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Dr. T & the Women

Play trailer Poster for Dr. T & the Women R Released Oct 13, 2000 2h 1m Romance Comedy LGBTQ+ Play Trailer Watchlist
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57% Tomatometer 108 Reviews 20% Popcornmeter 10,000+ Ratings
Dr. Sullivan Travis is a man at the top of his game, a rich and successful Dallas gynecologist whose "religion" is women. Dr. T. worships women. In his immediate family and in his office, they surround him. He is loving and giving to each and every one at all times -- he is their savior. And sure enough, as in the story of Job, one day a higher force decides to test his faith. Once a man in complete control of his universe, Dr. T. now finds himself buffeted by chaos and confusion.
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Dr. T & the Women

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Critics Consensus

In terms of quality, Dr. T and the Women is one of Altman's good-but-not-great films. In typical Altman style, it features some great ensemble acting, including a wonderful performance by Richard Gere.

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Critics Reviews

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Nell Minow Common Sense Media Richly enjoyable Robert Altman. Not for kids. Rated: 4/5 Dec 22, 2010 Full Review Globe and Mail Rated: 3/4 Dec 23, 2002 Full Review Michael Thomson BBC.com Rated: 4/5 Jul 16, 2001 Full Review A.S. Hamrah The Baffler ...unexpectedly complex and tricky, with a triple shock ending. Sep 16, 2020 Full Review Mark Halverson Sacramento News & Review Rated: 2/5 Aug 7, 2008 Full Review Film Threat Rated: 2.5/5 Dec 6, 2005 Full Review Read all reviews

Audience Reviews

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John E I knew I had seen Dr. T & the Women when it came out in 2000, but I couldn’t recall a single scene. That should have been my first clue. Still, in pursuit of my 2025 goal to watch every Robert Altman film, I decided to give it another shot. Now that I’ve rewatched it, the mystery of my memory lapse is solved: there’s not much here worth remembering. Richard Gere stars as Dr. T (short for Travis), an extremely handsome Dallas gynecologist whose patient list reads like a who’s who of uptight Southern socialites. Despite the occasional hunting trip with his bros, Dr. T is firmly embedded in a world of women, including his increasingly unwell wife Kate (Farrah Fawcett), his daughters Dee Dee (Kate Hudson) and Connie (Tara Reid), his alcoholic sister-in-law (Laura Dern) and her gaggle of toddlers, his crush-harboring assistant (Shelley Long), and a parade of privileged, hormonal patients packing his waiting room. Altman tries to capture the slow unraveling of a man surrounded by feminine energy he can neither understand nor control. It starts with Kate’s mental breakdown, diagnosed by Dr. Harper (Lee Grant) as “Hestia Complex”, a fictional condition so absurd it should come with a laugh track. Apparently, Kate has received so much love that she’s regressed into a childlike state and must be institutionalized. It’s at this point that the movie slides from being an intriguing character study to a clumsy farce. As Dr. T grapples with his wife’s departure from reality, his daughter prepares for a lavish wedding, and his life further spirals when he falls for Bree (Helen Hunt), the new golf pro at his club. Their affair feels less like passion and more like another obligation for the doctor to mismanage. The movie's crescendo is set during Dee Dee’s outdoor wedding, which, naturally, takes place in a torrential downpour. Amid the chaos, Dee Dee ditches her groom at the altar and runs off with her bridesmaid, Marilyn (Liv Tyler), confirming a long-hidden college romance. In the span of a few soggy minutes, Dr. T loses his wife, his mistress, and the illusion that he ever had any control to begin with. Then, as if this wasn’t enough melodrama, the film ends with a surreal left-hand turn when Dr. T drives into a tornado and miraculously emerges in a dusty village, where he delivers a baby in a graphic, unflinching birth scene (the scene is an actual birth, filmed straight on). And much to Dr. T’s delight as he wipes the baby with a wet cloth, the baby… is a boy. It’s clear Altman was going for a symbolic rebirth, but the moment is so forced and contrived that it fails in every way. To be fair, the cast isn’t the problem. Gere, Dern, Fawcett, Hudson, and Long all have solid moments, and Altman’s signature style of overlapping dialogue and ensemble chaos is present. But unlike Nashville or M*A*S*H, this film lacks insight. Most of the characters are one-dimensional, and the pacing drags. At no point did I actually care what happened to anyone. Watching Dr. T & the Women is like sitting in an overbooked waiting room for two hours, slowly realizing the doctor is never coming. Rated 2 out of 5 stars 06/15/25 Full Review Matt Y This is a movie written by someone who has never stepped foot in the state of Texas, much less the city of Dallas. The characters are stereotypes of what Angelinos *think* North Texans act and talk like. The characterization is shallow, the plot is thin, and the only saving grace is that everyone knows this movie is a dog. Rated 1.5 out of 5 stars 08/09/23 Full Review John A Robert Altman has made some slickly compelling films. This star-studded confusing exercise is not one of them. Rated 2.5 out of 5 stars 04/28/23 Full Review Otvio F Film is the recipe for Disaster, horribly poorly produced, and completely banal. Rated 1 out of 5 stars 02/06/21 Full Review Audience Member Great cast of people but I was bored with the entire thing. I know Robert Altman can do really good movies but Richard Gere's performance is the only thing keeping the rest of this from sinking under so much babble. Rated 1 out of 5 stars 01/22/23 Full Review Audience Member Far and away the worst movie I've ever seen. I even watched it a second time to see if maybe I just wasn't in the right mood the first time. If anything, it was worse the second time around. Despite some decent acting, the movie is slow and boring. Most damning, though, is that the story makes no sense, and the ending is abominable. Rated 0.5 out of 5 stars 01/30/23 Full Review Read all reviews
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Movie Info

Synopsis Dr. Sullivan Travis is a man at the top of his game, a rich and successful Dallas gynecologist whose "religion" is women. Dr. T. worships women. In his immediate family and in his office, they surround him. He is loving and giving to each and every one at all times -- he is their savior. And sure enough, as in the story of Job, one day a higher force decides to test his faith. Once a man in complete control of his universe, Dr. T. now finds himself buffeted by chaos and confusion.
Director
Robert Altman
Producer
Robert Altman, James McLindon
Screenwriter
Anne Rapp
Distributor
Artisan Entertainment, Initial Entertainment Group
Production Co
Dr. T Inc., Sandcastle 5 Productions, Splendid Medien AG
Rating
R
Genre
Romance, Comedy, LGBTQ+
Original Language
English
Release Date (Theaters)
Oct 13, 2000, Wide
Release Date (Streaming)
Aug 13, 2012
Box Office (Gross USA)
$13.1M
Runtime
2h 1m
Sound Mix
Dolby SR, Dolby Digital, Dolby Stereo
Aspect Ratio
Scope (2.35:1)
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