Nathan Barr
Writing and performing all instruments for his distinct compositions, Nathan Barr has become a notable name in musical compositions for gritty, atmospheric horror-thrillers. His work with Eli Roth on the "Hostel" films and on Alan Ball's smash TV series "True Blood" catapulted him to the top of the list of young Hollywood composers. Studying music in Tokyo from the age of four, he soon discovered many of the rare and underused instruments that grace his productions. Barr attended Skidmore College and soon toured Europe with the Juilliard Cello Ensemble. A move to Los Angeles in 1996 led him to work with renowned composer Hans Zimmer at Media Ventures on hits like "As Good As it Gets" and "The Prince of Egypt." Barr soon began flying solo on smaller features and TV movie titles, with his breakthrough coming in 2003 on Roth's horror flick "Cabin Fever." This exposure landed him a gig on the big-screen remake of "The Dukes of Hazzard" in 2005, after which he was invited back by Roth to score his torture porn opus "Hostel." This association with Roth led to an introduction to Roth's mentor Quentin Tarantino, who asked Barr to score "Grindhouse," the 1970s-throwback double-feature he was co-directing with Robert Rodriguez. Barr had quickly developed a talent for composing the backing mood pieces for artier horror fare and channeled this ability into the ambitious feat of writing for the sex-charged vampire soap opera "True Blood."
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Nathan Barr
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
45% |
|
Salem's Lot | Original Music | - | 2024 |
No Score Yet | No Score Yet | Chasing Notes | Self | - | 2024 |
57% |
|
A Bit of Light | Original Music | - | 2022 |
46% |
|
Kate | Original Music | - | 2021 |
82% |
|
Fin | Original Music | - | 2021 |
77% |
|
Uncle Frank | Original Music | - | 2020 |
57% |
|
The Hunt | Original Music | $5.3M | 2020 |
12% |
|
The Turning | Original Music | $15.5M | 2020 |
100% |
|
The Parting Glass | Original Music | - | 2018 |
65% |
|
The House With a Clock in Its Walls | Original Music | $68.5M | 2018 |
100% |
|
The Domestics | Original Music | - | 2018 |
91% |
|
Love and Saucers | Executive Producer | - | 2017 |
4% |
|
Flatliners | Original Music | $16.9M | 2017 |
12% |
|
The Boy Next Door | Original Music | $35.4M | 2015 |
6% |
|
The Big Wedding | Original Music | $21.8M | 2013 |
14% |
|
The Ledge | Original Music | $5.2K | 2011 |
58% |
|
Hood to Coast | Original Music | - | 2011 |
71% |
|
The Last Exorcism | Original Music | $41.0M | 2010 |
No Score Yet |
|
Open House | Original Music | - | 2010 |
35% |
|
The Slammin' Salmon | Original Music | $41.6K | 2009 |
0% |
|
Lost Boys: The Tribe | Original Music | - | 2008 |
11% |
|
Shutter | Original Music | $25.9M | 2008 |
No Score Yet |
|
Watching the Detectives | Original Music | - | 2007 |
33% |
|
Rise: Blood Hunter | Original Music | - | 2007 |
44% |
|
Hostel Part II | Original Music | $17.5M | 2007 |
41% |
|
Beerfest | Original Music | $19.2M | 2006 |
59% |
|
Hostel | Original Music | $47.3M | 2005 |
No Score Yet |
|
Mojave | Original Music | - | 2004 |
30% |
|
Broken Lizard's Club Dread | Original Music | $5.0M | 2004 |
62% |
|
Cabin Fever | Original Music | $21.2M | 2002 |
0% |
|
Venus & Mars | Original Music | - | 2001 |
82% |
|
Beyond the Mat | Original Music | $2.0M | 1999 |
No Score Yet |
|
Too Smooth | Original Music | - | 1998 |
TV
Credit | ||||
---|---|---|---|---|
96% | 85% | The Great | Music | 2023 |