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Tim Bevan
Highest Rated: 100% Paperhouse (1988)
Lowest Rated: Not Available
Birthday: Dec 20, 1957
Birthplace: Queenstown, New Zealand
Working Title Films, the production company headed by Tim Bevan and Eric Fellner, was the driving force behind several successful films of the mid-1990s, including the Oscar-nominated "Four Weddings and a Funeral" (1994) and "Fargo" (1996). They may have left the ceremony without a statue each time but Working Title became established as the pre-eminent independent company in Britain. Bevan and Fellner have also established ongoing relations with such filmmakers as Hanif Kureishi, Mario Van Peebles, Tim Robbins and the Coen Brothers.
Filmography
Movies
| Credit | |||||
|---|---|---|---|---|---|
| 63% | 36% | Drive-Away Dolls | Producer | $4.9M | 2024 |
| 31% | 63% | Genie | Producer | - | 2023 |
| 90% | 84% | Polite Society | Producer | $1.5M | 2023 |
| 71% | 85% | What's Love Got to Do with It? | Producer | $75.0K | 2022 |
| 93% | 72% | Roald Dahl's Matilda the Musical | Producer | - | 2022 |
| 83% | 86% | The Swimmers | Producer | - | 2022 |
| 56% | 87% | Ticket to Paradise | Producer | $68.2M | 2022 |
| 88% | 65% | Catherine Called Birdy | Producer | - | 2022 |
| 85% | 86% | Cyrano | Producer | $3.9M | 2021 |
| 75% | 90% | Last Night in Soho | Producer | $10.1M | 2021 |
| 38% | 38% | Rebecca | Producer | - | 2020 |
| 71% | 73% | The High Note | Producer | - | 2020 |
| 86% | 72% | EMMA. | Producer | $9.9M | 2020 |
| 62% | 42% | Radioactive | Producer | - | 2019 |
| 19% | 53% | Cats | Producer | $27.2M | 2019 |
| 63% | 89% | Yesterday | Producer | $73.2M | 2019 |
| 90% | 55% | The Kid Who Would Be King | Producer | $16.8M | 2019 |
| 33% | 30% | King of Thieves | Producer | - | 2018 |
| 62% | 41% | Mary Queen of Scots | Producer | $16.4M | 2018 |
| 37% | 50% | Johnny English Strikes Again | Producer | $4.3M | 2018 |
| 84% | 82% | Darkest Hour | Producer | $56.3M | 2017 |
| 7% | 19% | The Snowman | Producer | $6.7M | 2017 |
| 66% | 68% | Victoria & Abdul | Producer | $22.2M | 2017 |
| 92% | 86% | Baby Driver | Producer | $107.8M | 2017 |
| 78% | 65% | Bridget Jones's Baby | Producer | $24.1M | 2016 |
| 52% | 46% | Genius | Executive Producer | $1.4M | 2016 |
| 86% | 44% | Hail, Caesar! | Producer | $30.0M | 2016 |
| 62% | 44% | The Program | Producer | - | 2015 |
| 66% | 72% | The Danish Girl | Producer | $11.1M | 2015 |
| 61% | 59% | Legend | Producer | $1.9M | 2015 |
| 73% | 68% | Everest | Producer | $43.2M | 2015 |
| 40% | 42% | We Are Your Friends | Producer | $3.6M | 2015 |
| 66% | 70% | Trash | Producer | $10.2K | 2014 |
| 80% | 84% | The Theory of Everything | Producer | $35.9M | 2014 |
| 80% | 48% | The Two Faces of January | Producer | $506.1K | 2014 |
| 71% | 82% | About Time | Producer | $15.3M | 2013 |
| 89% | 88% | Rush | Executive Producer | $26.9M | 2013 |
| 43% | 31% | Closed Circuit | Producer | $5.7M | 2013 |
| 89% | 72% | The World's End | Producer | $26.0M | 2013 |
| 52% | 38% | I Give It a Year | Producer | $32.5K | 2013 |
