Audience Member
The Beatles were one of the hottest bands back in the day Director Robert Zemeckis and producer Steven Speilberg present every young girls dream trying to come true when it comes to music It's NYC 1964 and the infamous band is scheduled to be performing live on tv on the Ed Sullivan Show 4 girls have no money and no tickets to the show but they will go to any length just to meet them in person With the exception of Nancy Allen everyone else is unknown Undermining artistic integrity is what a journalist hopes to prove, another girl has a boyfriend who hates the band and sneaking off to see them, while the third girl hopes to take snapshots to further her photography career This turns into a fun adventure of these girls following their hearts during a pivotal cultural moment Draws the line between funny and pure fan obsession People go to hardcore extremes when it comes to their favorite musicians Everybody just wants a piece of the action no matter how crazy the journey gets Beetlemania is where it's at and this movie has an infectious energy with all involved thanks to Zemeckis and Speilberg It's all about exiting adolescence and entering adulthood after seeing their music icons We can all relate to being young and a little crazy
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
04/21/24
Full Review
Audience Member
The Beatles were one of the hottest bands back in the day Director Robert Zemeckis and producer Steven Speilberg present every young girls dream trying to come true when it comes to music It's NYC 1964 and the infamous band is scheduled to be performing live on tv on the Ed Sullivan Show 4 girls have no money and no tickets to the show but they will go to any length just to meet them in person With the exception of Nancy Allen everyone else is unknown Undermining artistic integrity is what a journalist hopes to prove, another girl has a boyfriend who hates the band and sneaking off to see them, while the third girl hopes to take snapshots to further her photography career This turns into a fun adventure of these girls following their hearts during a pivotal cultural moment Draws the line between funny and pure fan obsession People go to hardcore extremes when it comes to their favorite musicians Everybody just wants a piece of the action no matter how crazy the journey gets Beetlemania is where it's at and this movie has an infectious energy with all involved thanks to Zemeckis and Speilberg It's all about exiting adolescence and entering adulthood after seeing their music icons We can all relate to being young and a little crazy
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
04/21/23
Full Review
Audience Member
Every scene has something new and creative. Every single scene. You don't see that on many movies, especially if they aren't Zemeckis movies. It's like a really good sitcom from the last century, except at the same time put inside really beautiful frames. Beatlemania and its era beautifully portrayed in a light, digestible film. A must-watch.
Rated 4.5/5 Stars •
Rated 4.5 out of 5 stars
01/29/23
Full Review
Audience Member
Despite the low budget of this film, seeing as how it was Robert Zemeckis' first movie — and Steven Spielberg's first produced film — Spielberg promised to step in if things ever got out of hand.
Written by Zemeckis and Bob Gale, the film pulls off an interesting paradox. It's a movie about the Beatles but we never see them. Instead, Pam Mitchell (Nancy Allen) and Rosie Petrofsky (Wendi Jo Sperber, forever in my heart; unlike the twentysomething teenagers in this movie, she lied about her age and she was only seventeen when she was hired) dream, plan and scheme to get to the Ed Sullivan Show to catch the first U.S. appearance of the lads from Liverpool.
Along with Grace Corrigan (Theresa Saldana), Larry (Marc McClure), Janis (Susan Kendall Newman, daughter of Paul) and Tony (Bobby Di Cicco), they're grabbed a limo and headed out to the Fab Four's hotel. Pam even ends up trapped up John's bed as the band hangs out in their room, as all manner of hijinks ensure, as this is a movie with a very simple premise and an episodic unfolded of the panic that happens when Beatlemania took over the country. And oh yeah — Eddie Deezen!
Di Cicco, Sperber, Allen and Deezen would all appear in Spielberg's next movie 1941, which was also written by Gale and Zemeckis. Sperber and McClure would also appear in another Spielberg, Gale and Zemeckis associated series: Back to the Future.
It's pretty astounding that twelves Beatles songs were cleared for this movie, which just didn't happen back in the late 70s. At the time, the rights were spread across numerous entities, which made it even more difficult to get all of the soundtrack approved.
I first saw this late at night on a UHF channel and ended up loving it way more than I thought that I would. It just works; seeing it again years later, it holds up.
Rated 4/5 Stars •
Rated 4 out of 5 stars
02/06/23
Full Review
Audience Member
You may say I'm the only one, but I find it hard to imagine a time when the Beatles weren't, you know, *the freakin' Beatles*-a point in their career when their name might be misspelled on a marquee, a time when people could question the Fab Four's artistic integrity, see them only as another group of guitar-playing teen idols, think them to be the typical celebrity pacifiers and not catalysts for the intellectual and creative and libidinal liberation of an entire generation. In his feature film debut, Zemeckis captures the madcap energy and youthful revelry of those earliest Beatlemania days, focusing less on the band-in many ways, their artistic genius had yet to be seen, their musical ingenuity easy to mistake for just another passing fad-than he does on the effect they had on fans. Here Zemeckis subtly couples the irrepressible chaos of Beatlemania with the burgeoning Women's Liberation movement and with the emergence of anti-authority protests against the police and against parents. This is set against the angry, toxic opposition of entitled young men and old conservative coots-women in furs and pearls, jerks in leather jackets-who act utterly bewildered as their privileged social station comes under attack. Although it may not have the same level of inventiveness as the band's best movies the final product is very much in the vein of the Beatles' own filmography, with all the irreverence and slapstick of HELP!.
Rated 4/5 Stars •
Rated 4 out of 5 stars
01/30/23
Full Review
robbie v
A rollicking good yarn
Rated 3/5 Stars •
Rated 3 out of 5 stars
03/31/23
Full Review
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