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      3 Women

      PG Released Apr 10, 1977 2h 5m Drama List
      85% 54 Reviews Tomatometer 86% 5,000+ Ratings Audience Score Writer/director Robert Altman claimed this impressionistic film came to him in a dream. Millie Lammoreaux (Shelley Duvall) considers herself irresistible to men, though in fact men have little trouble resisting her. Mysterious teenager Pinky Rose (Sissy Spacek), Millie's fellow physical therapist at a desert spa who becomes her roommate at a singles-only apartment building, at first appears worshipful of Millie's self-confidence but soon seems to be taking over aspects of her personality. Read More Read Less Watch on Fandango at Home Premiered Apr 06 Buy Now

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      3 Women

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      Critics Consensus

      3 Women is a strange, eerie portrait of late-'70s womanhood that upends and then defies all expectations.

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      Audience Reviews

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      Alec B The kind of enigmatic and strangely menacing movie that I wish Altman had done more often. Rated 4.5 out of 5 stars 02/22/24 Full Review Audience Member What seems to be the makings of a fun, tense and catty chick flick lead me on to some disappointment. Although Altman's direction and cast are great, the key tools at his disposable are more or less wasted in this slightly dull and fascinating 70's picture. Rated 2.5 out of 5 stars 02/20/23 Full Review Shioka O It's like a nightmarish film, but not scary rather awkward. With starring Shelley Duvall and Sissy Spacek, the awkwardness is promising. Great direction, but not for everyone. Slow, I actually played x1.5 speed to finish it. Rated 1.5 out of 5 stars 12/10/22 Full Review dave s 3 Women is probably Robert Altman's least Altmanesque film, more similar in style and theme to Bergman's Persona than anything that the American master ever attempted. In a remote California community, the socially inept Millie (Shelley Duvall) is befriended by the young and naïve Pinky (Sissy Spacek) at a seniors' complex where they both work. From there, their lives become intertwined to the point where they gradually begin to switch personalities. Altman leaves it up to the audience to interpret what exactly is happening – can things be taken literally or is it a surreal fever dream regarding the components of one person's identity? Filled with stark imagery and cryptic symbolism, 3 Women is a movie for those who like to be challenged. Rated 4 out of 5 stars 03/30/23 Full Review William L Just goes to show you that the only people you can trust are mysterious, artistic women in big hats. I watched 3 Women as a double-feature with Ida Lupino's The Hitch-Hiker (1953) which formed an interesting comparison as the latter is a traditionally masculine noir from a female filmmaker while the former is a male filmmaker's exploration of femininity. Apparently Altman claimed to have created this entirely from a dream that he had, which makes sense because the film has an ethereal and subjective quality to it. Though a slow burn and initially very cryptic, 3 Women's bizarre ending makes the film oddly come together thematically, as a treatise on dueling identities and personal growth with the characters portrayed by Spacek, Duvall, and Rule representing distinct aspects or stages of one's own existence (which are notably not exclusively linear, as with Duvall's reversion to a more reserved state, and are certainly not static). Each has their own relative strengths and weaknesses based on their personal experience, or lack thereof. Their conflicts are representative of natural uncertainty, reflections of shifting priorities and needs. What each of these personality facets can agree on is that we need to murder the toxic guy ruining each of our lives and make it look like an accident. Decidedly more surreal territory than Altman might typically have worked in, but interesting nonetheless. Or alternatively, this movie is just about the strangest Pokémon evolution ever. (4/5) Rated 4 out of 5 stars 06/18/22 Full Review Audience Member Robert Altman tells a story of making you re-examine everyone you've ever wanted to be Starring Shelley Duvall and Sissy Spacek Millie and Pinky work at an old folks home as physical therapists; Millie is repellent to men, Pinky is the newest recruit When they both share an apartment for singles only Pinky starts acting very unusual as she starts taking over traits of Millie Altman displays a form of 70's womanhood Truthfully though I kept waiting for something to happen It isn't until Pinky starts losing her mindset after the hour and 25 min mark things start changing Millie is unsure how to handle her new perspective on things This is a complicated tale of female relationships told from a dreamlike state of mind The whole thing comes off as awkward and at times incomprehensible Altman made this from a dream and it does show Rated 2 out of 5 stars 01/22/23 Full Review Read all reviews Post a rating

      Cast & Crew

      63% 67% The Turning Point 73% 70% Julia 94% 85% Missing 70% 80% Urban Cowboy 88% 74% Wise Blood Discover more movies and TV shows. View More

      Critics Reviews

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      Perry Stewart Fort Worth Star-Telegram/DFW.com It's a brilliantly crafted film, and it includes some of the best acting you'll see this year. Apr 7, 2023 Full Review Gene Siskel Chicago Tribune I didn't find enough threads of sanity to keep me interested in the film's final sequences. Rated: 2.5/4 Apr 6, 2023 Full Review Bruce McCabe Boston Globe This is a film for those who find whatever Altman does intriguing. Apr 6, 2023 Full Review Clayton Schuster Vague Visages Altman balances searing interpersonal conflicts with a visual rhythm that’s downright whimsical. Dec 6, 2023 Full Review Steve Warren The Barb (Atlanta) 3 Women is an intense psychological drama laced with satire... a mind-blowing screen achievement. May 6, 2023 Full Review Julia Maskoulis Montreal Gazette A psychologically brilliant film that activates emotions like a rumbling volcano. Apr 7, 2023 Full Review Read all reviews

      Movie Info

      Synopsis Writer/director Robert Altman claimed this impressionistic film came to him in a dream. Millie Lammoreaux (Shelley Duvall) considers herself irresistible to men, though in fact men have little trouble resisting her. Mysterious teenager Pinky Rose (Sissy Spacek), Millie's fellow physical therapist at a desert spa who becomes her roommate at a singles-only apartment building, at first appears worshipful of Millie's self-confidence but soon seems to be taking over aspects of her personality.
      Director
      Robert Altman
      Screenwriter
      Robert Altman, Patricia Resnick
      Distributor
      Criterion Collection, 20th Century Fox
      Production Co
      Lionsgate Films
      Rating
      PG
      Genre
      Drama
      Original Language
      English
      Release Date (Theaters)
      Apr 10, 1977, Limited
      Release Date (Streaming)
      Mar 1, 2013
      Runtime
      2h 5m
      Sound Mix
      Mono
      Aspect Ratio
      35mm, Scope (2.35:1)
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