Made in U.S.A.

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Made in U.S.A.

1966

1h 25m

Mystery & Thriller

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Tomatometer

Popcornmeter

85%

Tomatometer

20 Reviews

60%

Popcornmeter

1,000+ Ratings

The body count rises as a journalist (Anna Karina) -- under surveillance herself -- searches for her lover's killer in Atlantic City.

David Fear

Time Out

Rated: 4/5

Nov 17, 2011

Full Review

Fernando F. Croce

Slant Magazine

Godard's films are records (documentaries, even) of personal interests, ecstasies, and agonies at a particular time in the artist's life.

Rated: 4/4

Jul 21, 2009

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Ty Burr

Boston Globe

Gorgeous, minor, and pivotal.

Rated: 3/4

Feb 19, 2009

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Ian Thomas Malone

ianthomasmalone.com

Godard plays around with left and right repeatedly throughout the film, challenging his audience to see outside the binary.

Apr 10, 2020

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Fernando Trueba

El Pais (Spain)

The worst thing about Made in U.S.A is not the irregularities and inconsistencies -- present and perfectly integrated in Godard's work -- but the absolute lack of passion with which it was made. [Full Review in Spanish]

Jul 31, 2019

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Emanuel Levy

EmanuelLevy.Com

Rated: B+

Mar 10, 2013

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Audience Member

Admittedly not Godard's finest film, but this fractured romp (yes, romp) looks gorgeous and the story just about makes sense as it sashays from one peculiar set-piece to another. Worth watching for Marianne Faithfull's well-positioned cameo if nothing else.

Rated 3 out of 5 stars

02/25/23

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Audience Member

It's an absurdist comedy/neo-noir from Godard with long monologues about communism. It's like the perfect movie.

Rated 4 out of 5 stars

01/24/23

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Audience Member

This is probably Jean-Luc Godard's worst film. Its a bare story/plot enough as it is, but it feels like a half baked concept that doesn't even try to be comprehensible or exciting in any way. Its basically a nonsense film, and I award it the lowest score. I shouldn't have taken the chance with this film.

Rated 0.5 out of 5 stars

02/05/23

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Audience Member

Didn't fully enjoyed this Godard film, which was his tribute to film-noir, but in brash colours. Loosely based on a novel by a known noir author, Godard made this film his own with some political intrigue and tons of references to film and literature. Any classic film fan with notice many with names paying to tribute to old movies, stars and directors that Godard admired. This film also features his muse and wife Anna Karina. Worth a watch, but not a high recommendation.

Rated 3 out of 5 stars

02/06/23

Full Review

Audience Member

This will be the last rating and review I post on here, if you want to keep up with my reviews you can follow me on Letterboxd ( http://letterboxd.com/irontap/ ) Goodbye Rotten Tomatoes.

Rated 4.5 out of 5 stars

02/26/23

Full Review

Audience Member

Jean Luc-Godard's inventive film is both a playful homage towards film noir, and layered allegory concerning the cold war. Often fun and certainly original, but the social commentary can be a little heavy-handed.

Rated 4 out of 5 stars

01/23/23

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Jean-Luc Godard

Director

Anna Karina

Paula Nelson

Jean-Pierre Léaud

Donald Siegel

Laszlo Szabo

Richard Widmark

Marianne Faithfull

Marianne Faithfull

Ernest Menzer

Edgar Typhus

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Synopsis

The body count rises as a journalist (Anna Karina) -- under surveillance herself -- searches for her lover's killer in Atlantic City.

Director: Jean-Luc Godard
Screenwriter: Jean-Luc Godard
Production Co: Anouchka Films, Rome Paris Films
Genre: Mystery & Thriller
Original Language: Canadian French
Rerelease Date (Theaters): Jan 9, 2009
Release Date (Streaming): Mar 22, 2016
Runtime: 1h 25m

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