Walter Hill
An auteur in every sense of the word, director Walter Hill took the baton passed him by Sam Peckinpah and became a specialist in the archetypal male action movie, reveling in the artifice of the genre, while at the same time, straining against its constraints. Strongly influenced by John Ford and Howard Hawks - he once claimed every film he had ever made was a Western - he allowed action to define character, believing "there is nothing more absurd than properly motivated characters," and concentrated on creating stunning visual spectacle through experiments in lighting, montage, composition and camera angles. For Hill, violence in varying degrees of stylization provided the stamp of macho gesture; women were extensions of the male world, exhibiting testosterone toughness and masculine meanness; and "home" illuminated a path for those who had lost their way. His pictures reflected a fascination with myth-making and myth-breaking and, at their best, transcended genre conventions.
Photos
Walter Hill
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
80% |
|
Alien: Romulus | Producer | $105.3M | 2024 |
54% |
|
Dead for a Dollar |
Director, Screenwriter |
- | 2022 |
65% |
|
Alien: Covenant | Producer | $74.2M | 2017 |
33% |
|
The Assignment |
Director, Screenwriter |
- | 2016 |
45% |
|
Bullet to the Head | Director | $9.5M | 2012 |
73% |
|
Prometheus | Producer | $126.5M | 2012 |
12% |
|
Aliens vs. Predator: Requiem | Producer | $41.8M | 2007 |
No Score Yet |
|
Broken Trail | Director | - | 2006 |
No Score Yet | No Score Yet | Little Sister | Director | - | 2006 |
21% |
|
Alien vs. Predator | Producer | $80.3M | 2004 |
94% |
|
Alien: The Director's Cut | Producer | - | 2003 |
49% |
|
Undisputed |
Director, Writer, Producer |
- | 2002 |
0% |
|
Ritual | Producer | - | 2001 |
11% |
|
Supernova | Director | $14.2M | 2000 |
55% |
|
Alien Resurrection | Producer | $47.7M | 1997 |
14% |
|
Tales From the Crypt Presents Bordello of Blood | Executive Producer | $5.6M | 1996 |
42% |
|
Last Man Standing |
Director, Producer, Screenwriter |
$18.1M | 1996 |
46% |
|
Wild Bill |
Director, Screenwriter |
$2.1M | 1995 |
42% |
|
Tales From the Crypt Presents Demon Knight | Executive Producer | $20.9M | 1995 |
33% |
|
The Getaway | Screenwriter | $15.5M | 1994 |
50% |
|
Geronimo: An American Legend |
Director, Producer |
$18.4M | 1993 |
70% |
|
Trespass | Director | $12.5M | 1992 |
44% |
|
Alien 3 |
Writer, Producer |
$54.8M | 1992 |
19% |
|
Another 48 HRS. | Director | $78.1M | 1990 |
60% |
|
Johnny Handsome | Director | $6.6M | 1989 |
69% |
|
Red Heat |
Director, Screenwriter, Producer |
$35.0M | 1988 |
80% |
|
Extreme Prejudice | Director | $9.9M | 1987 |
76% |
|
Crossroads | Director | $5.2M | 1986 |
94% |
|
Aliens |
Writer, Executive Producer |
$77.6M | 1986 |
0% |
|
Blue City |
Screenwriter, Producer |
$6.0M | 1986 |
39% |
|
Brewster's Millions | Director | - | 1985 |
17% |
|
Rustlers' Rhapsody | Producer | - | 1985 |
71% |
|
Streets of Fire | Director | - | 1984 |
92% |
|
48 HRS. |
Director, Screenwriter |
- | 1982 |
78% |
|
Southern Comfort |
Director, Screenwriter |
- | 1981 |
81% |
|
The Long Riders | Director | - | 1980 |
No Score Yet | No Score Yet | Los Jinetes | Director | - | 1980 |
93% |
|
Alien | Producer | $82.6M | 1979 |
88% |
|
The Warriors |
Director, Screenwriter |
- | 1979 |
79% |
|
The Driver |
Director, Writer |
- | 1978 |
53% |
|
The Drowning Pool | Screenwriter | - | 1975 |
94% |
|
Hard Times |
Director, Screenwriter |
- | 1975 |
No Score Yet |
|
The Thief Who Came to Dinner | Screenwriter | - | 1973 |
83% |
|
The Getaway | Writer | - | 1972 |
67% |
|
Hickey & Boggs | Writer | - | 1972 |
TV
Credit | ||||
---|---|---|---|---|
92% | 95% | Deadwood | Director | 2004 |
No Score Yet | No Score Yet | Perversions of Science | Director | 1997 |
82% | 90% | Tales From the Crypt | Director | 1989-1991 |