Big Momma's House

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Steven F. @SteveGotScored Feb 19 Definitely one of the most goofiest comedy movies ever! See more Trevor S @PopcornPopper Feb 5 It’s ok for a comedy movie if you’ve seen all of the good ones and you’re desperate for two or three laughs. See more Stephen C @bob25009 Dec 31 The worldwide gross is $173,959,438.00!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! See more Pedro Henrique C @Pedro2005 Dec 9 Big Momma's House (2000) A great classic that many fans enjoy, but it has major flaws in the script and central storyline. However, it's a very fun and charming movie. See more Ed R @JustcallmeER Nov 12 Terrible writing and humor. I can't recommend this to anyone. See more TheMovieSearch R @TheMovieSearch Oct 26 Big Momma’s House is one of those early-2000s comedies that embraces absurdity with full confidence and doesn’t apologize for it. It’s a loud, silly, and completely over-the-top concept that somehow works because of Martin Lawrence’s commitment to the bit. As FBI agent Malcolm Turner, he disguises himself as an elderly Southern woman, Big Momma, to solve a case—and what unfolds is part undercover cop story, part slapstick farce, and part drag performance extravaganza. It’s not flawless by any means, but it knows exactly what kind of movie it is: pure, unapologetic fun. Martin Lawrence carries the entire film on his back. His comedic timing and energy keep every scene alive, even when the humor borders on ridiculous. He manages to bring Big Momma to life with exaggerated charm, balancing between tough and tender, and even when the prosthetics and fat suit look glaringly fake, the performance itself is so committed that you can’t help but laugh along. It’s a role that clearly takes inspiration from Mrs. Doubtfire, Norbit, and later the Madea series—characters built around larger-than-life disguises—but Big Momma’s House still manages to find its own chaotic groove. The film works best when it leans into the outrageous antics. The slapstick moments—Big Momma in the kitchen, the awkward romantic tension, the church scenes—are all designed to keep you laughing, even if it’s through secondhand embarrassment. There’s a charm in how messy it all is. It doesn’t pretend to be sophisticated comedy; instead, it thrives on how big and bold it can go, whether it’s Lawrence trying to maintain his cover or fumbling through Big Momma’s daily routines. That being said, there are definitely some uneven moments. The humor doesn’t always land, and some jokes feel dated or forced by today’s standards. But even when the writing falters, the film never loses its sense of fun. It’s a comedy that’s built for audiences who just want to laugh at something completely off-the-wall, without thinking too hard about logic or realism. The direction keeps the focus right where it should be—on Big Momma. The story might not have much depth, but the movie understands its own appeal: watching Martin Lawrence transform into a loud, unpredictable grandmother figure and create chaos everywhere she goes. Even with the visible plastic suit and obvious makeup, the illusion holds just enough to make the whole disguise entertaining rather than distracting. Ultimately, Big Momma’s House is not a perfect film, but it’s undeniably entertaining. It’s goofy, lighthearted, and full of charm, offering an escape into a world of absurd undercover comedy. It might not have aged gracefully in every aspect, but for what it is—a wild, slapstick showcase for Martin Lawrence—it remains a fun, nostalgic watch that captures the kind of outrageous comedy that defined its era. See more Read all reviews

Big Momma's House

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