| 70% | 79% | Les Misérables | Producer | $149.2M | 2012 |
| 63% | 50% | Anna Karenina | Producer | $12.8M | 2012 |
| 74% | 64% | Big Miracle | Producer | $20.1M | 2012 |
| 51% | 57% | Contraband | Producer | $66.5M | 2012 |
| 84% | 65% | Tinker Tailor Soldier Spy | Producer | $24.1M | 2011 |
| 38% | 45% | Johnny English Reborn | Producer | $8.3M | 2011 |
| 70% | 62% | Paul | Producer | $37.4M | 2011 |
| 76% | 55% | Nanny McPhee Returns | Producer | $29.0M | 2010 |
| 53% | 57% | Green Zone | Producer | $35.0M | 2010 |
| 89% | 68% | A Serious Man | Executive Producer | $9.2M | 2009 |
| 60% | 71% | Pirate Radio | Producer | $8.0M | 2009 |
| 56% | 56% | The Soloist | Executive Producer | $31.7M | 2009 |
| 84% | 73% | State of Play | Producer | $37.0M | 2009 |
| No Score Yet | 67% | Hippie Hippie Shake | Producer | - | 2009 |
| 41% | 61% | Wild Child | Producer | $49.8K | 2008 |
| 93% | 88% | Frost/Nixon | Producer | $18.6M | 2008 |
| 78% | 65% | Burn After Reading | Executive Producer | $60.3M | 2008 |
| 71% | 72% | Definitely, Maybe | Producer | $32.0M | 2008 |
| 83% | 80% | Atonement | Producer | $50.9M | 2007 |
| 35% | 59% | Elizabeth: The Golden Age | Producer | $16.3M | 2007 |
| 51% | 49% | Mr. Bean's Holiday | Producer | $32.6M | 2007 |
| 91% | 89% | Hot Fuzz | Producer | $23.6M | 2007 |
| 31% | 62% | Smokin' Aces | Producer | $35.6M | 2007 |
| 54% | 20% | Gone | Producer | - | 2006 |
| 75% | 71% | Catch a Fire | Producer | $4.3M | 2006 |
| 90% | 83% | United 93 | Producer | $31.5M | 2006 |
| 58% | 75% | No. 2 | Executive Producer | - | 2006 |
| 74% | 64% | Nanny McPhee | Producer | $47.1M | 2005 |
| 87% | 89% | Pride & Prejudice | Producer | $38.4M | 2005 |
| 58% | 54% | The Interpreter | Producer | $72.5M | 2005 |
| 92% | 93% | Shaun of the Dead | Executive Producer | $13.5M | 2004 |
| 27% | 60% | Bridget Jones: The Edge of Reason | Producer | $40.2M | 2004 |
| 61% | 57% | Wimbledon | Executive Producer | $16.8M | 2004 |
| 19% | 37% | Thunderbirds | Producer | $6.8M | 2004 |
| No Score Yet | 87% | Mickybo and Me | Executive Producer | - | 2004 |
| 0% | 54% | The Calcium Kid | Executive Producer | - | 2004 |
| No Score Yet | 83% | Gettin' Square | Executive Producer | - | 2003 |
| 55% | 53% | Ned Kelly | Executive Producer | $74.9K | 2003 |
| 64% | 72% | Love Actually | Producer | $60.1M | 2003 |
| 33% | 51% | Johnny English | Producer | $28.0M | 2003 |
| 72% | 80% | The Italian Job | Executive Producer | $106.1M | 2003 |
| 64% | 65% | The Shape of Things | Executive Producer | $732.2K | 2003 |
| 57% | 40% | The Guru | Producer | $3.0M | 2002 |
| 70% | 38% | My Little Eye | Executive Producer | - | 2002 |
| 93% | 55% | About a Boy | Producer | $40.6M | 2002 |
| 56% | 54% | Ali G Indahouse | Producer | - | 2002 |
| 39% | 43% | 40 Days and 40 Nights | Producer | $37.9M | 2002 |
| 81% | 85% | The Man Who Wasn't There | Executive Producer | $7.5M | 2001 |
| 28% | 50% | Captain Corelli's Mandolin | Producer | $25.5M | 2001 |
| 80% | 81% | Bridget Jones's Diary | Producer | $71.5M | 2001 |
| 35% | 59% | The Man Who Cried | Executive Producer | $739.6K | 2000 |
