Audience Member
Oh, Woe is me by Jean-Luc Godard
The Return of Ancient Pagan Gods into Todays World and into Godards Cinema
Woe
is the third film of Godards mytho-religious trilogy: Contempt (1964), Hail Mary (1985), and Oh, Woe is me (1993). And it is the second film of the trilogy that deals with pagan imagery the middle film: Hail Mary, is analyzing the Christian belief.
In Contempt Godard uses Homers Odysseus as a precious springboard in an attempt to imagine Odysseus/Ulysses destiny in the West of the 60s. Godard stylizes the movie-camera and projection-camera as mythological monsters, and personifies the god Poseidon/Neptune as an American film-producer vis-à-vis the main character as modern Odyssey/Ulysses overburdened by the necessity to keep Gods by psychology (including his own wife) on his shoulders.
In Woe
we have a deal with Zeus/Jupiter as the image of unconscious megalomaniacal identification on part of a small businessman. Godard takes us to the heart of peoples psychology that they blindly project outside them by forming todays cultural trends. We are overwhelmed with Godards endless witty and funny examples of the growing taste for association with and being close to - super-human powers masked as human, and of superstitious worship of technology among todays population. We observe on the screen peoples irradiating irrationality and how it triggers our prejudices and makes us in 20th 21st centuries psychologically very close to the ancient creators of Olympus. Godard shows that we react on technological power as ancient Greeks perceived Dragons, Cyclops, Hydras or Centaurs, and that like them, but much less metaphorically and for this reason much more violently we want and are trying to be as powerful as Gods.
Read the article about Oh, Woe is me A New Paganism of the Worship of Technology Intensifies Human Superstitions (with analysis of shots from the film) at:
www.actingoutpolitics.com
by Victor Enyutin
Rated 5/5 Stars •
Rated 5 out of 5 stars
01/29/23
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