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Cary Fukunaga directs a fiery and elegant adaptation of Charlotte Bronte's classic novel, and Mia Wasikowska delivers possibly the best portrayal of the title character ever. Read critic reviews
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Movie Info
As an orphaned child, Jane Eyre (Mia Wasikowska) is first cruelly abused by her aunt, then cast out and sent to a charity school. Though she meets with further abuse, she receives an education, and eventually takes a job as a governess at the estate of Edward Rochester (Michael Fassbender). Jane and Rochester begin to bond, but his dark moods trouble her. When Jane uncovers the terrible secret Rochester has been hiding, she flees and finds temporary refuge at the home of St. John Rivers.
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Rating: PG-13 (Brief Violent Content|A Nude Image|Some Thematic Elements)
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Genre: Drama, Romance
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Original Language: English
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Director: Cary Joji Fukunaga
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Producer: Alison Owen, Paul Trijbits
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Writer: Moira Buffini
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Release Date (Theaters): limited
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Release Date (Streaming):
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Box Office (Gross USA): $11.2M
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Runtime:
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Distributor: Focus Features
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Production Co: Ruby Films
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Sound Mix: Dolby Digital, DTS
Cast & Crew
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Critic Reviews for Jane Eyre
Audience Reviews for Jane Eyre
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Having not actually read the source material or seen the countless other adaptation of Jane Eyre, one can only judge it based on what it accomplished, and against the genre that it's a part of. As a 19th Century period piece, Jane Eyre is a successful film. It's very well executed at most every level, with excellent production values, world building, compelling performances, and a mostly engaging narrative. I say mostly engaging, as the film does get a bit dull towards the end, with a notable descent in to melancholy. In additoin, there are parts of the film that feel too compact, as is the pitfalls of many films from novels. Yet the heart of the story is a fascinating one, with the film remaining anchored with the character of Jane Eyre, played rather brilliantly by Mia Wasikowska. Her Jane Eyre is one brimming with emotion, complexity, and drive, yet one ever so elegantly restrained with a sort of melancholy venire. Wasikowska conveys this to an amazingly raw extent, giving the film most of its narrative power. Fassbender's Rochester is also a fascinating character, though one could have wanted more from his characterization (his back-story was very unclear). Still, his chemistry with Mia is palpable. The direction is mostly strong, having a solid pace up until the end, when the film seems to slow and meander a bit. We get a sense that with all of the characters on screen, there is a lot to be had, yet the constraints of the medium mean that only certain storylines could be fleshed out. Eyre's later inheritance and uncle is one plot line that was frustratingly glossed over, which is disappointing considering the interesting direction Eyre's character development was taking. Still, with what the film chooses to focus on, it does well. An overall effective piece. 3.5/5 Stars
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This movie is why I fell in love with Michael Fassbender. Ask me to marry you, Michael. I'd say, "yes"!
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Despite some fantastic cinematography and great performances from the two leads, Jane Eyre still wasn't all that interesting to me. However, my problem with it relates to the story, which is in no way the fault of talented director Cary Fukunaga, who creates a gorgeously-rendered adaptation of the book of the same name. Despite my gripes with the story being told, the film rarely if ever devolves into mindless melodrama and will surely satisfy those who enjoyed the book, as this is definitely well-made. Be forewarned though, if you aren't a fan of this sort of 19th century romance story, this adaptation of Jane Eyre isn't likely to change your mind.
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A superb adaptation, with particular praise to the script and the way in which the story is told. The two leads are pitch-perfect, the crisp photography is beautiful in a subtle way and the locations, costumes and design are award worthy. An overlooked gem.
Verified