Goodbye, Dragon Inn

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Audience Member It amazes me how many critics fawn over Tsai fiilms. Vive L'Amour was ok but The River was dull and this is utter tedium. Two lines of dialogue in the entire film if you don't count the film-within-a-film snippets and enough lllooonnnggg takes of a lame woman walking up stairs and down corridors to last me a lifetime. Rated 0.5/5 Stars •  Rated 0.5 out of 5 stars 02/13/23 Full Review Audience Member Tsai Ming-liang's obsession with depiction of loneliness using extended silent shots and very minimal dialogue continues in this spellbindingly forlorn observational playlet set almost entirely in a forsaken old theatre operating for the last night showing the titular movie of yesteryear. Rated 4/5 Stars •  Rated 4 out of 5 stars 11/19/17 Full Review Audience Member A haunting, gorgeous and nearly-silent tribute to the experience of cinema-going that perfectly combines melancholy and deadpan humor, with deliberate pacing that may prove too slow to casual moviegoers as it puts sometimes a good deal of emphasis on still moments. Rated 4/5 Stars •  Rated 4 out of 5 stars 02/14/23 Full Review Audience Member I've saw a Ming-liang Tsai film quite lately. It's one of the absolute slowest films I have seen, but I quite liked it - especially after some weeks of sinking in. Long still shots has that effect. This is the interesting director's tribute to the movie theatre as it takes place in one - a theatre that's about to shut down. It's like a Thai version of Cinema Paradiso. It looks swell, but few or no camera movement kills this one a bit - and I actually tend to dig static films. It's a film being played at the cinema hall, so we get some words from there, but otherwise we get the first spoken, an actual character word, after about 45 minutes. We don't get many more to add to the count. Nothing special goes on as we follow a handful of characters, so it's safe to say it's a demanding film that never gave me much to cheer about. 4.5 out of 10 Asianized 20th century fox intros. Rated 2/5 Stars •  Rated 2 out of 5 stars 01/17/23 Full Review Audience Member Ming-liang's Goodbye, Dragon Inn is a contemplative mood piece that centers around a moaning, leaking, dilapidated movie theater in order to convey truths about the evolving nature of society and what this process leaves behind. Defined by voyeurism, claustrophobia, and constant rain, the elegantly composed ruin is a home to a handful of filmgoers unbothered by and uninterested in the film projected on the screen, Ming-liang juxtaposing the traditional action film with the more modern existentialism these people feel as they wander around aimlessly inside of the cavernous relic of the past. These people are lost in the constantly progressing world in which current iconography is immediately forgotten, their time in the haunted theater nothing more than a distraction; this gets to the heart of why we go to the movies, commenting on the fact the the world briefly manifests its sense of self in modes of entertainment before moving on, leaving what was in the past forever. Rated 5/5 Stars •  Rated 5 out of 5 stars 02/10/23 Full Review Audience Member Watching old wuxia movie in an almost empty old seedy theater. Rated 3/5 Stars •  Rated 3 out of 5 stars 02/19/23 Full Review Read all reviews

Goodbye, Dragon Inn

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