Capote

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Thom N This film, like the harrowing and wonderfully constructed novel from which it takes its central story, is filled with an eerie sense of ennui, grief, and isolation that is visually represented by the empty wide open plains of Kansas and the prison cells and farmhouses in which the majority of this movies scenes take place. One of Philip Seymour Hoffman's best acting roles by far, right up there with his role as Brandt in the 1996 comedy whodunit film "The Big Lebowski". That's marvellous. Rated 4/5 Stars •  Rated 4 out of 5 stars 12/19/24 Full Review Willian F The film itself is interesting because it shows a side of being a journalist, offering a perspective that makes us reflect on how far it’s right to go to get a good story or an interesting lead. It also makes us think about the limits of our profession, especially when we are chasing facts for an important case that could become significant. It questions what is truly worth doing to uncover the truth, without leaving aside the ethical principles of being a journalist. Rated 3/5 Stars •  Rated 3 out of 5 stars 11/25/24 Full Review mark g Philip Seymour Hoffman delivers one of the most deserving Best Actor performances ever. Beautifully shot film that starts simple enough, but then spins into a psychological nightmare for all the main characters. Rated 5/5 Stars •  Rated 5 out of 5 stars 10/01/24 Full Review Robert L I'm not sure how accurate this is in absolute context, but it's a scathing indictment of human nature. A nice study in psychology. Rated 4/5 Stars •  Rated 4 out of 5 stars 09/02/24 Full Review helder f It’s a nice movie, and regardless of how close it is to reality is an interesting story. A dynamic between a famous writer and poor convict is depicted in a way that’s probably more beautiful than one would immediately notice. Both these two people are grandiose in their sphere; both fragile in their own ways. But Capote is by far the most powerful of the two - which grants him the capacity of mercy but also abuse. When it comes to the reality, and how much of the movie depicts the reality well… it’s hard to tell. Capote the character is depicted in a way that appears rather crystallized and he doesn’t appear to evolve or at least to flow. He appears contrived. As for the facts, it surely depicts capote in a not so positive light. Selfish, manipulative and narcissistic.,. Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 08/11/24 Full Review Nathan W Imagine my embarrassment when I go to write a review about Capote, and find myself somewhat at a loss for words. I'm honestly a little torn, because this movie has two very different halves that make up the whole. On the one hand, Philip Seymour Hoffman absolutely crushed it as Truman Capote. Hands down, one of the best, if not THE best character portrayal that I've ever seen! All of the mannerisms, the way he carried himself, and especially the voice, all matched perfectly. I know because I looked up footage of the real Capote as soon as I finished watching it. And just from what I gathered from the film, he seemed like a really interesting and unique person, but we'll get into that later. The point is, that's the half of this movie that is holding things together. Because it's a character piece first and foremost, and everything else comes second. Not that anything was bad, it just wasn't done as well as Capote himself. I mean, the story was interesting enough, but the plot jumped around a little too much. We covered several years worth of material in the span of two hours, because we never stayed in one place/time for very long. Every scene was still great, but I wish things had been laid out in a more coherent manner. There was an awful lot of talent in this movie, but aside from one other person, the main character was the only one we really got to know. I thought most of the interactions were genuine and believable, but there were more than I would have liked that felt off. It wasn't the most elaborate period piece that ever existed. It was good enough, but they pretty much let the cars and clothes do the heavy lifting on that one. I will say that the cinematography was pretty well done. It seemed like every single shot was set up with the utmost care. But what I'm getting at is that the rest of it was far from perfect. Outside of Hoffman's performance, there isn't a whole lot special happening here. It wouldn't have been strong enough, or interesting enough, to stand on its own. But thankfully for all of us, it didn't have to. Once I got past the voice, which took some getting used to, I was completely enamored with Hoffman's character. I was constantly entertained by trying to figure out what his true intentions were. Does he actually care about these people, or is he just protecting his own interests? Is he obsessed with his work or is he obsessed with himself? Does he even know which one it is? Some of the answers were made clear, and others were left up to the audience to decide. You know, I would rarely rate such a one-sided character piece so highly, but that just how good Hoffman's performance truly was. I love everything I've seen him in, and I think I speak for everyone when I say that he will always be dearly missed. Rated 4/5 Stars •  Rated 4 out of 5 stars 06/18/24 Full Review Read all reviews

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