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Marco Beltrami
Highest Rated: 98% Free Solo (2018)
Lowest Rated: 7% The Snowman (2017)
Birthday: Oct 7, 1966
Birthplace: New York, New York, USA
A prolific, Italian-born film composer who had his start with the teen horror franchise "Scream," Marco Beltrami was raised in the U.S. and underwent intensive musical training both abroad and at Yale University, composing music for symphonies and dance ensembles before entering the world of film and television scoring with projects like "Hellboy" (2004) and blockbuster sequels such as "Terminator 3: Rise of the Machines" (2003). Outside of his genre work, Beltrami held that contemporary film music should include a variety of musical styles and instruments, which he put to use with his critically acclaimed work on the Scandinavian film "I am Dina" (2002) before returning to mainstream films with his traditional sweeping music for "3:10 to Yuma" (2007). After writing the scores for the long-awaited sequel "Live Free or Die Hard" (2007) and the comic book actioner "Max Payne" (2008), he penned the Oscar-nominated music for "The Hurt Locker" (2009), which propelled him onto the upper tier of Hollywood composers.
Photos
Filmography
Movies
| Credit | |||||
|---|---|---|---|---|---|
| 59% | 51% | Silent Night | Original Music | $8.0M | 2023 |
| 52% | 73% | The Nun II | Original Music | $86.3M | 2023 |
| 35% | 24% | Deep Water | Original Music | - | 2022 |
| 62% | 53% | No Exit | Original Music | - | 2022 |
| 20% | 88% | American Night | Original Music | - | 2021 |
| 57% | 84% | Venom: Let There Be Carnage | Original Music | $213.5M | 2021 |
| 88% | 76% | Fear Street Part Three: 1666 | Original Music | - | 2021 |
| 84% | 63% | Fear Street Part One: 1994 | Original Music | - | 2021 |
| 91% | 92% | A Quiet Place Part II | Original Music | $160.2M | 2021 |
| 21% | 71% | Chaos Walking | Original Music | $13.3M | 2021 |
| 94% | 89% | Love and Monsters | Original Music | $1.0M | 2020 |
| 84% | 93% | The Way I See It | Original Music | $44.5K | 2020 |
| 48% | 60% | Underwater | Original Music | $17.3M | 2020 |
| 92% | 98% | Ford v Ferrari | Original Music | $117.6M | 2019 |
| 77% | 72% | Scary Stories to Tell in the Dark | Original Music | $68.7M | 2019 |
| 82% | 74% | Long Shot | Original Music | $30.3M | 2019 |
| 55% | 57% | Extremely Wicked, Shockingly Evil and Vile | Original Music | - | 2019 |
| 61% | 36% | Velvet Buzzsaw | Original Music | - | 2019 |
| No Score Yet | No Score Yet | The Emperor of Paris | Original Music | - | 2018 |
| 98% | 93% | Free Solo | Original Music | $17.5M | 2018 |
| 96% | 83% | A Quiet Place | Original Music | $68.4M | 2018 |
| No Score Yet | 73% | Matilda | Original Music | - | 2017 |
| 7% | 19% | The Snowman | Original Music | $6.7M | 2017 |
| 93% | 90% | Logan | Original Music | $226.3M | 2017 |
| 91% | 83% | Score: A Film Music Documentary | Self | $97.3K | 2016 |
| 25% | 52% | Ben-Hur | Original Music | $26.4M | 2016 |
| 79% | 59% | The Shallows | Original Music | $55.1M | 2016 |
| 14% | 37% | Gods of Egypt | Original Music | $31.1M | 2016 |
| 68% | 61% | The Night Before | Original Music | $43.0M | 2015 |
| 48% | 62% | No Escape | Original Music | $27.3M | 2015 |
| 8% | 40% | Hitman: Agent 47 | Original Music | $22.4M | 2015 |
| 9% | 18% | Fantastic Four | Original Music | $56.0M | 2015 |
| 45% | 38% | True Story | Original Music | $4.7M | 2015 |
| 15% | 31% | The Gunman | Original Music | $10.6M | 2015 |
| 12% | 34% | Seventh Son | Original Music | $17.2M | 2014 |
| 81% | 53% | The Homesman | Original Music | $2.4M | 2014 |
