Rotten Tomatoes
Movies Tv shows RT App News Showtimes

Fireworks

Play trailer Poster for Fireworks 1998 1h 43m Crime Drama Play Trailer Watchlist
Watchlist Tomatometer Popcornmeter
96% Tomatometer 24 Reviews 92% Popcornmeter 10,000+ Ratings
Nishi (Beat Takeshi) is a beleaguered Japanese police officer. His wife, Miyuki (Kayoko Kishimoto), is suffering from leukemia, and his partner, Horibe (Ren Ôsugi), is paralyzed after gangsters violently attacked him. Nishi is fed up, and wants to give up his job in order to be with Miyuki. To do so, he is forced to borrow money from the Yakuza, and then, to clear his debt, he robs a bank. The Yakuza, however, are not pleased so easily, and they continue to hound Nishi for more money.

Critics Reviews

View More
Jaime N. Christley Slant Magazine 07/07/2004
4/4
Kitano uses his own face as a blank slate with which to sketch a complicated human being. Go to Full Review
Roger Ebert Chicago Sun-Times 01/01/2000
3/4
Takeshi Kitano, who made it, must be very serene or very angry; only extreme states allow such a narrow focus. Go to Full Review
Panos Kotzathanasis Asian Film Vault 12/01/2019
Kitano directs an exquisite movie, where his trademark violence is toned down by scenes of calm beauty, with the paintings, the scenery and Joe Hisaishi's music being the foremost elements of this characteristic Go to Full Review
Ray Pride Newcity 02/11/2019
10/10
The maverick Japanese master filmmaker's haunting, gorgeous pluperfectly balanced elegy to art and conjugal love is also a brilliant action painting of the wages of extravagant violence. (And absurdly, brutally funny, as well.) Go to Full Review
Laura Clifford Reeling Reviews 09/18/2017
A-
Released on blu ray for the first time in the U.S., Film Movement's disc features a glorious looking HD digital restoration of the film. Go to Full Review
Jordan Adcock CineVue 01/17/2017
4/5
Hana-Bi is a rare and unique portrayal of violence, futile anger and defiance. Go to Full Review
Read all reviews

Audience Reviews

View More
Tan C @TanZoi Apr 25 At first, I approached Hana-bi like Sonatine and Violent Cop. On rewatch, I realized its core is not violence, but destruction within tenderness. Emotion is dispersed into silence and everyday moments. Violence becomes background; what matters is companionship, quiet understanding, and small happiness—making a man heading toward ruin seem as if he’s living gently. Unlike Sonatine’s abrupt cutoff, Hana-bi offers an epilogue that lets emotions settle. If Sonatine throws you into deep water, Hana-bi gives you a shore. The protagonist, despite his violence, shows control; in his wife’s eyes, he remains a hero. The legless policeman finds meaning through painting, while the junior officer chooses not to intervene. The inserted paintings deepen emotion but slightly disrupt the flow. Takeshi Kitano’s humor balances seriousness and absurdity, as in the robbery-related scenes. It may not be his peak, but it is his most tender work—less shocking than quietly transformative. See more M B @Timbero Jan 1 Next level world cinema classic from the incredible Beat Takeshi. His best movie, maybe the best movie Japan has made since Kurosawas Ran. See more Aender S @RT01933294 04/16/2024 Takeshi Kitano's best and one of my all-time favourites. I particularly like the music from this film. See more DanTheMan 2 @DanTheMan2150AD 01/04/2024 Takeshi Kitano's approach toward serenity and brutality in Hana-Bi is one of lyrical beauty, an extraordinary piece of profoundly moving artistry, one of pure form and incredible impulse in all its hauntingly gorgeous glory. Kitano lays his emotions bare, his face a blank canvas, minimal dialogue but with a hypnagogic stare that speaks a thousand times louder than words, he is a broken man at the end of his rope full of futile anger, quiet acceptance and utmost defiance. The whole film is unclassifiable but oh so richly satisfying with violence coming in sudden bursts during a man's journey to rediscover the joy of being. Kitano's works of art combined with Joe Hisaishi's music bringing out so much pain and sheer magnificence is why Hana-Bi works so well, Takeshi Kitano, you have my heart. See more acsdoug D @acsdoug 05/14/2023 What am I missing? Everyone seems to love this movie. I found it dull and disjointed. See more steve c @RT19610513 04/27/2022 Crime: check. Drama: check. You forgot the (right amount of) Comedy that made this film even better. Kitano wrote a great film for himself to star in. Just watch it. See more Read all reviews
Fireworks

My Rating

Read More Read Less WRITE A REVIEW EDIT REVIEW POST RATING

Movie Info

Synopsis Nishi (Beat Takeshi) is a beleaguered Japanese police officer. His wife, Miyuki (Kayoko Kishimoto), is suffering from leukemia, and his partner, Horibe (Ren Ôsugi), is paralyzed after gangsters violently attacked him. Nishi is fed up, and wants to give up his job in order to be with Miyuki. To do so, he is forced to borrow money from the Yakuza, and then, to clear his debt, he robs a bank. The Yakuza, however, are not pleased so easily, and they continue to hound Nishi for more money.
Director
Takeshi Kitano
Producer
Masayuki Mori, Takio Yoshida
Screenwriter
Takeshi Kitano
Distributor
Milestone
Genre
Crime, Drama
Original Language
Japanese
Release Date (Theaters)
Mar 20, 1998, Original
Release Date (Streaming)
Sep 26, 2017
Box Office (Gross USA)
$413.5K
Runtime
1h 43m
Sound Mix
Dolby, Surround
Aspect Ratio
35mm