Happy End

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thiago s Sep 2 Filme fraco, o roteiro é fraco, as cenas são fracas, a história é fraca, o elenco é fraco, e ninguém ajuda a melhorar o filme, os personagens são fracos, e o filme deveria ter cenas bem melhores e relevantes, para fazer o filme ser bom See more 01/28/2020 An upper class family in Calais struggles with crisis. Although this film is of an obvious high caliber production, the lack of a coherent plot left it much to be desired. Either I'm not that smart or this movie made no sense. Given that this was a French film and perhaps much was lost in translation, the story was difficult, at best, to comprehend. There was no real beginning and no real end. It is not wrapped up in a nice little bow and for most films, it doesn't really have to be. However there was such a lack of explanation pertaining to the characters actions there was nothing for the viewer to grasp as reasoning. The best thing about this film was its ability to make yourself feel good about your own family. As crazy as you may think your family is, this one is crazier and not funny haha crazy. but perhaps it was meant to be crazy. Critics love this film, the general public probably does not. CritPop score of a 2 of 5 stars. See more 08/06/2019 Otra vez Heneke y sus estilachos. See more 06/12/2019 The critics were unfairly harsh on this characteristically opaque examination of family secrets, betrayal and the mysteries of life. It's not an easy film to follow, at least initially, Haneke doesn't hold your hand or spell everything out, but that approach pays growing dividends as the onion is slowly unpeeled. Marvellous acting from his ensemble cast, led by Matthieu Kassovitz, Isabelle Huppert and Jean-Louis Trintignant. Fantastique. See more 10/15/2018 Director Michael Haneke's latest film, his first in five years, is a chilly look at the moral failings of the bourgeoisie (or perhaps the upper class). Isabelle Huppert is the neurotic head of a construction company, hoping to bestow this role on her son, who she constantly berates for not being good enough (an accident at one of the sites heightens this tension). Mathieu Kassovitz is her brother, a surgeon, whose 13-year-old daughter by a first marriage (Fantine Harduin) is suddenly added to the family when her mother attempts suicide; the daughter immediately senses that her father is having an affair (and investigates this on his computer; her smartphone is always near at hand, recording things). Jean-Louis Trintignant (now in his 80s) plays the retired head of the family, alternatively forgetful and lucidly perceptive; he seeks escape in death after having euthanised his wife several years earlier during a chronic illness (a nod to Haneke's previous feature, Amour, 2012). There is no linear plot to reveal; we just see the family with its various players rolling through a series of events that show their obliviousness to the suffering of the world (made a bit more overt when the son invites a group of African refugees into a fancy engagement dinner). We do feel the tension from these events but it is enhanced by the characters' inability to communicate with each other, to confess their own true feelings or to recognise those of each other. (Haneke uses some cinematic tricks, such as filming from a distance so that we cannot hear what is being said, to emphasise these failures). Our social pain may be even more acute when we observe the poor tween daughter and her own constricted emotions, clearly borne of the treatment received from those around her. As always with Haneke, there are ideas to chew on here but they seem slightly less well digested than in some of his other films. See more 09/03/2018 am vazut doar prima jumate in aer liber. See more Read all reviews

Happy End

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