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      The Lords of Flatbush

      PG 1974 1h 26m Comedy Drama List
      67% 15 Reviews Tomatometer 42% 2,500+ Ratings Audience Score Two members (Perry King, Sylvester Stallone) of a social club in 1950s Brooklyn have more interest in romance than in rumbles. Read More Read Less Watch on Fandango at Home Premiered Jul 25 Buy Now

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      The Lords of Flatbush

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      Critics Reviews

      View All (15) Critics Reviews
      Jay Cocks TIME Magazine The movie is adept at portraying aimlessness, getting at the greasy anomie that was so much a part of that time. But there is a lack of ambition, as if no one involved in creating the film wanted to cut deeper than a little double-edged nostalgia. Jul 25, 2010 Full Review Variety Staff Variety Not too much finesse distinguishes the script, which carries neither warmth nor particular interest for the various characters. Mar 26, 2009 Full Review Geoff Andrew Time Out A small masterpiece that places the mood and general ethos of the '50s with absolute precision and total affection. Feb 9, 2006 Full Review Sean Burns Crooked Marquee A scrappy New York indie emblematic of the era, shot on rough and tumble 16mm with a threadbare budget. Carried along by the energy of these young actors, the corner-cutting becomes part of the charm. Mar 28, 2024 Full Review Christopher Lloyd The Film Yap An early nostalgia tour of the 1950s, The Lords of Flatbush is a rough sketch of a bigger, better movie that is mostly remembered today for the careers it helped launch. Rated: 2.5/5 Sep 7, 2020 Full Review Quentin Tarantino The New Beverly All this made the movie both a hit and a very fondly remembered artifact of its era... And like American Graffiti before it, and Dazed & Confused after it, it had a cast of young actors of its era who would go on to distinguish themselves in the future. Jun 22, 2020 Full Review Read all reviews

      Audience Reviews

      View All (87) audience reviews
      Bryan B Boring by modern standards. High school guys who look like they are 30 messing around in class and trying to get laid. Not much actually happening. Rated 1.5 out of 5 stars 02/21/24 Full Review D S The movie had lots of potential but the story never developed. Rated 3 out of 5 stars 08/24/23 Full Review Ben D A low-budget, "Greaser" movie made during the 1950s-nostalgia craze of the 1970s, The Lords of Flatbush is an archetype for the entire genre. I mean, the four-manned "gang" of Chico (Perry King), Stanley (Sylvester Stallone), Butchey (Henry Winkler), and Wimpy (Paul Mace) each serve their purpose — the lothario, the meathead, the smart-alec, and the Napoleonic-complex-afflicted — wear leather jackets, smoke cigarettes, ride motorcycles, haunt pool halls, get in scraps, impregnate their girlfriends, and even sing a capella at the soda fountain. Chico and Stanley get by far the most characterization and screen time, with Butchey coming in third and Wimpy in a long fourth — the lack of plot for Butchey and Wimpy is a detriment to the film. Mace aside, the three other actors, between 27–29, look pretty ridiculous in the opening HS classroom scene, especially Stallone. Chico dating the WASPy Jane (Susan Blakely) had to have inspired the central relationship of Danny Zuko and Sandy in Grease. The most standout scene concerns Stanley, his pregnant girlfriend, Frannie Malincanico (Maria Smith), and her one-womaned "Greek Chorus," Annie Yuckaminelli (Reneé Paris) — how can you not love those surnames?? — on one side of a diamond display counter while the jeweler (Martin Davidson, also the co-director) does the minimal amount of salesmanship to frustrate our meathead. Stallone, here in his acting debut, provides a clinic on range. The high schooler is ensnared in a web of his own making — he impregnated the girl, he didn't walk away, he needed to look cool. The awkward pauses — while Frankie and Annie wait with bated breath — the playful punches to the jaw, the haggling with the jeweler, as if there was any sort of level playing field, make for one helluva scene. Smith and Paris, the latter with curlers in her hair for a majority of her screen time, are (perhaps unintentionally) the comedic relief. The climax is meh, as the "fighting" has a lot to be desired, but the wedding ending with the gang all sharing pulls from the same jug of homemade wine was perfect. Rated 4 out of 5 stars 03/13/23 Full Review Audience Member I saw this when it was first released. It is amazing how the relatively unknown Winkler and Stallone went on to greater things. A look at wild kids in the 1950's in Brooklyn is filled with memorable and humorous moments. Sly Stallone is particularly good. The cinematography and direction are "B" level, but the spirit of the film as a coming of age in the 1950's NYC makes it a watchable film. The film was made in the 1970's, about the 1950's, and in 2022 it still has some relevance and universal themes. Rated 3 out of 5 stars 01/13/23 Full Review rhonda g This is an iconic Brooklyn movie for REAL Brooklynites! And the cast is incredible! Rated 5 out of 5 stars 03/30/23 Full Review Audience Member It pretty honestly captures every day life of aimless youths. As such, not much of note happens at all. Which would be fine, but with movies like this, their success hangs on the likeability of the cast and their chemistry, and usually features a great soundtrack. Unfortunately this has none of that. In fact most of these characters are insufferable shitheads... Rated 2.5 out of 5 stars 08/26/20 Full Review Read all reviews Post a rating

      Cast & Crew

      89% 89% Cooley High 95% 84% American Graffiti TRAILER for American Graffiti 0% % T.R. Baskin 40% 44% Paradise Alley 67% 87% Big Wednesday Discover more movies and TV shows. View More

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      Movie Info

      Synopsis Two members (Perry King, Sylvester Stallone) of a social club in 1950s Brooklyn have more interest in romance than in rumbles.
      Director
      Stephen F. Verona, Martin Davidson
      Screenwriter
      Stephen F. Verona, Martin Davidson
      Production Co
      Ebbets Field
      Rating
      PG
      Genre
      Comedy, Drama
      Original Language
      English
      Release Date (Streaming)
      Apr 1, 2010
      Runtime
      1h 26m
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