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Philippe Agostini
This noted stylist first gained international attention with his striking, stark black-and-white cinematography for Robert Bresson's "Les Anges du peche" (1943) and "Les Dames du Bois de Boulogne" (1945). Agostini also shot Jules Dassin's gritty "Rififi" in 1955. He began directing in the 1950s, focusing on films with religious content.
Filmography
Movies
| Credit | |||||
|---|---|---|---|---|---|
| No Score Yet | No Score Yet | Dialogue With the Carmelites | Director | - | 1960 |
| No Score Yet | No Score Yet | Her Bridal Night | Screenwriter | - | 1957 |
| 93% |
|
Rififi | Cinematographer | $57.2K | 1955 |
| No Score Yet | No Score Yet | Their Last Night | Cinematographer | - | 1953 |
| 80% |
|
House of Pleasure | Cinematographer | - | 1952 |
| No Score Yet | No Score Yet | White Paws | Cinematographer | - | 1949 |
| 100% |
|
Les Dames du Bois de Boulogne | Cinematographer | - | 1945 |
| 75% |
|
Angels of Sin | Cinematographer | - | 1943 |
| 92% |
|
Daybreak | Cinematographer | $34.6K | 1939 |
| No Score Yet |
|
Christine | Cinematographer | - | 1937 |