The Godfather, Part II

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Marissa Q 05/01/2023 The movie was fantastic. I have seen it numerous times at home on the small screen but to see it on a huge screen in a theater is how a movie is meant to be seen! Great experience. Only one complaint: the server was HORRIBLE! It took him 30 minutes into the movie to bring my husband his drink and popcorn. and this was after a number of times stopping him and asking him about this order. Others came later than I did and placed their orders while in the theater. My husband and I placed our orders when we showed our QR code. The server was snarky, horrible, unhelpful and deliberately holding up our order as other late movie goers were receiving their orders before ours. See more Yaaron R @KompetenterMedi 9h Epic Scope, Uneasy Balance The Godfather Part II is ambitious, but contradictory in form. Despite its long running time, many plot lines seem abbreviated, giving the film the feeling of being both overly long and yet incomplete. The heavy use of Italian makes sense in terms of content, but it significantly impedes the flow of viewing. On a positive note, the pacing and structure have been improved compared to the first part, and the acting performances are more subtle. Nevertheless, the impression remains of a film that needed more narrative space than the medium allows. See more M.F M 1d Bien pero sigo sin ver por que es una obra maestra. Casi qu eme gustó más l aprimera See more Dave Darwin B Dec 6 One of the Best classical Crime films and it garnered numerous Oscars including Best Picture. I love it. See more kish b Nov 17 ★★★★★ The Godfather Part II is not merely a sequel; it is the rare film that towers even higher than its perfect predecessor, a devastating, majestic double-epic that somehow manages to be both the greatest prequel and the greatest sequel ever made at the same time. Francis Ford Coppola doesn’t continue the story; he fractures it across two timelines and watches the Corleone soul rot in real time. Young Vito (Robert De Niro in a performance of quiet, terrifying dignity) rises from Sicilian orphan to American patriarch with the slow, inexorable grace of a lion claiming his territory. Meanwhile, Michael (Al Pacino at the absolute peak of his powers) descends from reluctant don to hollow-eyed emperor, systematically destroying everything he once claimed to protect. The parallel editing is genius: every time we see Vito hug his children, we cut to Michael alone in a colder, bigger room. Every time Vito earns loyalty through love, Michael buys it with fear. By the final flash of that heartbreaking final shot (Michael sitting utterly alone on a winter bench), you realize the tragedy isn’t that Michael became his father; it’s that he became everything his father never was. The cast is flawless: De Niro’s Italian-only dialogue feels lived-in and mythic, Pacino’s eyes go from wounded to dead across three hours, Diane Keaton’s quiet rage finally explodes, John Cazale’s Fredo breaks your heart in every scene he’s in (that "I’m smart!" speech still hurts), and Robert Duvall’s Tom Hagen is the last honest man watching the family die. Even the smaller roles (Lee Strasberg’s chilling Hyman Roth, Michael V. Gazzo’s tragic Frankie Five Angels) are perfect. The scope is insane: Ellis Island, 1917 New York tenements, 1950s Havana, Senate hearings, Lake Tahoe snow; every location feels real enough to touch. Gordon Willis paints with shadows again, Nino Rota’s score aches, and the baptism-of-fire montage is replaced by something even more brutal: the slow, methodical assassination of Michael’s soul across an entire film. Most sequels shrink the original. Part II expands it into Shakespearean tragedy on an American scale. It’s colder, longer, sadder, and infinitely more profound. Fifty years later it still feels like the pinnacle of what cinema can achieve. 10/10. "I know it was you, Fredo. You broke my heart." And it still breaks mine every single time. 🍷❄️🖤 See more Graham B. @gbake13 Nov 15 I think that it’s the greatest sequel of all time See more Read all reviews

The Godfather, Part II

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