Melancholia

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Melancholia

R

Released Nov 11, 2011

2h 10m

Drama

Sci-Fi

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Popcornmeter

80%

Tomatometer

207 Reviews

67%

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25,000+ Ratings

As a planet hurtles toward a collision course with Earth, two sisters (Kirsten Dunst, Charlotte Gainsbourg) cope with the approaching doomsday in different ways.

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Critics Consensus

Melancholia's dramatic tricks are more obvious than they should be, but this is otherwise a showcase for Kirsten Dunst's acting and for Lars von Trier's profound, visceral vision of depression and destruction.

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Sara Reihani

Bitch Media

A strangely apt visual representation of depression.

Jan 9, 2021

Full Review

Amy Taubin

Film Comment Magazine

Von Trier creates a blackly comic delirium that is terrifying and completely exhilarating.

Aug 27, 2019

Full Review

Lisa Rosman

IndieWire

In Melancholia, von Trier has created a mission statement of a masterpiece, one that reminds us that nihilism itself can serve as a legitimate form of creation, a means as well as The End.

Nov 7, 2016

Full Review

June Butler

Film Ireland Magazine

Kirsten Dunst and Charlotte Gainsbourg lead a stellar cast, and the special effects are jaw-dropping.

Jan 17, 2025

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Savina Petkova

A Good Movie To Watch

Vesting expectations in someone as wide-ranging as Kirsten Dunst assures an absolute win, even if there remain some questionable characteristics that align too well with abstract male fantasies of what a woman in distress would look like.

Rated: 7.6/10

Oct 29, 2023

Full Review

Diego Batlle

Otroscines.com

Melodrama and science fiction sustained by images in a wide screen and music by Wagner. [Full review in Spanish]

Rated: 5.5/10

Oct 4, 2022

Full Review

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Grecia S

This is one of my favorite movies. As someone who has battled with depression it captures it perfectly. I was so moved and it’s just beautiful.

Rated 5 out of 5 stars

06/14/25

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Jerod S

Melancholia is an apt title - and it rubs off on you. After two hours of Wagner, too much of Dunst's body and depression as a planet comes to annihilate you - you're feeling pretty lousy yourself.

Rated 3.5 out of 5 stars

05/01/25

Full Review

Mick S

Melancholia is an excruciatingly slow, self-indulgent slog. The acting feels wooden and narcissistic, making it impossible to care about the characters or the impending doom. The film drags endlessly, stretching what should have been a 10-minute concept into over two agonizing hours. Pretentious, joyless, and utterly tedious , I didn’t care what happened in the end.

Rated 1 out of 5 stars

04/01/25

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Julius P

This really failed to fulfil my hopes after the expectations set by the critics reviews. It just felt disappointing.

Rated 1 out of 5 stars

03/10/25

Full Review

thiago s

Filme fraco, o roteiro é fraco, o filme tem praticamente cenas de diálogos que não levam a porra nenhuma, o filme tem poucas coisas interessantes e elenco tem ajudar, mas não consegue muito.

Rated 0.5 out of 5 stars

03/04/25

Full Review

Taehee K

why did i watched this? i really can't relate to anything in the movie, i almost gave up, i was just attracted to good looking poster. i'm suprised that many people love this movie, and its funny that people who love it really loves it, but others found that its really boring and meaning less

Rated 0.5 out of 5 stars

02/02/25

Full Review

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Lars von Trier

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Justine

Charlotte Gainsbourg

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Synopsis

As a planet hurtles toward a collision course with Earth, two sisters (Kirsten Dunst, Charlotte Gainsbourg) cope with the approaching doomsday in different ways.

Director: Lars von Trier
Producer: Meta Louise Foldager, Louise Vesth
Screenwriter: Lars von Trier
Distributor: Magnolia Pictures
Production Co: Slot Machine, Zentropa Entertainment, Zentropa Entertainment France, Liberator Productions, Memfis Film AB, Film i Väst, arte France Cinéma, DR
Rating: R (Sexual Content|Language|Some Graphic Nudity)
Genre: Drama, Sci-Fi
Original Language: English
Release Date (Theaters): Nov 11, 2011, Limited
Release Date (Streaming): Jan 13, 2015
Box Office (Gross USA): $3.0M
Runtime: 2h 10m
Aspect Ratio: Scope (2.35:1)

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