The Door in the Floor

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Bob D Young Ms. Fanning truly outshines all other performances in this movie. The story is, after-all, about her character, Ruthie Cole. Elle's insight into the life and demands placed upon this troubled little girl (Ruth Cole) is genius. Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 02/24/25 Full Review John A Begins fairly well but ultimately goes nowhere interesting with what is established so firmly in the first act. The cast is great. Rated 2.5/5 Stars •  Rated 2.5 out of 5 stars 11/09/23 Full Review Audience Member The real strength of this movie is the performances by Basinger and Bridges. They play two eccentric East Enders whose life is dismantled by the death of their two sons. Both are Oscar worthy. What unfolds is a tale of a young writing assistant that comes to apprentice with Bridges and falls in love with Basinger. While it is twisted and decedent in spots; its dysfunction feels real. How do people get past such a tragedy? The film's Hamptons setting is as much a character as anyone in the film. It is tragic. Seen through the confusion of a young man, coming of age, it works. Elle Fanning is good. I love Mimi Rogers but she was underutilized in this one. This is based, in part, on a John Irving piece. Rated 3/5 Stars •  Rated 3 out of 5 stars 01/13/23 Full Review Audience Member Bueno pienso que podria haber sido algo mejor 5/10 Rated 2/5 Stars •  Rated 2 out of 5 stars 02/27/23 Full Review Audience Member Adapting John Irving novels will always be difficult because they are filled with so many little details that are impossible to convey on screen. This film chooses to adapt only one third of A Widow for One Year, which I regrettably have not read, but manages to pack in a lot of plot developments and interesting character detail within 111 minutes. Seeing Jeff Bridges play a role that initially appears to be comedic but quickly becomes serious was gratifying and Kim Basinger, although she's not great here, always makes me hope she will be as good as she was in Fool for Love (1985). This isn't a great film but it is very interesting and I wish that more films like this were made today so it's nice to see a film that focuses on a dysfunctional family and an odd group of characters without judgment. Eddie O'Hare, Jon Foster, who dreams of being a writer is hired as the assistant to alcoholic womanizer Ted Cole, Jeff Bridges, over the summer. He lives with them in their beachfront house on Long Island and begins a sexual relationship with Ted's depressed wife, Marion, Kim Basinger, while Ted is having an affair with his neighbor Evelyn, Mimi Rogers, who he also draws nude. The reason for Marion and Ted's depression is slowly drawn out of them as the film goes on and one of the stories that Ted wrote "The Door in the Floor" is used as an extended metaphor. Bridges' performance in the lead role is astonishing as he uses all of the charm present in his early performances but employs his ability to turn from fancy free to serious in a few seconds with devastating effect. He works hard to find the sympathetic elements of his character who his in many ways very detestable but he manages to create the sense of a man who has lost everything and deserves pity. Foster is equally good as the shy but libidinous young man who comes to understand just how flawed his idol is. The awkwardness of his performance is accurate to a real teenager and the uncomfortable approach he has to questioning those around him belies a still coming of age boy. Bridges and Foster make a wonderful pair and their work towards the end of the film is subtle but dramatically exciting. Basinger is disappointingly flat in her role and brings none of the chutzpah that she brought to The Natural (1984) or 9 ï¿ 1/2 1/2 Weeks (1986). The young actress who plays her daughter, modern day superstar Elle Fanning, completely upstages her conveying more in a few expressions than Basinger does with whole monologues. Rogers is fun as the mistress and the shot of a piece of paper, a drawing of her vagina, flying on to Ted's windshield is one of the most raucously funny scenes I have ever seen. All of the actors, excluding Basinger, manage to draw something out of their characters whether it is hidden grief or burgeoning sexual desire and that forms a very fascinating ensemble of characters to watch in a film that doesn't have all that much going on. The handling of tone is not always perfect but when the film does become serious in the third act they completely commit. Bridges telling of the story of his sons' death is tragic and the darkness in his face, when he appears so effervescent up until that point, convinces you completely of his inescapable grief. The director does a decent job the whole time at pacing the film well and dropping in some funny moments every now and then but when the film ramps and the storm occurs he really comes into his own as his touches as a director, close shots held for long periods of time and quick cuts to exterior shots, are never more clear. This is worthy or recommendation but you have to come in being a fan of Irving's work or the film won't really connect with you. You also have to be patient because the film doesn't contain much action until the third act which is just crazy but it is a rewarding experience when you make it that far. Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 02/01/23 Full Review Audience Member Good actors overcome a bad script Rated 4/5 Stars •  Rated 4 out of 5 stars 02/05/23 Full Review Read all reviews

The Door in the Floor

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