Dear Comrades!

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An The movie does what it's supposed to do, showing part of history with its drama, which worked as intended, IMO. Rated 4/5 Stars •  Rated 4 out of 5 stars 09/25/23 Full Review Audience Member This film portrays life under a communist regime. The way citizens under this regime are treated is truly odious. At each turn they are divested of power, and civil liberty. The enmity between state and citizen is extremely apparent. The temerity of the youth and oppressed comes at a heavy price. I felt completely immersed in the story. It was an amazing masterpiece. I have a whole new appreciation for freedom. Rated 5/5 Stars •  Rated 5 out of 5 stars 02/19/23 Full Review Audience Member 'Dear Comrades' is a sensational, devastating work of cinema. Director Andrey Konchalovskiy has used his considerable skills to craft a film that pulls no punches in portraying in riveting realism the vile, reprehensible lengths that Soviet figureheads in the KGB would go to in order to insure their ever-failing communism and protect 'the Motherland'. Konchaloskiy and screenwriting partner Elena Kiseleva wrote up a screenplay that is equally insightful, honest, and gut-wrenching both visually and in the dialogue. Well done on the translation in general, as well. The script has its teeth bared, pulling no punches in delivering the insanity, desperation, utter outrage and consternation, and of course the outright fear that such murderous actions could be taken on your own people for simply wanting a livable wage to survive on. The full gambit of emotions is truly palpable, especially when portrayed by such accomplished acting. Komarev, Gusev, and Burova are all impressive. Erlish as the father who has seen this all before is all too real in the sense of complete hopeless resignation in the face of the massacre and the witch hunt that follows. Which leads us to Yulia Vysotskaya, the heart and soul of this film. As Lyuda, a committee member who goes from disgust over the actions of the workers to the broken, devastated figure riddled with regret for her words and terror at the thought of her daughter being one of the victims. There's not a single misstep I can recall in her performance. If award nominations and wins were truly going to the most deserving, then she and Konchaloskiy should have an armful each. The scene at the cemetery where bodies were dumped like refuse onto the coffins of others is a hard one to get through, but ultimately a key moment. Black and white film was just the way to go here, helping to put us in the setting so authentically, as good production design should. This does seem to very much be, in many stark, bare bone ways, Russia in 1962. The rundown flats, base holding rooms, streets, the morgue and hospital recreate the time and place so well. This is far better cinema than recent Best Picture winners such as 'Green Room' or 'CODA'. 4.6 stars Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 01/20/23 Full Review Audience Member The characters are caricatures (maybe Konchalovsky wanted them to be something like archetypes but didn't succeed) and the dialogue is as flat and unnatural as it can be. Rated 2.5/5 Stars •  Rated 2.5 out of 5 stars 01/22/23 Full Review Audience Member Tried to watch it, but it was so boring Rated 1/5 Stars •  Rated 1 out of 5 stars 02/16/23 Full Review ari v Perhaps searches around for that ending some, but sure does find it. Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 03/31/23 Full Review Read all reviews

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