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The Bell Jar

Play trailer Poster for The Bell Jar R 1979 1h 52m Biography Play Trailer Watchlist
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0% Tomatometer 8 Reviews 25% Popcornmeter 250+ Ratings
A college student (Marilyn Hassett) who lost her father and hates her mother (Julie Harris) slowly goes mad in the 1950s.

Critics Reviews

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Joe Pollack St. Louis Post-Dispatch The problems with the film are total, from the screenplay to the directing to the acting. Nov 8, 2021 Full Review Janet Maslin New York Times The script, by Marjorie Kellogg, is full of overwrought extremes, even though Mr. Peerce directs virtually all of it with an inappropriate evenness. Apr 28, 2020 Full Review Judith Martin Washington Post Even the crazy pressures now obvious to feminists are made to seem petty. Apr 28, 2020 Full Review Cheri Lesh The Lesbian Tide This film left me feeling ambivalent. Apr 28, 2020 Full Review Richard Corliss Maclean's Magazine Read the book. Flee the movie. Jul 19, 2019 Full Review TV Guide Staff TV Guide It begins as a downer and goes down from there. Rated: 1.5/5 May 9, 2005 Full Review Read all reviews

Audience Reviews

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Steve D Uncomfortable and unconvincing. Rated 1 out of 5 stars 08/15/23 Full Review Audience Member Terribly boring. Couldn’t last more than 15 minutes into this film. Rated 0.5 out of 5 stars 08/24/20 Full Review Audience Member Dramatically inert, confused film. Rated 2 out of 5 stars 02/27/23 Full Review Audience Member It's not a bad adaptation, but it's not that great either. This was so-so. The whole time I wasn't very enthralled watching, started thinking how much I'd rather just be reading the book and imagining the characters and scenes rather then seeing what I was seeing. It was more mesmerizing reading the book. Rated 2.5 out of 5 stars 02/19/23 Full Review Audience Member This movie was so outrageously bad, I had to register with Rotten Tomatoes just to write a review of it to warn people. Or encourage people who enjoy the unintentional comedy of turkeys like this. I was a reader of Sylvia Plath's poetry and I also read The Bell Jar. Plath herself called it a potboiler, but it was so much better than this movie shows it. What stands out for me is the way Marilyn Hassett chose to show deep despair and pain by barking like a seal, and in less intense scenes, coming across like a peevish, ordinary teenager rather than a gifted young woman. And the scenes with Robert Klein have a strong feeling of softcore porn which is embarrassing, coming from a good actor and comedian who should have known better than to be in this monstrosity. Julie Harris does her best and is as good as ever, but gets swallowed up by the bad. Still, her contribution is the most respectable of any of the actors. Rated 0.5 out of 5 stars 02/17/23 Full Review Audience Member Upon entering the videostore, my eyes quickly scan the new releases , only to be disappointed with the typical , hackneyed teen-flicks, "horror" movies, and movies that I have just never even heard of so therefore they must be bad. Bored and tired I search the red wire racks at the other end of the store, hoping to spot something that would spark some sort of interest in this hard to please brain of mine. Just as I am about to reconsider the reason for my existence in the half-empty store with the dirty grey carpet, I catch sight of a familiar title... "The Bell Jar". Could it actually be derived from Sylvia Plath's novel "The Bell Jar"? It has to be. With extreme curiosity I pick it up and examine the cover. On the cover is the profile of an actress whose face I know I have seen from several seventies movies which I can't identify. I flip it over, read the back cover and know for certain that it is "The Bell Jar". To make a long story short, I rent the video. The first couple of scenes in the movie are surprisingly accurate. I am even amazed at the accuracy, to be honest. Everything is in perfect order-- from Esther's arrival in New York [i]up until[/i] she and Doreen's night on the town. When Esther and Doreen follow the D.J. they met back to his place, the accuracy comes to a screeching hault. Everything is going according to the book until Esther, in her drunken state, joins Doreen and the D.J. in some sort of tryst. Now, the book never even suggested this occurence, and I found myself bewildered at the whole situation. I realize that a film adaptation of a book cannot include every single detail, but if significant parts are edited in order to leave space for ludicrous "entertainment", then the entirety of the film will be effected. Another laughter provoking moment occured when Esther threw her clothes out the window and screamed. Once again, this never happened in the book, and the actress obviously had difficulties in screaming since I would describe it as more of a throaty roar(this throaty roar happens periodically throughout the rest of the movie). One of the most important parts of the book was left out, and that was the process of Esther's mental deterioration which occured the weeks following her arrival back home. In the psychological perspective, this piece would have been crucial in understanding the steady toll that a major depressive episode has on a person: the lack of sleep, the need for darkness and isolation, etc. Instead, her visits to Dr. Gordon were also skipped, and a senseless scene involving Esther and her mother fighting over a carton of milk was given preference. The whole theme of lesbianism seemed to control the film as well, and the character Joan actually suggested that she and Esther be "like lovers", which again was never stated in the book. I did, however like the fact that Plath's poetry was recited several times throughout the movie. This movie could have been a success had it shed light on what I would consider some of the more striking features in the novel. I am definiteley hoping for a remake someday. If you do choose to view this film, I guarantee a bundle of unintentional laughs. Rated 3 out of 5 stars 01/29/23 Full Review Read all reviews
The Bell Jar

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Movie Info

Synopsis A college student (Marilyn Hassett) who lost her father and hates her mother (Julie Harris) slowly goes mad in the 1950s.
Director
Larry Peerce
Producer
Michael Todd Jr.
Rating
R
Genre
Biography
Original Language
English
Runtime
1h 52m