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Hail, Caesar!

Play trailer 2:05 Poster for Hail, Caesar! PG-13 2016 1h 46m Comedy Play Trailer Watchlist
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86% Tomatometer 360 Reviews 44% Popcornmeter 25,000+ Ratings
In the early 1950s, Eddie Mannix is busy at work trying to solve all the problems of the actors and filmmakers at Capitol Pictures. His latest assignments involve a disgruntled director, a singing cowboy, a beautiful swimmer and a handsome dancer. As if all this wasn't enough, Mannix faces his biggest challenge when Baird Whitlock gets kidnapped while in costume for the swords-and-sandals epic "Hail, Caesar!" If the studio doesn't pay $100,000, it's the end of the line for the movie star.
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Hail, Caesar!

Hail, Caesar!

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Critics Consensus

Packed with period detail and perfectly cast, Hail, Caesar! finds the Coen brothers delivering an agreeably lightweight love letter to post-war Hollywood.

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Critics Reviews

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Richard Brody The New Yorker Scintillating, uproarious, substantial, and playfully personal. Mar 23, 2020 Full Review Sara Michelle Fetters MovieFreak.com In other words, it's perfect, and like the best of the duo's achievements it's an ending I'm going to be pondering for quite a long time to come. Rated: 3.5/4 Aug 15, 2016 Full Review Roxana Hadadi Chesapeake Family Magazine Hail, Caesar! imagines the inner dealings of Hollywood during the early 20th century ... But the film's point for these shenanigans is possibly nonexistent. Rated: 3/5 Aug 2, 2016 Full Review Don Shanahan Every Movie Has a Lesson The laughs come easy, but so do the extravagant storytelling indulgences. The film slips with disorganization and too many random and fanciful coincidences. Rated: 4/5 Oct 16, 2024 Full Review JD Duran InSession Film The Coen’s prowessness for balance is also important to note here, as it’s never overtly satirical. It’s jabs toward Hollywood are limited and the balance of recognizing the chaos but also giving us grounded humanity results in the film being playful... Rated: A- Aug 2, 2024 Full Review Danielle Solzman Solzy at the Movies Hail, Caesar! is a brilliant satire depicting a bygone era of filmmaking that we'll never see again. Rated: 5/5 Dec 25, 2023 Full Review Read all reviews

Audience Reviews

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Blu B It's a Coen Brothers Classic but speaking to the quality of the overall body of work you could argue this is the point where things really started to turn in the wrong direction looking back. It has the same structure of something like Burn After Reading but is just not as tightly done as that was especially in the middle. And this also just has tone issues too. The editing isn't bad here as a whole but I mean its a musical, comedy, crime plot, meta hollywood drama, all done in a screwball type fashion with a Pulp Fiction style plot. It can get very unfocused at times but never is it not entertaining a testament to the great direction by the Coen Brothers, quirky but memorable characters, and just crazy antics. The S.J. subplot feels like the most unrelated thing and coud've been cut completely. It doesn't feel like it's related to much at all. Tatum's Golden Era music number is great but again it doesn't really fit with anything. Both are entertaining and great scenes like 99% of this film but when you mash them together they feel ike completely different films at certain points. The main ransom plot feels just forgotten at points in the middle. The fact the end does do a good job wrapping things up in a whacky Coen Brothers style way is a small miracle. It just works enough honestly for me and everything else is well done. The characters are all memorable, it's always entertaining, has that Coen Brothers humor/dialouge to it, and it's never convuluted. It's just not clear how things link up. At least Burn After Reading felt like it was all from the same film. This feels like it's from the same director but not the same film at times if that makes sense. It's got great production value, a meta style plot, and doesn't take itself serious at all, it's fun. But man is it unfocused and all over the place tone wise at times too in the middle. Anyone who is a fan of any actors here, the directors, or very quirky comedies should check this out. Rated 4 out of 5 stars 10/30/25 Full Review Daniel M It had an amazing cast with a great setting and a story that could have been fun, but it was just too boring at times. Too many scenes that never needed to be in the movie imo. Rated 2.5 out of 5 stars 10/06/25 Full Review Gareth v One of the Coen brothers weakest efforts. Not nearly as funny as some of their previuos efforts and a story that is fractured and rather dull makes for a disappointing movie. Rated 2.5 out of 5 stars 07/22/25 Full Review Audience Member So was this film scripted or did they just make it up as they went along? Here's a story and...well we solved it off camera. Oh No, someone has been kidnapped but thankfully someone else knows exactly where to find them and they're all alone when the guy shows up. And so forth and so on. Seriously, I can imagine the conversation, "So, a Hollywood star gets kidnapped", "OK, then what happens" "Ummm, I don't know, but another star's big secret is about to be revealed! "OK, what happens?" "Ummm...well we only have the actress for one day so we'll just have to say things worked out" If you're going to watch this film have low hopes, very low. Rated 1 out of 5 stars 06/18/25 Full Review Paul S Despite its incredible cast, this movie's story was all over the place, and it didn't have the comedic thrill that other Coen Brothers' movies have. It was still really fun to watch, and the performances were incredible. I definitely recommend it for comedy fans! Rated 4 out of 5 stars 04/12/25 Full Review Matthew T Hail, Caesar! is a lighthearted satire with a gentle bite of cynicism, critiquing the old studio system. The film explores the inherent contradictions of Hollywood—where business and art collide, inspiration coexists with cynicism, and innocence intertwines with sin. It serves as both a sharp commentary and a love letter to classic cinema. Technically well-crafted and superbly acted, the film carries the unmistakable quirks of a Coen Brothers comedy. However, while clever and well-paced, it isn’t particularly laugh-out-loud funny, and its narrative unfolds with subtlety. Watching Hail, Caesar! feels akin to experiencing a cinematic counterpart to F. Scott Fitzgerald’s unfinished Hollywood novel, The Last Tycoon, as it playfully satirizes the various genres that populate Turner Classic Movies. Rated 3 out of 5 stars 07/23/25 Full Review Read all reviews
Hail, Caesar!

