Audience Member
Pros-outstanding story about little known subject
Cons- needs better editing, story too much about the lawyer and not the kid
Rated 4/5 Stars •
Rated 4 out of 5 stars
01/19/23
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Audience Member
A stark reminder that, in any culture or tradition, there are always ugly bits that must be rejected with vehemence.
Rated 4/5 Stars •
Rated 4 out of 5 stars
01/24/23
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Audience Member
Life-changing, Powerful and Inspiring.
Rated 5/5 Stars •
Rated 5 out of 5 stars
01/23/23
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Audience Member
good story of female empowerment
Rated 2.5/5 Stars •
Rated 2.5 out of 5 stars
01/21/23
Full Review
Audience Member
About how a terrible event changed the judicial system.
The name Angelina Jolie on the poster draw my interest on this one. She was executive producer of this excellent Amharic movie. I appreciate her side of contribution to lift the world cinema. Some of the stories go unheard, because they are happening in the remote places of the earth, far from the modern cities and countries. Newspapers, media might fail to report them in a long-range, because it is less interested in the other side of the world, but movies like this ensures the outreach.
I think this is my first Ethiopian movie. All the cast and story take place in this landlocked East-African country. The narration often switches between a small village and the capital city. Based on the real and historical even about one of the oldest blind belief over marrying a girl when she and her family denied the permission. It's set in the year 1996, the story of a 14-year-old girl Hirut who'd successfully escaped from her abductor, but not without a blow en-route. Now she's facing a charge which she had done in self-defence and the rest is her fight in the court of law.
As usual, everything is fine in our society, so things won't change and it does not have to, until something terrible happens. As to what this film talks, the law was not written in a single day and some of them are overlaps with traditional culture which definitely need a serious reconsideration. It keeps changing until finding a correct solution. Take our society as an example, now the homosexual and marijuana laws were getting friendlier than ever. This story is another example of patching the loopholes in the law. It might come after a horrible incident, but makes sure that it won't repeat.
"I can't even protect my little sister.
They will get her one day."
The entire film was not a courtroom drama, but people's bonding and cultural exposure. Actings were wonderful, especially the main two characters, Meaza and Hirut. The pace and focus was largely on the topic, but a few glimpses of landscapes of the countryside made me wonder how beautiful the Ethiopia is. I think the cinematography was at its best. This film has been officially submitted for the last concluded Oscars (2015), and in my view it should have been nominated for the main event instead of 'Timbuktu'.
I thought it was a tale about some westerners who comes to help the little girl, or maybe adopt her, kind of stuffs. But it was purely a uni-national, uni-racial, its society and flawed judicial system which might give you a shock. After opening 30 minutes, I was pleased to have picked it to watch and ended highly satisfied when it ended. The conclusion was very emotional, especially the lines Hirut said was reflected what she went through and might going repeat for other girls.
This is highly recommended by me. This film needs viewers, to learn what's really happening out there. Especially in a male dominated society, how the children and women are coping to stand on their own feet. Because of the brave attempt by the brave women, the changes have come and building a better future for the next generation. So hats off to the director-cum-writer, producers and all the above those two ladies who are still carrying out their works to help the struggling women as the final report from film says. I think you won't regret watching it, so why don't give it a try.
8 1/2/10
Rated 4.5/5 Stars •
Rated 4.5 out of 5 stars
01/30/23
Full Review
Audience Member
As painfully misogynistic as it sounds, "Bride Kidnapping" actually exists, in several parts of the world including several countries within Central Asia, Causasus and Africa. It basically means abduction of a woman by a man (usually with the help of relatives) for the purpose of marriage. This absurdity is embraced by some communities in the southern region of Ethiopia, known as "telefa", and one particular girl's harrowing real life experience not only inspired the 2014 film Difret, but became a landmark case that changed an age-old law in the country.
Aberash Berkele was only fourteen when she was abducted by a group of men on horses while she was returning home from school. Captured and beaten, she was brought to a hut to be raped by one of them, and told that he would be her husband. Berkele managed to steal their gun as she attempted to run away. Whilst her abductor and his men gave chase, she pulled the trigger and was put on trial for the murder of her abductor. This plundering of innocence and humanity has been translated into the silver screens by producer Mehret Mandefro and writer-director Zeresenay Berhane Mehari, with Angelina Jolie signing on as the executive producer with the hope to raise awareness on telefa.
In Difret, we see Hirut Assefa (Tizita Hagere) as the bright fourteen year-old daughter of poor farmers in rural Ethiopia, who has ambitions in her pursuit of an education, which is uncommon for girls in those parts. The trajectory of Difret and Hirut's fate pretty much follow closely of the real story, and soon the family of the demised abductor Tadele (Girma Teshome) is racking up support from the villagers to have her executed for murder, and buried with him. Succumbing to her wretched fate, hope finds its way when Hirut is rescued by Meaza Ashenafi (Meron Getnet), a lawyer helming Andinet Women Lawyers Association, advocating for women's rights.
This is a case where the gravity of injustice outweighs the film's narrative. Mehari chooses to "tell" in great lengths as compared to "show", giving the film a semi docudrama appeal instead of allowing more expressive interpretations of the plot. I would have preferred the latter. No doubt at several junctures the narrative does come off slightly punctuated, but all in all an adequate film. Audience will still be able to appreciate Difret's message, and I particularly liked the development of Meaza and Hirut's bond.
Today, Berkele is a mother of a ten year-old son, and works for Harmee, an NGO that aims to eliminate violence against women in Arsii. Her high profiled case managed to make an immediate impact, reducing the abduction cases in Arsii to none for five good years. Sadly, the cases are crawling back to a reported seven to eight cases annually in the past recent years. Meaza on the other hand continues with her devotion in protecting the rights of Ethiopian women and was nominated for the Nobel Peace Prize in 2005. Difret has won in Sundance, Montreal, Amsterdam and Berlin film festivals.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
02/03/23
Full Review
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