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Alas for Me (Helas pour moi)

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71% Tomatometer 7 Reviews 71% Popcornmeter 50+ Ratings

Critics Reviews

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Caryn James New York Times 08/30/2004
4/5
It will be a surprise to anyone who thinks of Jean-Luc Godard as a cold and cerebral film maker. Here he is warm and cerebral, and more quietly provocative than he has been in years. Go to Full Review
Marjorie Baumgarten Austin Chronicle 07/31/2003
2.5/5
Rather abstract and self-limiting. Go to Full Review
Jonathan Rosenbaum Chicago Reader 07/31/2003
Jean-Luc Godard's most spiritual film is also his most opaque. Go to Full Review
Felix Gonzalez Jr. DVD Review 02/14/2008
... this film starts to veer dangerously close to being almost too experimental (dare I use the dreaded word "pretentious") for its own good. Go to Full Review
TV Guide 07/31/2003
4/5
One of the director's most challenging ventures to date. Go to Full Review
Chris Hicks Deseret News (Salt Lake City) 07/31/2003
1.5/4
The later avant-garde works of renowned French filmmaker Jean-Luc Godard are definitely an acquired taste, which I have yet to acquire. Go to Full Review
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Audience Reviews

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08/18/2010 “Oh, Woe is me” by Jean-Luc Godard The Return of Ancient Pagan Gods into Today’s World and into Godard’s Cinema “Woe…” is the third film of Godard’s mytho-religious trilogy: “Contempt” (1964), “Hail Mary” (1985), and “Oh, Woe is me” (1993). And it is the second film of the trilogy that deals with pagan imagery – the middle film: “Hail Mary”, is analyzing the Christian belief. In “Contempt” Godard uses Homer’s “Odysseus” as a precious springboard in an attempt to imagine Odysseus/Ulysses’ destiny in the West of the 60s. Godard stylizes the movie-camera and projection-camera as mythological monsters, and personifies the god Poseidon/Neptune as an American film-producer vis-à-vis the main character as modern Odyssey/Ulysses overburdened by the necessity to keep Gods by psychology (including his own wife) on his shoulders. In “Woe…” we have a deal with Zeus/Jupiter as the image of unconscious megalomaniacal identification on part of a small businessman. Godard takes us to the heart of people’s psychology that they blindly project outside them by forming today’s cultural trends. We are overwhelmed with Godard’s endless witty and funny examples of the growing taste for association with and being close to - super-human powers masked as human, and of superstitious worship of technology among today’s population. We observe on the screen people’s irradiating irrationality and how it triggers our prejudices and makes us in 20th – 21st centuries psychologically very close to the ancient creators of Olympus. Godard shows that we react on technological power as ancient Greeks perceived Dragons, Cyclops, Hydras or Centaurs, and that like them, but much less metaphorically and for this reason much more violently we want and are trying to be as powerful as Gods. Read the article about “Oh, Woe is me” – “A New Paganism of the Worship of Technology Intensifies Human Superstitions” (with analysis of shots from the film) at: www.actingoutpolitics.com by Victor Enyutin See more Read all reviews
Alas for Me (Helas pour moi)

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Movie Info

Director
Jean-Luc Godard