| 78% | 89% | O Brother, Where Art Thou? | Executive Producer | $45.5M | 2000 |
| 91% | 90% | High Fidelity | Producer | $27.3M | 2000 |
| 84% | 79% | Notting Hill | Executive Producer | $116.1M | 1999 |
| 24% | 67% | Plunkett & Macleane | Producer | $471.4K | 1999 |
| 54% | 48% | The Hi-Lo Country | Producer | $163.8K | 1998 |
| 84% | 86% | Elizabeth | Producer | $30.1M | 1998 |
| 80% | 93% | The Big Lebowski | Executive Producer | $17.4M | 1998 |
| No Score Yet | 50% | What Rats Won't Do | Producer | - | 1998 |
| 43% | 53% | Bean | Producer | $45.3M | 1997 |
| 50% | 70% | The Matchmaker | Producer | $3.4M | 1997 |
| 75% | 49% | The Borrowers | Producer | $22.4M | 1997 |
| No Score Yet | 29% | Loch Ness | Producer | - | 1996 |
| 94% | 92% | Fargo | Executive Producer | $24.5M | 1996 |
| 13% | 51% | Moonlight and Valentino | Producer | $2.1M | 1995 |
| 95% | 86% | Dead Man Walking | Executive Producer | $37.1M | 1995 |
| 48% | 75% | French Kiss | Producer | $36.4M | 1995 |
| 25% | 75% | Panther | Executive Producer | $6.3M | 1995 |
| 63% | 79% | The Hudsucker Proxy | Executive Producer | $2.1M | 1994 |
| 92% | 74% | Four Weddings and a Funeral | Executive Producer | $49.3M | 1994 |
| No Score Yet | No Score Yet | That Eye, the Sky | Executive Producer | - | 1994 |
| 78% | 81% | Map of the Human Heart | Producer | $2.4M | 1993 |
| 33% | 46% | Posse | Executive Producer | $16.4M | 1993 |
| 27% | 61% | Romeo Is Bleeding | Executive Producer | $3.3M | 1993 |
| 93% | 78% | Bob Roberts | Executive Producer | $3.5M | 1992 |
| 11% | 77% | Drop Dead Fred | Executive Producer | $13.9M | 1991 |
| No Score Yet | 35% | Chicago Joe and the Showgirl | Producer | $87.1K | 1990 |
| 33% | 29% | Dark Obsession | Producer | - | 1989 |
| 86% | 66% | The Tall Guy | Executive Producer | $91.1K | 1989 |
| 100% | 71% | Paperhouse | Producer | $6.7K | 1988 |
| 29% | 28% | For Queen and Country | Producer | $62.8K | 1988 |
| 91% | 81% | A World Apart | Executive Producer | $557.2K | 1988 |
| 67% | 80% | Personal Services | Producer | - | 1987 |
| 75% | 83% | Sammy and Rosie Get Laid | Producer | - | 1987 |
| 98% | 74% | My Beautiful Laundrette | Producer | - | 1985 |
TV
| Credit | ||||
|---|---|---|---|---|
| 80% | 79% | Hanna | Executive Producer | 2019-2021 |
| 100% | 83% | We Are Lady Parts | Executive Producer | 2021 |
| 65% | 48% | The Luminaries | Executive Producer | 2020 |
| 82% | 62% | Armistead Maupin's Tales of the City | Executive Producer | 2019 |
| 82% | 86% | The Case Against Adnan Syed | Executive Producer | 2019 |
| 83% | 88% | You, Me and the Apocalypse | Executive Producer | 2015 |
| No Score Yet | No Score Yet | Yonderland | Executive Producer | 2015 |
| 74% | 80% | About a Boy | Executive Producer | 2014-2015 |
| No Score Yet | No Score Yet | Birdsong on Masterpiece | Executive Producer | 2012 |
| No Score Yet | No Score Yet | Love Bites | Executive Producer | 2011 |
| No Score Yet | No Score Yet | More Tales of the City | Executive Producer | 1998 |
| No Score Yet | No Score Yet | The Borrowers | Executive Producer | 1992-1993 |