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delysid d
High Levels of wackness throughout the film, still there was something i liked about it
Rated 3/5 Stars •
Rated 3 out of 5 stars
06/23/18
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Audience Member
Russ Meyer has a go @ blaxploitation & there is where the rub lies. As a Russ Meyer movie this is a piece of shit/as a blaxploitation movie it's not bad. Personally I prefer Meyer's bosomania & this I find the least of his films. Even though there's a deplorable salty racist tongue something seems to be missing..besides giant sugar boobies. The camera work that I love in Meyer's other works seems rather lackluster. If you were just starting to watch his films & you started here you would wonder what all the fuss is about. For Meyer's completist but I suggest you watch something great like Faster Pussycat Kill! Kill! 2 dozen times over instead
Rated 2/5 Stars •
Rated 2 out of 5 stars
01/27/23
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Audience Member
Blaxploitation film from Russ Meyer is a little different than his normal fare, but still enjoyable. Black Snake is a period piece that takes place during the early 19th century and focuses on a slave revolt. The film is not Meyer's greatest, but it's a nice change of pace and the ending scene is pretty funny.
Rated 3/5 Stars •
Rated 3 out of 5 stars
02/12/23
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Audience Member
Thats my Favourite Russ Meyer Movie and his reputablest it shows how Slavery still exist even it exist not officially anymore and that People are just doing that whats the best for themself like the Horsemen who blanks the Slaves even they are from the same Color just they think they better then them its the same like Nobles blanks the Indurented Servants in the old World not long before that and how brutal righteous Anger can be
Rated 5/5 Stars •
Rated 5 out of 5 stars
02/16/23
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eric b
"Black Snake" is a unique item in director Russ Meyer's wild catalog. Short on Meyer's trademark titillation (which probably explains why it flopped), the film was obviously conceived at the height of the "blaxploitation" movement. But this is no tale of cocaine, pimps and Cadillacs -- it's a period piece.
The time is 1835, the days of Negro slavery. Charles Walker (David Warbeck) is a handsome London aristocrat whose brother Jonathan (David "Darth Vader" Prowse) has mysteriously disappeared in the British West Indies. Charles suspects foul play and launches an undercover investigation, sailing overseas to take an unlikely accountant job on a sugar-cane plantation.
He introduces himself with a pseudonym, and soon encounters the three authority figures who keep the island's dark-skinned harvesters in check. There is Lady Susan Walker, a cold-hearted blonde and former prostitute who gained her title through strategic marriage. Her faithful cohort is Raymond, an educated French black who also happens to be flamboyantly gay. And the sadistic field boss is Joxer, an older Irishman who deals out a steady torrent of racial slurs and vicious beatings. He affectionately calls the whip his "black snake."
Charles has a lusty servant girl in his quarters, but also samples the wares of Lady Susan -- despite a strong suspicion that she's responsible for Jonathan's disappearance. Little does Charles know that his brother has fallen into a supernatural, zombie-like state. Oh my. Meanwhile, the slaves are plotting a mass revolt, though they're torn between the leadership of militant Joshua and his more philosophical father.
It's difficult to label this film "racist," because its racism is a matter of historical fact. And Joxer's and Susan's verbal abuse of the slaves is so over the top that some perverse giggles are inevitable. A drinking game focused on hearing "nigger" and "black bastard" would render its players unconscious within the first half-hour.
Though "Black Snake" has plenty of violence (including a grisly crucifixion), Meyer can't quite commit himself to crafting a serious drama. The film turns abruptly burlesque during a couple of bedroom scenes -- even the soundtrack radically transforms -- and the epilogue with happy, modern couples running naked through a field belongs in a whole different movie. Raymond's campy mincing is a hoot, and in a moment when Charles furiously tries to choke Susan, the actress goes cross-eyed like she's in a silent comedy. The incongruous shifts in tone can be laughably jarring. And really, did anyone flip the middle finger in 1835?
Still, "Black Snake" is more interesting than Meyer's films of pure sexual slapstick. Whether you giggle at its unsubtlety or recoil from its brutality, it's a memorable experiment.
Rated 2/5 Stars •
Rated 2 out of 5 stars
03/31/23
Full Review
Audience Member
Wow, apparently even "bad" Russ Meyer is awesome. Seems to have a bad rap among many fans, but it's thoroughly entertaining and has the kind of sensitive touch (*cough*) you'd assume Meyer would bring to the table regarding race relations. Pretty damned great.
Rated 4/5 Stars •
Rated 4 out of 5 stars
02/03/23
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Matthew Sorrento
Film Threat
Forget the 'Moan' -- Russ Meyer sensationalizes the whip and offers maniacal slaveowners in this screwy vision of a colonial plantation, circa 1835.
Rated: 3.5/5
Apr 29, 2009
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