The Flame of New Orleans

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Matthew D @OceanSage 06/02/2023 Marlene Dietrich tricks men and there's a cute monkey! French director René Clair's romantic comedy The Flame of New Orleans (1941) is beautiful and hilarious with a bit of nice romance alongside the hilarity. Clair's flamboyant direction brings a flair and playfulness to this Southern costume comedy. Clair swiftly informs his characters of new developments and past indiscretions. His direction is quite clever and upbeat. Writers René Clair and Norman Krasna make fun of foolish men too naive to see a woman playing them. Having a lady duping rich men out of their money reminded me of Heartbreakers or Hustlers. The very outrageous concept is like a sillier version making fun of Jezebel or Gone with the Wind. I liked Clair and Krasna writing humorous jokes critiquing the lazy rich and idle rich, too preoccupied to see when they're being used for money or amusement. They do bother praising the passionate and lively working class compared to the imbeciles in wealth, but mentioning how any guy can get fooled by a pretty face. German actress Marlene Dietrich is lovely as the two-faced Countess Claire Ledoux. Her verbal dressing down of men is a scream. Dietrich's piano playing, flirty singing, and sizzling glances are a delight to watch. She really glows with a radiant elegance, easy charm, and striking grace. Marlene Dietrich effortlessly dupes all these gullible gentlemen. I like all her worried expressions that let us know when she's concerned how much a man knows of her affairs. Her fainting trick and sweet gazes of longing are as entertaining as Marlene's singing. She can play innocent and cute to sultry and alluring with ease to sell fainting or an evil twin. American actor Bruce Cabot is excellent as the suave swashbuckler corsair Captain Robert Latour. He looks like they cast Cabot as a parody of Clark Gable in Gone with the Wind. His romantic love interest pairs nicely with the femme fatale Marlene Dietrich portrays. English actor Roland Young is funny as the rich sap Charles Giraud. His gullible banker is so idiotic and entertaining. Russian actor Mischa Auer is a riot as the stupid Russian seducer Zototov. Andy Devine, Frank Jenks, and Eddie Quillan are fun as the amiable sailors in Cabot's crew. Laura Hope Crews' deaf Auntie, Franklin Pangborn's nervous Bellows, Theresa Harris' clever maid Clementine, Clarence Muse's exaggerating carriage driver Samuel, Melville Cooper's shrewd brother-in-law, Anne Revere's judgmental sister, and Bob Evans' excitable William are excellently amusing side characters. Editor Frank Gross slickly cuts The Flame of New Orleans into a briskly paced 79 minutes. Cinematographer Rudolph Maté has beautiful black and white wide shots that neatly pan around to show us all the characters moving. His close-up shots are stunning like Jack Otterson's striking art direction or set decorator Russell A. Gausman's New Orleans sets for a ship, fancy clubs, or an old bar. Composer Frank Skinner writes a delicate and lively film score for The Flame of New Orleans. It's a charming romantic soundtrack to clash against sound designer Bernard B. Brown's rowdy crowd noises. Swiss costume designer René Hubert fashions dozens of glamorous gowns for the ravishing Marlene Dietrich. From nightclub dresses, ballroom gowns, to even a wedding dress. I am amazed by Hubert's extravagant designs. In all, The Flame of New Orleans is such a blast because of Marlene Dietrich's searing performance. See more georgan g @RT98616417 12/02/2021 Wanting to marry a rich man, Marlene Dietrich works on snaring a banker. However, she falls in love with a boat captain with little money. At the last moment She makes a choice. See more 08/22/2014 One of my favourite French directors from the period gets his chance with the great Dietrich, and in his American debut to boot. It's always a treat to see his comedic insights, this time set on a beautiful woman who's worn out her welcome everywhere else, yet while trying to make a fresh new start of things, gets embroiled in a bizarre love triangle with two completely different types of men. See more 01/26/2014 good costume drama vehicle for dietrich See more 12/07/2011 The unfortunate part is that Dietrich did not dress as a man as she did so often in the 1930's, causing outrage. Outrage! She did dress up like her make-believe cousin in an attempt to fool some dudes, at least the cousin could have been a man. That would have made the film slightly different, I think. Her fans in the queer community probably would have liked it more. See more 06/24/2011 This is one of my Favorite Marlene Dietrich Roles.In her Beautiful Gowns, setting a Coquettish Trap, but Vulnerable at the same time & desperate to find a Wealthy Husband.Nobody does Feminine Whiles quite the Coquettish way Marlene Dietrich Does. See more Read all reviews

The Flame of New Orleans

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