ilia Constantine, John Bryan
      Production Co
      ArtStyle Pictures, Nemesis Multimedia
      Genre
      Action
      Original Language
      English
      Release Date (Streaming)
      Jul 2, 2021
      Runtime
      1h 25m
      Aspect Ratio
      Scope (2.35:1)
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