Youssef B
Ka production faha wa3laha ; décoration cv w simple w fiblast'ha kif kif el outfits eli 5tarouhom mais les choix mt3 el momathlin kan injm ikoun ma5ir, fama des scènes 4ohro fahom eli houma na9sin experience.
El cinematography 3ejbtni 5edma mezyana ; cadrage w el color correction bahin, w bensba liya eli cinematography hiya el point fort mt3 l'film.
El but mt3 el fim w el story telling mt3o mastin w yo4horli nas lkol nsat`ha l7kaya eli el msg t3 el film idour 3laha.
7asit`ha walet trendy 7kayet eno lazm izal9o kofer wala trabrib fi wost lflem eli hiya 7aja zayda 3al5r, yo4horli el klem ezayd wa7do yekfi bech i3aber.
My final score :5.6/10.
Rated 2.5/5 Stars •
Rated 2.5 out of 5 stars
01/01/24
Full Review
Chris J
MOVIE REVIEW
As I Open My Eyes (À peine j'ouvre les yeux)
Unrated –
Genre: Drama, Music
Year Released: 2015
Runtime: 1h 42m
Director(s): Leyla Bouzid
Writer(s): Leyla Bouzid, Marie-Sophie Chambon
Cast: Baya Medhaffar, Ghalia Benali, Montassar Ayari
Language: Arabic, French w/English subtitles
Where To Watch: Available to view here
RAVING REVIEW: AS I OPEN MY EYES is a stunning work of art that showcases the power of filmmaking to convey the complexities of a moment. Winning critical acclaim at the prestigious Venice Film Festival, this debut feature by Leyla Bouzid is a tour-de-force that illuminates the tumultuous landscape of Tunisia in the lead-up to the Jasmine Revolution of 2010. The film explores the atmosphere of fear and oppression under the rule of the former President, where anyone perceived as a threat was intimidated.
At the center of the story is Farah, a young woman who defies the norms of society as a medical student and musician in a rebellious rock band. With a captivating smile and hypnotic movements, Baya Medhaffar's portrayal of Farah brings energy and life to the screen. The film skillfully intertwines the political with the personal, providing a feminist perspective on the challenges faced by women in Tunisia and the Arab world. It has to be mentioned that the singing in the film is beyond powerful; you can feel it in your soul.
Ghalia Benali's portrayal of Farah's mother, Hayet, is a masterclass in acting. Her emotionally charged performance as a mother searching for her daughter is a testament to the universal love and fear of parenthood. The cinematography captures the vibrant energy of Farah's performances. It contrasts it with the darker side of her reality, offering a glimpse into the not-often-seen side of the city.
AS I OPEN MY EYES is a powerful and nuanced reflection on the intergenerational struggles faced by women in Tunisia and the Arab world. The film's climax is heart-wrenching and leaves the audience to imagine Farah's future in the aftermath of the political turmoil. Bouzid's direction and the performances of Medhaffar and Benali are outstanding.
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Rated 4/5 Stars •
Rated 4 out of 5 stars
02/05/23
Full Review
Audience Member
- Like mother, like daughter in As I Open My Eyes -
As I Open My Eyes takes place in 2010 just before Tunisia's Jasmine Revolution, which ignited the Arab Spring. It follows the story of Farah (Baya Medhaffer), a spirited 18-year-old Tunisian singer whose band performs songs protesting the oppressive government of Zine el-Abidine Ben Ali.
Like, Farah, I've taken part in protest. But unlike Farah, I've done this in the United States. In 2004, I made my main stage debut as an actor in my college's production of Euripides' The Trojan Women. But this was no ordinary production. Using a new version of this Greek tragedy, which included a fair amount of foul language, we changed the setting to the Middle East as a protest to the war in Iraq. Did I mention that I went to college in the Midwest? As you can imagine, this production did not sit well with everyone. But it was cool, because we were in America, where we have freedom of speech. If we are against something, we are free to speak out against it. It's one of our basic rights. Is that not a basic human right?
In the opening scene of As I Open My Eyes, we see Farah and Bohrène (Montassar Ayari) staring into each other's eyes. He is the handsome, older songwriter for the Tunisian band. Romance quickly develops. Between the romance, the political performances and partying, Farah's mother, Hayet (Ghalia Benali, Swing), disapproves of her daughter's behavior; that is not how ladies should behave, especially in public. However, this just fuels Farah's rebellion and pushes her even closer to Bohrène. Their relationship grows until Bohrène suddenly dumps Farah, leaving her devastated. Typical.
Farah is a strong-willed, independent young woman...just like her mother, Hayet. Once a rebellious youth herself, Hayet has seen what can happen to an outspoken young political activist and is trying to save her daughter the trouble and turmoil she experienced. Only Farah doesn't see that; all she sees is the overbearing and overprotective woman her mother has become. The conflict between the two escalates until Hayet tells Farah to never talk to her again, that she doesn't exist, she's dead. The next scene shows Farah and Hayet eating a meal...in complete silence. Ouch.
Despite all the warnings to be careful and stop being so vocal about her political beliefs, Farah continues to sing in public. She is loud and proud. When the venues are shut down and the gigs canceled, Farah takes to singing the band's politically charged songs acapella in the street. Farah's bold actions attracts some unwanted attention, and she finds herself abducted and held for days as she is aggressively interrogated. The only reason she isn't sent to prison or severely abused is her mother has a connection.
And that is where the film made me check my privilege. Until that point, I felt I could really relate to Farah; we both studied science in school but have a passion for performing arts, we both had a strained relationship with our mothers as teens, our dads weren't around much, we get involved with the wrong type of boys, we're both fiercely independent and not afraid to speak our minds. The big difference though is that my life has never been on the line due to me speaking out about my opinions.
As she opens her eyes, Farah sees that the world is harsh. Boys are dumb and can't be trusted. And the dangers of speaking out against the government are very real. But throughout and in the end, it's her mother who is there, holding her and loving her.
Being part of that 2004 production of The Trojan Women was a life-changing experience for me. I learned the power of art and the power of the human voice. By taking a stand and speaking out, we were able to send a clear message, and not everybody liked or agreed with it. But that was okay because we have the right to speak our minds in America. To know that not everybody has the right of free speech makes me feel even more obligated to speak up and take a stand when I see injustice. For as Theodore Roosevelt said, "The best thing you can do is the right thing; the next best thing you can do is the wrong thing; the worst thing you can do is nothing."
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This review was first published on Narrative Muse, http://www.narrativemuse.co/movies/as-i-open-my-eyes, and was written Jess Brownwell. Narrative Muse curates the best books and movies by and about women and non-binary folk on our website http://narrativemuse.co and our social media channels.
Rated 5/5 Stars •
Rated 5 out of 5 stars
02/08/23
Full Review
Audience Member
Some of the singing scenes went on too long, but I liked seeing a culture that I am unfamiliar with. Powerful story that glimpses what the lack of freedom looks like. From my (US) point of view the lyrics of the bands controversial songs were relatively tame. The songs and eventual political tension were done well. I liked this film.
Rated 4/5 Stars •
Rated 4 out of 5 stars
01/15/23
Full Review
Audience Member
Rare glimpse into a culture that needs to reach more people. That makes the film and is its main source of strength.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
01/25/23
Full Review
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