Billy Wilder
First and foremost a writer, Billy Wilder became, by his own admission, a director in an effort to protect his scripts from directors who he felt misinterpreted his work.Wilder operated with assurance across all genres, compiling an impressive body of work featuring dialogue over character - its wit and astringent bite setting his oeuvre refreshingly apart from mainstream Hollywood fare. With the help of co-writer Raymond Chandler, he directed a masterpiece of film noir, "Double Indemnity" (1944), which he followed with "The Lost Weekend" (1945), a social drama that delivered an uncompromising look at alcoholism. After the great war drama "Stalag 17" (1953), Wilder created a variation on the comedy of manners and seduction in films such as "Sabrina" (1954) and "Love in the Afternoon" (1957), mixed black comedy and farce for "Some Like It Hot" (1959) - his most entertaining movie - and alienated Hollywood with the cruel and haunting "Sunset Boulevard" (1950). Wilder had long collaborations with writers Charles Brackett and I.A.L. Diamond, and directed his greatest achievement, "The Apartment" (1960), in partnership with the latter. Wilder lived on as one of classic Hollywood's most accomplished directors.
Photos
Billy Wilder
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
61% |
|
Sabrina | Writer | $51.6M | 1995 |
63% |
|
Buddy Buddy |
Director, Screenwriter |
- | 1981 |
71% |
|
Fedora |
Director, Screenwriter, Producer |
- | 1978 |
No Score Yet | No Score Yet | Jack Lemmon - A Twist of Lemmon | Self | - | 1976 |
57% |
|
The Front Page |
Director, Screenwriter |
- | 1974 |
No Score Yet | No Score Yet | Double Indemnity | Screenwriter | - | 1973 |
78% |
|
Avanti! |
Director, Screenwriter, Producer |
- | 1972 |
86% |
|
The Private Life of Sherlock Holmes |
Director, Writer, Producer |
- | 1970 |
96% |
|
The Fortune Cookie |
Director, Producer |
- | 1966 |
73% |
|
Kiss Me, Stupid |
Director, Writer, Producer |
- | 1964 |
76% |
|
Irma La Douce |
Director, Screenwriter, Producer |
- | 1963 |
88% |
|
One, Two, Three |
Director, Screenwriter, Producer |
- | 1961 |
93% |
|
The Apartment |
Director, Screenwriter, Producer |
- | 1960 |
95% |
|
Some Like It Hot |
Director, Writer, Producer |
- | 1959 |
100% |
|
Witness for the Prosecution |
Director, Writer |
- | 1957 |
81% |
|
Love in the Afternoon |
Director, Producer, Screenwriter |
- | 1957 |
83% |
|
The Spirit of St. Louis |
Director, Screenwriter |
- | 1957 |
84% |
|
The Seven Year Itch |
Director, Producer, Screenwriter |
- | 1955 |
89% |
|
Sabrina |
Director, Writer, Producer |
- | 1954 |
91% |
|
Stalag 17 |
Director, Writer, Producer |
- | 1953 |
90% |
|
Ace in the Hole |
Director, Writer, Producer |
- | 1951 |
98% |
|
Sunset Boulevard |
Director, Writer |
- | 1950 |
100% |
|
A Foreign Affair |
Director, Screenwriter |
- | 1948 |
73% |
|
The Emperor Waltz |
Director, Screenwriter |
- | 1948 |
97% |
|
The Lost Weekend |
Director, Screenwriter |
- | 1945 |
97% |
|
Double Indemnity |
Director, Writer |
- | 1944 |
100% |
|
Five Graves to Cairo |
Director, Screenwriter |
- | 1943 |
100% |
|
The Major and the Minor | Director | - | 1942 |
100% |
|
Hold Back the Dawn | Screenwriter | - | 1941 |
100% |
|
Ball of Fire |
Screenwriter, Writer |
- | 1941 |
95% |
|
Ninotchka | Screenwriter | - | 1939 |
No Score Yet | No Score Yet | What a Life | Screenwriter | - | 1939 |
45% |
|
Bluebeard's Eighth Wife | Writer | - | 1938 |
No Score Yet |
|
Bad Seed |
Director, Screenwriter |
- | 1934 |
No Score Yet | No Score Yet | The Blue From the Sky | Screenwriter | - | 1932 |
No Score Yet |
|
Emil and the Detectives | Screenwriter | - | 1931 |
No Score Yet | No Score Yet | Looking for His Murderer | Screenwriter | - | 1931 |
No Score Yet | No Score Yet | Her Grace Commands | Screenwriter | - | 1931 |
100% |
|
People on Sunday | Writer | - | 1930 |