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Hail, Caesar!

Hail, Caesar!: Official Clip - The Mermaid Ballet Hail, Caesar!: Official Clip - The Mermaid Ballet 2:54 Hail, Caesar!: Official Clip - Got Most Of It Hail, Caesar!: Official Clip - Got Most Of It 2:38 Hail, Caesar!: Official Clip - What If I Named Names? Hail, Caesar!: Official Clip - What If I Named Names? 3:02 Hail, Caesar!: Official Clip - Thanks, But No Thanks Hail, Caesar!: Official Clip - Thanks, But No Thanks 2:48 Hail, Caesar!: Official Clip - The Picture Has Worth Hail, Caesar!: Official Clip - The Picture Has Worth 2:03 Hail, Caesar!: Official Clip - No One's the Wiser Hail, Caesar!: Official Clip - No One's the Wiser 1:40 Hail, Caesar!: Official Clip - No Dames Hail, Caesar!: Official Clip - No Dames 3:08 Hail, Caesar!: Official Clip - Would That It Were So Simple Hail, Caesar!: Official Clip - Would That It Were So Simple 2:31 Hail, Caesar!: Official Clip - Catching the Submarine Hail, Caesar!: Official Clip - Catching the Submarine 3:11 Hail, Caesar!: Official Clip - Fixin' to Be Friendly Hail, Caesar!: Official Clip - Fixin' to Be Friendly 2:38 View more videos
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Movie Info

Synopsis In the early 1950s, Eddie Mannix is busy at work trying to solve all the problems of the actors and filmmakers at Capitol Pictures. His latest assignments involve a disgruntled director, a singing cowboy, a beautiful swimmer and a handsome dancer. As if all this wasn't enough, Mannix faces his biggest challenge when Baird Whitlock gets kidnapped while in costume for the swords-and-sandals epic "Hail, Caesar!" If the studio doesn't pay $100,000, it's the end of the line for the movie star.
Director
Joel Coen, Ethan Coen
Producer
Joel Coen, Ethan Coen, Tim Bevan, Eric Fellner
Screenwriter
Joel Coen, Ethan Coen
Distributor
Universal Pictures
Production Co
Working Title Films
Rating
PG-13 (Some Suggestive Content|Smoking)
Genre
Comedy
Original Language
English
Release Date (Theaters)
Feb 5, 2016, Wide
Release Date (Streaming)
Oct 4, 2016
Box Office (Gross USA)
$30.0M
Runtime
1h 46m
Sound Mix
Datasat, Dolby Digital
Aspect Ratio
Flat (1.85:1)
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