The Professional

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thiago s Filme legal pra caralho, o roteiro é fraco, as cenas são muito legais, o elenco é bacaninha, e o leon, a mathilda e o vilão stansfield ajudaram a melhorar o filme, a história é bacana, os personagens sao muito bons, inclusive o vilão stansfield que ajudou muito no filme, com tudo isso, eu recomendo muito esse filme vale a pena assistir. Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 05/05/25 Full Review anonyme anonyme a It is a film of the most absolute narrative good taste. Written in layers that vary between subtle hints of happiness and compensation, with layers of pressure and anxiety. The film presents a moral ambiguity that is explored in a brilliant way, to say the least, showing the human sides of the characters. This is not a film about murder, it is a film about the brevity of escapism from reality and the almost perpetual lingering discomfort about what comes next. Perfect, in every way. But this movie will make you uncomfortable because of the relationship between the protagonists. Rated 5/5 Stars •  Rated 5 out of 5 stars 04/19/25 Full Review Andrew M Léon: The Professional There’s no denying that Léon: The Professional has earned its reputation as a cinematic classic, but for me, the film is far from perfect. While the performances—particularly those of Natalie Portman as Mathilda and Gary Oldman as the unhinged antagonist—are commendable, the movie’s unsettling undertones and questionable relationship dynamics cast a long shadow over its strengths. The core of the story, which revolves around a lonely hitman (Jean Reno) and a young girl seeking revenge for her family’s murder, is undeniably compelling. Portman, in her debut role, is remarkable, showcasing maturity and talent beyond her years. Gary Oldman’s maniacal performance is as captivating as it is terrifying, adding a chaotic energy that keeps you on edge. However, the “extended version” of the film, which delves deeper into the bond between Léon and Mathilda, crosses a line that made me deeply uncomfortable. The implications of their relationship veer into inappropriate territory, undermining the emotional depth and making it hard to root for their dynamic. Even in the standard cut, some moments feel exploitative rather than heartfelt. Despite its flaws, the movie excels in its technical aspects. The cinematography is visually stunning, capturing both the gritty urban setting and the tender, isolated moments between the leads. The action sequences are choreographed with precision, and the pacing keeps the story engaging. Ultimately, Léon: The Professional is a well-made film with undeniable artistic merit, but it’s also a deeply flawed one. The troubling themes and uneven tone make it a difficult watch, and while its impact on the genre is notable, it left me more conflicted than moved. Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 03/05/25 Full Review João Victor M The direction wasn't exceptional, but Gary Oldman’s performance as the policeman who listens to music stood out and effectively conveyed the director's intent. The story felt too short, skipping over Natalie Portman’s Matilda's development after losing her family. Danny Aiello’s Tony deserves credit for opposing her training as a killer, and the plot could have been better developed if Matilda had helped Jean Reno’s Léon leave that life, considering her past trauma. The ending, initially seeming cliché, turned out to be surprising and intelligent, with a symbolic touch in the scene where she plants Léon's plant. Rated 2.5/5 Stars •  Rated 2.5 out of 5 stars 02/19/25 Full Review Marcus K Great action movie. Would highly recommend. Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 02/18/25 Full Review Joshua P Such a great film. It's amazing - there is definitely a lot to be said about the film and art that gets people talking does a really good job in my opinion. I loved it. However, it can't be denied that the production of the film was really dodgy. Natalie Portman didn't deserve what she got. When you're hurting people or animals or destroying stuff of real value in the purpose of creating art, the ends never justify the means. It didn't in Natalie Portman's case, it didn't in Shelly Duvall's case, it didn't in the case of the animals hurt in the making of Cannibal Holocaust. Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 12/30/24 Full Review Read all reviews

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