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An confusing movie made worse by the poor camera work. Read critic reviews
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Full Frontal videos
Full Frontal: Official Clip - Love Letter
Full Frontal: Official Clip - Out of a Movie
Full Frontal: Official Clip - The Limey
Full Frontal: Official Clip - You Are Hitler
Full Frontal: Official Clip - Happy Ending
Full Frontal: Official Clip - 40th Birthday Gift
Full Frontal: Official Clip - On Set with David Fincher
Full Frontal: Official Clip - Goebbels the A-Hole
Full Frontal Photos
Movie Info
"Full Frontal" is a contemporary comedy and the unofficial sequel to "Sex, Lies, and Videotape." Linda would love to be loved. Carl loves his wife, Lee. Lee is looking to be loved by Calvin. Calvin plays Nicholas who discovers he's in love with Catherine. Catherine, who is really Francesca, finds true love. And Gus loves himself. Like "Day For Night," Steven Soderbergh's "Full Frontal" is a movie about movies for people who love movies.
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Rating: R (Some Sexual Content|Language)
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Genre: Comedy, Drama
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Original Language: English
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Director: Steven Soderbergh
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Producer: Scott Kramer, Gregory Jacobs
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Writer: Coleman Hough
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Release Date (Theaters): wide
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Release Date (Streaming):
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Box Office (Gross USA): $2.5M
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Runtime:
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Distributor: Miramax Films
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Production Co: Miramax Films, Section Eight Ltd., Propaganda Films
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Sound Mix: Dolby SR, DTS, Dolby Stereo, Surround, SDDS, Dolby A, Dolby Digital
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Aspect Ratio: Flat (1.85:1)
Cast & Crew
News & Interviews for Full Frontal
Critic Reviews for Full Frontal
Audience Reviews for Full Frontal
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When you have been working for many years, and are one of the most versatile and prolific filmmakers out there, it only seems inevitable that eventually you'll produce a work that's bad, if not almost totally awful. That is the case here with this mess from Steven Soderbergh. Shot primarily on digital, this is a loose ensemble piece executed in a manner loosely based on the Dogma 95 movement, as well as the French New Wave to an extent. We get multiple threads following a bunch of people all invited to the party of a mutual friend. We weave in and out of these various subplots, but the one that seems to linger the most involves an actor and actress working on a movie directed by David Fincher and starring Brad Pitt (who both appear as themselves). Throughout the movie we are treated to this film within a film as well. I really wanted to like this, not just because it's Soderbergh, but because of its reputation. I'm sorry to say that I'm going with the crowd on this one. Sometimes I like loose, breezy plot-light films ,but here it's just dull, meandering, and pretentious. It also really looks like crap, being shot on digital and all, and it's more frustrating since the film within the film is shot to look like a regular movie, making it distracting. I'm also okay with movies that blur the line between reality and not, but here it's just an incoherent mess. The actors make it worth it, hence why my grade isn't lower, and I do like the playful jabs at Fincher's obsessive compulsion to shoot take after take, but bottom line, I'm just gonna chalk this one up to being a nice idea that just fell apart. Some of this is interesting, and if it were shorter, it'd be a little easier to swallow, but in the end, I'm just gonna thank everyone from trying, and hope they learn their lesson.
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Comes across as trying a little too hard to be edgy. I did however find myself drawn to some characters and situations in particular. I especially liked the scenes with David Hyde Pierce and the veterinarian.
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Just weird and not good. I didn't understand the point so maybe years from now I could try again and love it.
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Ugh...so annoying/boring. I was more entertained by the special features. Btw, the cast credits are misleading....David Duchovony only has one scene.
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