Brent A
10% rating ... I couldn't get into the storyline of this film. Weird and at times, a little uncomfortable.
Rated 0.5/5 Stars •
Rated 0.5 out of 5 stars
12/27/23
Full Review
dave s
If anybody tries to convince you that Nagisa Oshima's In the Realm of the Senses has some sort of political message or social commentary, don't fall for it. It's simply soft-core porn, periodically slipping into something more hard-core. And that's fine because it features some beautiful cinematography, a stunning color palette, and surprisingly decent performances. To its detriment, it has some cringe-worthy dialogue (‘they say true love means eating food dipped in your lover's juices'), some stomach-churning visuals (a woman clips off her lover's pubic hair and eats it), so much gratuitous sex that it actually gets a bit boring, and a final scene that will make you want to vomit. It's lovely to look at but doesn't feel like it has much to say.
Rated 3/5 Stars •
Rated 3 out of 5 stars
03/30/23
Full Review
ANDERSON G
"Empire of the Senses" can easily be categorized as an erotic film, with very explicit scenes, fleeing even the usual Japanese cinema of the time, and it is precisely this that the controversial film of the 70s seeks to bring to light, the repressed sexual exacerbation of the Japanese culture, at least that's what director Nagisa Ōshima wanted to expose, with sexual scenes that advance limits until a sacrificial outcome, the film is interesting because it seeks to bring purely through a sexual act the nuances of its characters and history, this story which is focused on two lovers who release their sexuality as a whole on each other, and knowing that the scenes of the film were recorded with real sex happening between the actors, and more peculiarly, the "bizarre" sexual scenes also being real makes this most exclusive work, as a landmark of his production.
Although "Empire of the Senses" is considered a very important film for Japanese cinema, it is very difficult to identify this milestone nowadays, when the sexual aspect of cinema is already banal, but it is easy to understand why the film is considered heavy, his sexual evolution takes macabre tones, not only physically but psychologically as well and leaves the viewer distressed and tense, it is important to highlight Nagisa Ōshima's directing work, as the director manages to lead his actors with excellence to a spontaneity mixed with convincing performances - with the exception of the supporting cast - manages to give a dark tone to his score, marking acts and scenes with almost macabre sound touches, the director gets us used to waiting for the appetite of our two protagonists with a touch of a note, in addition we have a composition of magnificent scenery, and it is worth mentioning, I watched the remastered version that has an impeccable photography and visuals. 7.5/10
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
04/19/22
Full Review
Audience Member
Sada Abe (Eiko Matsuda) is a former prostitute who now works as a maid in a hotel, where she falls for the owner, Kichizo Ishida (Tatsuya Fuji), an affair that starts simply with non-stop sex and continues to become an obsession, as she doesn't want to share him even with his wife. Soon, their love games include strangling one another during sex and her holding a knife to his manhood, saying that she's going to take it with her. Well, that's exactly what happens, as she accidentally kills him while they make love and takes his member with her, walking with it inside her before she's arrested.
Directed and written by Nagisa Oshima, who also made Merry Christmas, Mr. Lawrence, this is a rare mainstream film that doesn't shy from unsimulated sex, made in a culture that even hides the mere glance at female genitals. It was made in France, while in Japan, it was fogged and blurred so that it could appear in theaters.
Eiko Matsuda had worked in sexploitation films but was never treated as harshly by the public as she was when this film was made, finally moving to France and ending her acting career. Society remains unfair, as her male partner in the movie, Tatsuya Fuji, regained his career after two years.
This was based on a true story and Sada Abe did not fade from the world after serving five years of her six-year sentence even though she asked for the death penalty. The police record of her interrogation and confession became a best-selling book. Over the next few years, the public perception of her moved from a pervert to someone who murdered for love. She acted in a traveling show and worked in a bar in downtown Tokyo for twenty years before appearing in Teruo Ishii's documentary History of Bizarre Crimes by Women in the Meiji, Taisho, and Showa Eras. When Oshima tried to find her before making this movie, he learned that she was in a nunnery, yet most reports claim that she disappeared.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
02/06/23
Full Review
Fra B
It's as vividly beautiful and violently poignant as its famous passion scenes.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
11/20/21
Full Review
William L
"I meant to buy a thicker blade ... there were people watching."
Sada, you haven't exactly been all that worried about people watching for the past hour.
There are two different sides to consider when watching In the Realm of the Senses: 1) the crafting of an obsessive romance shown through increasing sexual intimacy and voyeurism, not just as a means of connecting with one another but of creating a sanctuary from the outside world (which is only shown in one or two critical shots, indicating the rise of Japanese nationalism), and 2) this movie is almost entirely explicit sex scenes.
We're left to contrast this tortured, sexually aggressive relationship, which dives deeply into the concept of possessiveness, passion, and jealousy, against actual content that becomes surprisingly repetitive despite the shock value of unsimulated sex scenes. It just becomes one fuck after another where this couple wants others to watch them, they choke one another, and make baseless accusations about infidelity and toss around threats about what they'll do if their relationship were to end; there is so little character development for the middle 80% of this film that it actually makes you wonder if you're not just watching a strange, artsy porno flick.
Ōshima has a clear vision here and actually levels solid criticism of the social cues of conservative Japan in the 1930s (hence the need for our protagonists' escape), but his originality often comes in a form that is just unenjoyable. (3/5)
Rated 3/5 Stars •
Rated 3 out of 5 stars
11/17/21
Full Review
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