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Tasteful to a fault, The Aftermath is worth seeking out only for the most passionate period drama enthusiasts. Read critic reviews
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Movie Info
In 1946 Rachael Morgan arrives in the ruins of Hamburg to be reunited with her husband, Lewis, who is a British colonel charged with rebuilding the shattered city. As they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal.
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Rating: R (Some Disturbing Images|Sexual Content/Nudity|Violence)
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Genre: History, Drama, Romance
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Original Language: English
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Director: James Kent
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Producer: Jack Arbuthnott, Malte Grunert
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Writer: Joe Shrapnel, Anna Waterhouse, Rhidian Brook
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Release Date (Theaters): limited
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Release Date (Streaming):
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Box Office (Gross USA): $1.6M
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Runtime:
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Distributor: Fox Searchlight
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Production Co: Scott Free Productions, Amusement Park Films
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Aspect Ratio: Flat (1.85:1)
Cast & Crew
Critic Reviews for The Aftermath
Audience Reviews for The Aftermath
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Keira Knightley and Jason Clarke star in the rather dull and meandering war drama The Aftermath. In the months following the Allied victory in Europe during World War II a British housewife goes to Germany to be with her husband who's part of the British command overseeing the occupation, however when they let a Germany family whose house they've been quartered at stay tensions rise and relationships begin to be torn apart. Both Knightley and Clarke give lackluster, underwhelming performances, and no one else is particularly good either. And the writing is especially poor, as the dramatic tensions and conflicts all kind of frizzle out. However, the production values are remarkably good, making for a beautiful looking film. Yet despite having a few things going for it, The Aftermath is incredibly disappointing and falls flat.
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I am struggling to come up with something of substance to say about The Aftermath, an adequate drama with decent performances, handsome production design, and a boring love triangle. It's set in the aftermath of World War Two Germany in the Allied-occupied stretch. Jason Clarke plays a British officer stationed in another man's home, a wealthy German local (Alexander Skarsgard) who lost his wife in the war. Clarke's wife (Keira Knightley) is anxious to go home, still processing her grief from losing her child during the war and her relationship with her distant husband seems irreparable. It's only a matter of time before Knightley and Skarsgard find comfort in one another, and they do, almost absurdly quickly. The more interesting story is Clarke trying to keep a fragile peace in the ruins of bombed-out Germany while Nazi sympathetic elements conspire to form an insurgency against the remaining officers. Now that's a movie I would watch. That's a way more intriguing storyline, and one I'm sure chapter after chapter was filled with sprawling, conspiratorial detail in the novel by Rhidian Brook. Alas, we're stuck with a pretty drab love affair between two pretty people. I didn't feel any passion between them; it felt like they were acting by-the-numbers, and ultimately maybe that was what the director had in mind all along. I found my mind drifting away for long interludes, thinking about other movies, thinking about watching other historical dramas. The acting is pretty good all around. Knightley has a standout scene where she breaks down and reveals the full extent of her maternal grief and what it has done to her marriage. The Aftermath will be readily forgotten in its own aftermath, and I don't think too many viewers will mourn. Nate's Grade: C
nathan z Super Reviewer
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