| 89% | 76% | The Drop | Original Music | $10.7M | 2014 |
| 35% | 46% | The November Man | Original Music | $25.0M | 2014 |
| 35% | 55% | The Giver | Original Music | $45.1M | 2014 |
| 94% | 72% | Snowpiercer | Original Music | $4.6M | 2013 |
| 50% | 44% | Carrie | Original Music | $35.3M | 2013 |
| 71% | 69% | The Wolverine | Original Music | $132.5M | 2013 |
| 67% | 72% | World War Z | Original Music | $202.4M | 2013 |
| 15% | 40% | A Good Day to Die Hard | Original Music | $67.3M | 2013 |
| 81% | 73% | Warm Bodies | Original Music | $66.4M | 2013 |
| 35% | 37% | Deadfall | Original Music | $64.4K | 2012 |
| 91% | 80% | The Sessions | Original Music | $6.0M | 2012 |
| 51% | 66% | Trouble With the Curve | Original Music | $35.8M | 2012 |
| 66% | 54% | The Woman in Black | Original Music | $54.3M | 2012 |
| 34% | 42% | The Thing | Original Music | $16.9M | 2011 |
| 60% | 57% | Scream 4 | Original Music | $38.2M | 2011 |
| 45% | 75% | Soul Surfer | Original Music | $43.9M | 2011 |
| 60% | 34% | Don't Be Afraid of the Dark | Original Music | $24.0M | 2010 |
| 11% | 26% | My Soul to Take | Original Music | $14.6M | 2010 |
| 12% | 20% | Jonah Hex | Original Music | $10.5M | 2010 |
| 21% | 41% | Repo Men | Original Music | $13.8M | 2010 |
| 35% | 42% | Knowing | Original Music | $79.9M | 2009 |
| 97% | 84% | The Hurt Locker | Original Music | $15.7M | 2008 |
| No Score Yet | 26% | Amusement | Original Music | - | 2008 |
| 16% | 29% | Max Payne | Original Music | $40.7M | 2008 |
| No Score Yet | 47% | The Substitute | Original Music | - | 2007 |
| 9% | 23% | Captivity | Original Music | $2.6M | 2007 |
| 82% | 86% | Live Free or Die Hard | Original Music | $134.5M | 2007 |
| 20% | 57% | The Invisible | Original Music | $20.6M | 2007 |
| 26% | 40% | The Omen | Original Music | $54.6M | 2006 |
| 80% | 64% | Red Eye | Original Music | $57.9M | 2005 |
| 17% | 32% | XXX: State of the Union | Original Music | $26.0M | 2005 |
| 15% | 30% | Cursed | Original Music | $19.3M | 2005 |
| 31% | 40% | Flight of the Phoenix | Original Music | $21.0M | 2004 |
| 57% | 70% | I, Robot | Original Music | $144.8M | 2004 |
| 81% | 66% | Hellboy | Original Music | $59.0M | 2004 |
| 70% | 46% | Terminator 3: Rise of the Machines | Music | $150.4M | 2003 |
| No Score Yet | 75% | I Am Dina | Original Music | - | 2002 |
| 11% | 49% | The First $20 Million Is Always the Hardest | Original Music | $5.5K | 2002 |
| 57% | 68% | Blade II | Original Music | $81.6M | 2002 |
| 36% | 67% | Resident Evil | Original Music | $39.5M | 2002 |
| 74% | 66% | Joy Ride | Original Music | $22.0M | 2001 |
| 32% | 46% | Angel Eyes | Original Music | $24.0M | 2001 |
| 11% | 28% | The Watcher | Original Music | $28.9M | 2000 |
| 18% | 43% | The Crow: Salvation | Original Music | - | 2000 |
| 41% | 38% | Scream 3 | Original Music | $89.1M | 2000 |
| No Score Yet | 88% | Walking Across Egypt | Original Music | - | 1999 |
| No Score Yet | 46% | The Florentine | Original Music | - | 1999 |
| 15% | 34% | 54 | Original Music | $16.6M | 1998 |
| 55% | 49% | Halloween H20: 20 Years Later | Original Music | $55.0M | 1998 |
| 27% | 46% | Nightwatch | Original Music | $1.2M | 1998 |
| No Score Yet | 67% | David and Lisa | Original Music | - | 1998 |
| 82% | 58% | Scream 2 | Original Music | $101.3M | 1997 |
| 65% | 37% | Mimic | Original Music | $25.5M | 1997 |
| No Score Yet | No Score Yet | The Incorporated | Original Music | - | 1996 |
| 81% | 80% | Scream | Original Music | $103.7M | 1996 |
| No Score Yet | No Score Yet | The Whispering | Original Music | - | 1995 |